FROM COHEN MEDIA GROUP
Review by Fluffy the Fearless😽
Actually, Berthold Hoffmann (Bruno Ganz) takes a bullet to the head. The “knife” of this German classic is metaphorical.
He’s shot while running through the headquarters of a radical left-wing group, presumably by the cops raiding the place. Not only does he suffer brain damage, but he’s also lost most of his motor skills. Doctors are hopeful for a full recovery, but it could take a long time. The police, led by Anleitner (Hans Christian Blech), suspect he’s faking his condition and is actually the leader in a conspiracy against the government. Meanwhile, Hoffman’s estranged wife, Ann (Angela Winkler), and her new lover, Volker (Heinz Hoenig) - who are radicals fighting police brutality - are certain he’s being set up.
The bulk of the narrative features Hoffman’s slow recovery. As his physical abilities begin to return, so does his memory, though he may never recover fully. At first, neither he nor the audience is certain about the events that night, but as the story unfolds, it becomes apparent that he’s something of a pawn for both sides. Hoffman himself grows distraught, angry and determined to find out why he was shot in the first place.
|Ganz does Brando.|
Though the overall story arc is somewhat perfunctory, it does lay the groundwork for an emotionally-charged climax. By this time, we’re invested enough in Hoffman’s painful road to recovery that no one could blame for going postal on those who’ve wronged him. Instead, we’re somewhat blindsided by a haunting denouement.
INTERVIEWS - 1) With director Reinhard Hauff; 2) With executive producer Eberhard Junkersdorf.
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