Sony Pictures Home Entertainment
When the groceries are running low but we can‘t get to the store, my wife will raid the fridge to create something out of leftovers, throwing this & that together, making-up everything as she goes along. More often than not, those dinners turn out pretty good - sometimes outstanding - but since she’s winging-it, those improvisational meals never turn out the same way twice.
Director Paul W.S. Anderson’s entire career is sort of like that, regularly raiding Hollywood’s fridge for leftovers of previous meals in an effort to concoct something edible. His criminally-underrated Event Horizon was a terrifically-delectable dish, making the most of ingredients first used in The Shining, Hellraiser and Alien. But like my wife, he often forgets how to put together similarly-scrumptious meals. Sure, some are edible if there’s nothing else to eat (Resident Evil, Death Race), but most of his other dishes are terrible, made with ingredients found in the back of the fridge which expired a long time ago.
|"Checkin' out these guns?"|
For Pompeii, Anderson totally empties Hollywood’s fridge of every last morsel…part sword & sandal epic, part romance, part revenge story, part disaster film, with ample tablespoons of massive destruction, blood, action and CGI tossed in. If nothing else, this depiction of the cataclysmic volcanic eruption that instantly wiped-out an entire city 2000 years ago is Anderson’s most ambitious meal to-date.
Like most dishes made from leftovers, Pompeii is the sum of those which came before it, most notably Gladiator and Titanic, and there isn’t a single plot turn or line of dialogue you won’t see coming a mile away. The performances are decent during the first “Gladiator” half. Once the film switches to “Titanic” mode, when the action really escalates, less is required of anyone’s thespian abilities. Our two star-crossed lovers, Milo and Cassia (Kit Harrington & Emily Browning) do their best, but we don’t really care about their fates like we did Jack and Rose. If anyone in the cast truly deserves a big tip after the meal, it’s Adewale Akinnuoye-Agbaje as the gladiator slave, Atticus, who makes the most of the script and character he’s been given.
|"Right back at ya, bro!"|
While Paul W.S. Anderson has never created an original recipe of his own, he does a good job putting together a meal with the ingredients he’s given. As such, Pompeii is arguably his best film since Event Horizon (not-to-mention being one of his few not based on a pre-existing property). That might be faint praise to cinema snobs, but personally, I sometimes appreciate a skillfully tossed-together dish nearly much as an immaculate four course meal.
- 3-D version of the film
- Filmmakers’ commentary
- 20 deleted scenes
- Featurettes: The Assembly, The Volcanic Eruption, The Gladiators, The Costume Shop, The Journey, Pompeii: Buried in Time
(OUT OF 5)