Sony Pictures Home Entertainment
My oldest daughter bakes great cookies, the best I ever tasted. I’m not sure how she does it. I’ve tried baking cookies using the same ingredients, but mine don’t turn out as good. Similarly, The Mortal Instruments: City of Bones, yet-another attempt at a franchise based on a series of popular young adult fantasy novels, strives to be another Harry Potter or Twilight (and obviously inspired by both). It has most of the same ingredients, but like my cookies, a checklist of ingredients is no guarantee that the end result will be the same. City of Bones is very similar to how my own cookies taste…not terrible, but nothing special either.
It’s almost as if the filmmakers obsessively studied other YA franchise cookbooks to create a checklist for their own movie: Attractive emo chick…check. Smoldering emo boy…check. Ongoing love triangle…check. Costumes which are likely available at Hot Topic…check. Ominous signs & symbols foretelling dark times ahead unless we can stop it…check. Werewolves & vampires…check. A magical world which exists right under our noses…check. Hyperkinetic fight scenes…check. Spectacular CGI that would have knocked our socks off 10 years ago…check. A resolution which blatantly leaves the door open for the next installment…check.
|Someone could use a breath mint.|
So we end up with a movie with a bloated running time which plays like a greatest hits collection of scenes from other YA franchises (with a little bit of Evil Dead tossed in), and is ultimately forgettable because it offers nothing new. Like my daughter’s cookies versus my own, it isn’t terrible, but nothing special compared to what came before.
SPECIAL FEATURES: Bringing Them to Life featurette (cast & crew discuss the characters); Descendants of the Cup (a look at the stunt work and action); deleted scenes; music video, “Almost is Never Enough,” by Ariana Grande & Nathan Sykes.
(OUT OF 5)