Back in the 1980s, I was briefly into hair metal like WASP, thinking they were the coolest band on the planet. As I grew older, my love of heavy metal never really changed, but I eventually concluded that WASPâs dangerous appearance, over-the-top performances and shock-rock lyrics was all surface gloss that made them seem like a better band than they ever really were.
Similarly, I first watched 2005âs Domino in a theater, where I was bombarded by relentless sound & fury, style-to-burn, an all-star cast, supercool characters and (of course) enough hyperkinetic kaboom for three movies. It certainly wasnât the only one to emphasize style over story, nor was it director Tony Scottâs lone foray into chest-pounding excess (he was Michael Bay before anyone had ever even heard of Michael Bay). Since I thought this kind of stuff was great, Domino earned my enthusiastic stamp of approval.
But times change and so do most people. Iâm older & wiser now (though I wouldnât put that last one to a vote), so while I still love a great action thriller - even dumb ones - Iâve grown less enamored with those that play like two-hour music videos. Dominoâs dizzying camerawork, caffeine-jitters editing and sinus-clearing score mask its overall emptiness. Even periodic attempts at symbolism are mostly superfluous and shallow, not unlike the âseriousâ phase of WASPâs career, though the songs were basically the same.
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"That wasn't me." |
Iâm making it sound like the movie hasnât aged well, when in fact itâs me who has done all the aging. Domino is the same brash, fast-paced, intellectually-undemanding batch of action eye candy itâs always been and certainly indicative of Tony Scott in his prime. I guess two hours of visual & sonic fireworks with no substance behind it just doesnât rock me like it used to. Kind of like WASP.
This is a re-issue of a Blu-ray originally released in 2009.
EXTRA KIBBLES
FEATURETTES - I Am a Bounty Hunter: Domino Harveyâs Life is a decent 20 minute documentary, featuring interviews with the real thing; Bounty Hunting on Acid: Tony Scottâs Visual Style is accurately named.
AUDIO COMMENTARY - By director Tony Scott and screenwriter Richard Kelly.
ALTERNATE AUDIO TRACK - Sort of like a commentary track, this features director Tony Scott, screenwriter Richard Kelly, exec producer Zach Schiff-Abrams and actor/musician Tom Waits (not sure why heâs includedâŠheâs only in the damn thing for a couple of minutes).
DELETED SCENES
TRAILERS
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