April 25, 2025

THE GOOD GERMAN (4K): Looks Aren't Everything

THE GOOD GERMAN (4K UHD)
2006 / 108 min
From Warner Bros.
Available at www.MovieZyng.com
Review by Princess Pepper😼

I don’t care for everything Steven Soderbergh has directed. Of his films that I’ve seen, I enjoyed maybe a third of them. But I admire the guy because he’s unafraid to take risks. Equally at home doing blockbusters and indie darlings, he also did a couple of movies with just a cellphone. When it comes to different ways to make a film, Soderbergh appears willing to try anything…for better or worse.

That adventurous spirit also applies to 2006’s The Good German, a World War II mystery-thriller shot in black & white in the 1.33:1 aspect ratio that was standard for movies of that era. Soderbergh and cinematographer Peter Andrews perfectly capture the look, tone and style of classic film noir, aided by Thomas Newman’s evocative score. If one didn’t know better, they’d assume they were watching something from the 1940s (at least until Tobey Maguire is shown vigorously boning Cate Blanchett).


The Good German gets a lot of mileage out of its throwback aesthetic, especially scenes that are obvious homages to the films which inspired it (Casablanca anyone?). And the overall image looks terrific in 4K. But as they say, looks aren’t everything. 


"Sorry...I don't date superheroes."
The narrative itself is sporadically interesting. As World War II ends, George Clooney plays Captain Geismer, a war correspondent in Germany who’s compelled to investigate the murder of conniving, opportunistic GI Patrick Tully (Maquire). His digging leads him back to old flame Lena Brandt (Blanchett), as well as the U.S. and Russia’s efforts to snag German rocket scientist, Emil Brandt, Lena’s husband. However, the Brandts have some very dark secrets related to their roles in the war.

But here’s the problem…while the story is okay, none of these characters are very interesting. In fact, all that’s really revealed about Geismer is that he’s a newsman and once had a fling with Lena, who I suppose qualifies as a femme fatale. But aside from Tully being established as a reprehensible bastard (and Maquire’s screen time is far less than his billing suggests), everyone else is just a talking head providing exposition.


In a way, this sort of makes watching The Good German kind of like going on a date with someone who’s drop dead gorgeous, only to discover over dinner they have zero personality. You don’t regret asking them out, but one date is probably enough. Ultimately, this is another Steven Soderbergh cinematic exercise that’s easier to admire than enjoy.


EXTRA KIBBLES

4K & BLU-RAY COPIES

TRAILER


April 22, 2025

THE MASK OF SATAN: Like Father...Not Like Son

THE MASK OF SATAN (Blu-ray)
1990 / 98 min
Review by Josey, the Sudden Cat🙀

The son of legendary Italian horror director Mario Bava, Lamberto Bava’s greatest claim to fame on this side of the pond is probably Demons and its sequel, Demons 2. Both are held in pretty high regard among 80s-era gorehounds (though I personally think they’re devoid of any real appeal beyond the special effects).

1990’s The Mask of Satan is Lamberto’s loose remake of Dad’s most famous film, Black Sunday. However, he displays little of Mario’s eye for atmosphere or narrative coherence. In fact, it plays more like a Demons sequel, without the vivid gore that at-least made that film watchable. 


This one features a group of obnoxious skiers who become trapped in an ice cave where a witch was buried centuries earlier. Of course, she’s resurrected, and the remainder of the story is pretty much Demons in the snow…people become possessed and chase around those who aren’t. That’s about it.


"I don't suppose any of you thought to bring cocoa, did you?"
Characterization is minimal, as are the acting abilities of its cast, though Eva Grimaldi, as sexy witch Anibas, is certainly easy on the eyes (too bad we don’t see more of her). And while some of the production design is impressive, Lamberto’s direction reflects little real imagination or panache. Never once approaching scary, isn’t long before the whole thing grows tedious.

The Mask of Satan was originally filmed as an episode of an Italian miniseries called Sabbath, which could partially explain why its cinematically underwhelming. But even with tempered expectations, I think fans of Italian horror will find this one a chore to sit through. Stick with Dad’s original.


EXTRA KIBBLES

INTERVIEWS - Individual interviews with director Lamberto Bava, actress Mary Sellers and actress Debora Caprioglio.


THE POOP SCOOP: Action Edition

😺Jason Statham’s A WORKING MAN on 4K, Blu-ray & DVD June 10 from Warner Bros Discovery/Amazon MGM Studios. Levon Cade left behind a decorated military career in the black ops to live a simple life working construction. But when his boss’s daughter, who is like family to him, is taken by human traffickers, his search to bring her home uncovers a world of corruption far greater than he ever could have imagined. A Working Man, from Amazon MGM Studios, will be available for purchase on 4K UHD , Blu-ray  and DVD on June 10. Directed by David Ayer from a screenplay by Ayer and Sylvester Stallone, the film is produced by Chris Long, Jason Statham, John Friedberg, David Ayer, Bill Block, Kevin King Templeton. Starring Jason Statham, Jason Flemyng, Merab Ninidze, Maximillian Osinski, Cokey Falkow, with Michael Peña and David Harbour.

🤠TOMBSTONE is Now on Digital and 4K UHD SteelBook from Disney. Every town has a story — Tombstone has a legend. Experience the explosive, action-packed battle on 4K Ultra HD. U.S. Marshall Wyatt Earp (Kurt Russell), his brothers (Sam Elliott, Bill Paxton) and the outrageous Doc Holliday (Val Kilmer) band together to bring law to the lawless in a notorious showdown at the O.K. Corral. The star-studded cast also includes Dana Delany, Jason Priestley and Michael Biehn in an epic story of Wild West justice.


😺THE ALTO KNIGHTS on Digital NOW and Blu-ray & DVD May 27 from Warner Bros.  From Warner Bros. Pictures, “The Alto Knights,” starring Academy Award winner Robert De Niro in a dual role and directed by Academy Award-winning filmmaker Barry Levinson, will debut Digitally at home on April 11. The film follows two of New York’s most notorious organized crime bosses, Frank Costello (De Niro) and Vito Genovese (De Niro), as they vie for control of the city’s streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever. “The Alto Knights” was written by Oscar nominee Nicholas Pileggi (“Goodfellas”) and produced by Oscar winner Irwin Winkler (“Rocky,” “Goodfellas”), Levinson, Jason Sosnoff, Charles Winkler and David Winkler, with Mike Drake executive producing. 


💀MICKEY 17 on Digital Now and 4K, Blu-ray & DVD May 13 from Warner Bros. From the Academy Award-winning writer/director of “Parasite,” Bong Joon Ho, comes his next groundbreaking cinematic experience, “Mickey 17.” The film arrives for purchase and rental Digitally at home on April 8. “Mickey 17” will also be available to purchase on 4K UHD, Blu-ray and DVD on May 13. Written and directed by Bong Joon Ho, “Mickey 17” stars Robert Pattinson, Naomi Ackie, Steven Yeun, with Academy Award nominees Toni Collette  and Mark Ruffalo.


😺NOVOCAINE on Digital April 8 and 4K/Blu-ray June 24 from Paramount. Get ready for the action-packed comedy as NOVOCAINE arrives to buy or rent on Digital April 8, 2025 from Paramount Home Entertainment.  The film will arrive in a 4K Ultra HD/Blu-ray Combo, a 4K Ultra HD/Blu-ray SteelBook, and on DVD June 24. Fans who purchase NOVOCAINE on Digital or 4K Ultra HD will have access to over 35 minutes of action-packed bonus content.  Find out how this genre-busting concept went from page to screen, go behind the scenes of the eye-popping stunts, and see how special effects makeup dialed up the carnage.

April 21, 2025

KILLDOZER and the Dream Job

KILLDOZER (1974)

Starring Clint Walker, Carl Betz, Neville Brand, James Wainwright, Robert Urich, James A. Watson Jr. Directed by Jerry London. (74 min)

Essay by D.M. ANDERSON💀

So my wife, Francie, and I were out running errands when she half-jokingly suggested we get licensed to operate bulldozers and offer our services to people or businesses who might need stuff moved. 

Though I’m semi-retired and living fairly comfortably, I replied, “How much does a bulldozer actually cost?” 


“We wouldn’t buy one,” she countered. “We’d just drive them.”


While I don’t know if that’s how the business actually works, the idea of a husband & wife bulldozing team actually sounded kinda cool. But exactly how does one become a bulldozer driver? “Are there bulldozer schools or something?”


“There has to be,” Francie said. “They don’t let just anybody drive one.”


I briefly thought of telling her about the time when I was a kid, when I wandered into an unattended construction area. It was the weekend, so nobody was working and all the heavy duty equipment was parked wherever their operators’ shift ended on Friday. Like snoozing giants, a couple of big yellow dozers laid dormant nearby, too tempting to resist going in for a closer inspection. After climbing into the cab of the closest one, I started moving levers and pushing buttons, and to my utter terror, the damn thing lurched and roared to life. 


Practically pissing myself, I leaped down, jumped on my bike and sped away, leaving the growling beast behind, my active imagination entertaining the notion that it might come after me…angry that I woke it from its weekend slumber. Even a quarter mile away, I could still hear it roaring and briefly considered returning to the scene of the crime to try and shut it down. But hell, I wasn’t sure exactly how I started it in the first place. No…best to scamper away unseen, and having just seen Killdozer on TV, I had no further desire to incur the machine’s wrath.


While that dozer debacle instilled me with a healthy respect for them, it now seemed plausible that, with a little hands-on training under my belt, I could master their awesome power in order to push shit around (or knock it over) for a living. With the wife, of course.


“We could call our business Gettin’ Dirty with Dave & Francie,” I said suggestively.


Francie cackled, “Call us if you want the earth moved.” Even at our age, we often revert back to being twelve-year-olds when no one else is around…or when we feel like embarrassing our daughters.


“You know what else we could do? We could go to random houses with our machine and tell them that for only $10,000, we’ll pass by their house and knock over someone else's.”


“That’s extortion.”


“I prefer to think of it as holding the house for ransom.” 


Either way, a big honkin’ bulldozer could be a badass way to make a living, especially for a guy who’s never been particularly badass himself (or remotely intimidating). But sitting in the cab of one of these bad boys, revving the engine with delirious grin spread across my face? Hell, I might simply be content to prowl around peaceful neighborhood streets in the dead of night, unseen behind the mechanical monster’s probing headlights as I repeatedly raised and lowered its massive blade. The predatory possibilities are endless. They were endless to Theodore Sturgeon, too, who wrote the story, Killdozer, back in 1944, which was later loosely adapted into a goofy ABC Movie of the Week.


There’s an entire generation of children raised in the ‘70s - including myself - whose introduction to horror and sci-fi was through television. We were old enough to be curious about the monsters lurking in theaters but mostly too young to do anything about it, so networks stepped in to oblige us by cranking out all kinds of creepy concoctions. The primary purveyor of these pictures was ABC, whose Movie of the Week series was a staple throughout the decade. Most movies were simply schedule filler and not particularly memorable, but some, like The Night Stalker and Trilogy of Terror, transcended their TV origins (and production values) to become classics. 

Those of us who grew up on such televised terrors are in our 50s and 60s now, so the likes of Killdozer, The Stranger Within and Bad Ronald still hold special places in our hearts. Almost without exception, they seem comparatively quaint today and never as scary as we remembered, but revisiting them stirs-up a lot of nostalgic warm fuzzies.


Actually, Killdozer wasn’t scary back then either. Even as a 10-year-old, tuning in one February Saturday night in 1974, I knew the very premise (to say nothing of the title) was inherently stupid, yet irresistible at the same time. That might make it sort-of the Sharknado of its day, save for one thing: The tone is completely serious.


In the movie, a meteor strikes a remote island and becomes buried over time. It’s later discovered by a construction crew led by Lloyd Kelly (Clint Walker). Not willing to let a glowing space rock stand in the way of progress, they decide to try and push it aside with a large bulldozer. However, the meteor’s power affects the machine, making it uncontrollable. 


The possessed bulldozer commences stalking the construction crew all over the island, hellbent on killing them all. Much silliness ensues, all unintentional, but there’s some great fun to be found in watching a team of guys trying to outwit their own construction equipment. And admittedly, there are a few moments when director Jerry London manages to make the dozer kind of menacing, especially during the night sequences. 


Considering the concept, the movie also features earnest performances, which had to be difficult to pull off with a straight face. Walker’s probably the most famous name here, though old school western fans will certainly recognize career bad guy Neville Brand. And isn’t that the late, great TV legend Robert Urich in an early role (and first to die)?


How to properly dispose of a Cybertruck.

As sentient, vicious vehicles go, Killdozer actually predates the likes of The Car, Crash!, Christine and Maximum Overdrive. While it’s not necessarily better than those films (okay, it’s way better than Maximum Overdrive), one can’t help but wonder if this quaint little TV flick had at least some influence (on Stephen King in particular, who wrote a lot about machines turning on their masters). Over the years, it’s also become something of a cult film, even inspiring a band name.


Unfortunately, after Francie and I finished our errands, I did a quick Google and learned that even a medium sized CAT bulldozer (which is evidently the Ferrari of construction equipment) runs well over $100,000. Really large ones, like the malevolent machine in Killdozer, could cost as much as a million bucks. So I guess if Francie and I are gonna start our earth-moving/extortion side hustle, it’ll be as hired hands using someone else’s stuff.


On the plus side, it turns out there is such a thing as bulldozer school. In fact, we could be qualified to sit in the cab of a 55 ton killing machine in just a couple of weeks. Yours truly even passed the pre-qualification test with an 82%. Consider yourselves warned.

April 17, 2025

CAPTAIN AMERICA: BRAVE NEW WORLD Clings To The Past

CAPTAIN AMERICA: BRAVE NEW WORLD (Digital)
2025 / 118 min
Review by Stinky the Destroyer😼
Available on Digital NOW and 4K, Blu-ray & DVD 5/13

Of all the Marvel movies, the first two Captain Americas are my personal favorites. The third one? Not so much, mainly because it felt like more of a transitional Avengers episode than a movie that can be appreciated on its own terms. 

I also really enjoyed The Falcon and the Winter Soldier during the short time I had Disney+. Yeah, it was sad that Steve Rogers was gone, but Sam Wilson (Anthony Mackie) was a worthy heir to the shield and the (mostly) stand-alone story was really good. It also introduced a few interesting new characters along with some familiar faces…Familiar if you’ve been keeping up, that is.


Captain America: Brave New World certainly assumes you have. In fact, you might need a masters degree from MCUniversity to appreciate half of it. Not only does it operate on the conceit that the audience is well familiar with The Falcon and the Winter Soldier, but also Eternals, Black Widow, Ant-Man, all the Avengers movies and even 2000’s The Incredible Hulk (you know, the one with Edward Norton). 


The narrative depends on the past more than any other MCU film to date. Starting at the top, viewers who’ve never subscribed to Disney+ might find themselves asking,“When and how did Sam Wilson become Captain America?” Haven’t revisited the mostly forgotten Incredible Hulk movie from 25 years ago? Well, that’s on you, even though the film isn’t even considered part of the MCU. Newcomers will likely find the movie lacking in overall character exposition because a lot of them were established in other movies and TV shows.


Cap forgets where he parked.
Obviously, Brave New World isn’t intended for newcomers, an attitude that has torpedoed some recent Marvel movies. But the good news is that it’s better than The Marvels, Wakanda Forever & Ant-Man and the Wasp: Quantumania. Much of that is due to the performances. Mackie earnestly demonstrates resolve and vulnerability, while Harrison Ford as now-President Thaddius Ross (assuming the role played by the late William Hurt) indulges in a rare bit of scenery chewing. Giancarlo Esposito is fun as Sidewinder, though he’s underused compared to the far less interesting main antagonist, Samuel Sterns (Tim Blake Nelson).

The serviceable story never approaches the throwback fun of The First Avenger or the intrigue of The Winter Soldier, but is fairly entertaining in the moment (and maybe just forgettable enough to seem new again during repeated viewings). There’s also plenty of action throughout, though sometimes a little too dependent on CGI (which is pretty wonky at times). But on the plus side, here’s a rare Marvel movie that’s comparatively light on rampant mass destruction. I like citywide mayhem as much as the next guy. I also love lasagna…just not for every damn meal.


Additionally, Captain America: Brave New World does not have the look or tone of the other three movies, which I think is by design since it gives us a new Captain. But I don’t think it goes far enough. At this point, a fresher move would’ve been to ditch the MCU baggage with a stand-alone story that doesn’t cling to the past or offer hints about the future. 


EXTRA KIBBLES

FEATURETTES - Assuming the Mantle; Old Scores, New Scars.

AUDIO COMMENTARY - By director Julius Onah and cinematographer Kramer Morgenthau.

BLOOPERS - It’s mostly just actors dancing for the camera.

3 DELETED SCENES


April 15, 2025

THE ADVENTURERS: Andy Lau Brings the Pain

THE ADVENTURERS (Blu-ray)
1995 / 110 min
Review by Mr. Bonnie, the Badass😺

When this arrived, I initially thought it was a rerelease of an identically-titled film I once reviewed which also starred Andy Lau. And I had no problem with that. I generally enjoy Lau’s action movies and 2017’s The Adventurers was a fairly entertaining heist flick. But 1995’s The Adventurers is a completely different animal. It’s one of director Ringo Lam’s lesser-known films on this side of the pond, having never been released on Blu-ray until now.

Lay plays Wai Lok-yan, a Cambodian fighter pilot still traumatized from witnessing the murder of his entire family when he was a boy. The man who killed them is Ray Lui (Paul Chun), a treasonous former CIA operative who’s since become rich as an illegal arms dealer. Wai has had revenge on his mind ever since, and after a failed attempt to assassinate Ray, he’s recruited by the CIA to go undercover as a ganglord in order to help bring Ray (and his much bigger associates) to justice.


Andy Lau suffers for his art.
The job takes him to San Francisco, where he wastes no time taking over territories. He also insinuates himself into the life of Ray’s estranged daughter, Crystal (Jacklyn Wu), eventually marrying her to get closer to his target. The problem is he’s also fallen in love with her, which creates a moral quandary, especially after he learns she’s pregnant. And absolutely none of this sits well with Mona (Rosamund Kwan), Ray’s mistress with whom Wai enjoyed a brief tryst. 

It's occured to me that I’m making The Adventurers sound like a melodramatic soap opera. While some narrative elements reflect that, it’s primarily a violent, complex action film. Some of the story doesn’t always come across as plausible, but it’s certainly exciting, with some excellent action sequences. Lau has always been a solid physical & dramatic actor, and he’s in fine form here. As Ray, Chun makes a wonderfully hateful foe, while Kwan could sort-of be viewed as a femme fatale…and a compelling one at that.


The Adventurers is nowhere near as upbeat as the somewhat misleading title suggests. For the most part, the tone is dark and serious, compounded by brutal violence and a massive body count, especially during the kaboom-laden climax. For Andy Lau and Ringo Lam fans, this one-time collaboration is worth seeking out. 


On an amusing side note, the original poster (reproduced on the Blu-ray cover) shows Lau standing in front of a New York skyline, even though none of the movie takes place there.


EXTRA KIBBLES

INTERVIEWS - Two Adventurers features Asian Cinema journal editor Gary Bettinson, who thoroughly discusses the golden era of Hong Kong action films, focusing largely on director Ringo Lam and The Adventurers; Interview with writer-producer Sandy Shaw.

AUDIO COMMENTARY - By critic David West.

SUPPLEMENTAL BOOKLET - Includes “Unconventional Heroism,” an essay by Han Joon Magnan Park; cast, crew & Blu-ray credits.

TRAILER