Showing posts sorted by relevance for query alien. Sort by date Show all posts
Showing posts sorted by relevance for query alien. Sort by date Show all posts

July 6, 2017

Blu-Ray News: ALIEN: COVENANT On Digital HD 8/1 & 4K Ultra HD, Blu-ray and DVD 8/15


THE PATH TO PARADISE BEGINS IN HELL

Ridley Scott’s Terrifying Return to the ALIEN Universe
Arrives On Digital HD August 1 and on 4K Ultra HD, Blu-ray and DVD August 15

Secrets of the Alien Universe Are Unlocked with Over 90 Minutes of Revealing Extras

 
Twentieth Century Fox Home Entertainment presents Ridley Scott’s return to the universe he created, with ALIEN: COVENANT, the newest chapter in the groundbreaking ALIEN franchise, arriving on Digital HD August 1 and on 4K Ultra HD, Blu-ray and DVD August 15. Limited Edition Exclusives will be available at Walmart, Target, and Best Buy.

The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an unchartered paradise, but is actually a dark, dangerous world. When they uncover a terrifying threat beyond their imagination, they must attempt a harrowing escape.



Featuring an all-star cast including Academy Award Nominee Michael Fassbender (X-Men franchise, Steve Jobs), Katherine Waterston (Fantastic Beasts and Where to Find Them), Billy Crudup (Jackie), Danny McBride (This Is The End) and Demián Bichir (The Hateful Eight), ALIEN: COVENANT is loaded with bonus material including a making-of documentary, deleted and extended scenes, commentary by director Ridley Scott, an inside look at “David’s Lab,” crew fear tests, and much more.


Fans can also pick up exclusive editions of ALIEN: COVENANT at Walmart, Target and Best Buy!

  • Walmart – Alien Day fan art designed t-shirt (4K Ultra HD and Blu-ray formats)
  • Target – 36-page book packaging featuring an inside look at David’s Lab and the creatures of Alien: Covenant, PLUS behind-the-scenes photography and concept sketches (Blu-ray format)
  • Best Buy –Alien baby Xenomorph steelbook (4K Ultra HD and Blu-ray formats)

January 3, 2023

ALIEN 3: Someone Saved My Wife Tonight


ALIEN 3 (1992)
Starring Sigourney Weaver, Charles Dutton, Charles Dance, Danny Webb, Brian Glover, Ralph Brown, Lance Henriksen. Directed by David Fincher. (114 min)
Essay by D.M. ANDERSON💀

My wife, Francie, almost died once. I was there when it happened, and all I can say is she’s damn lucky to be alive. Even now, 30 years later, the thought of how the incident could have turned out sends a cold shiver up my spine. 

In order to recall this terrifying tale, it is unfortunately necessary to provide spoilers, which is sort of ironic considering the circumstances surrounding Francie’s brush with death. So, if you’ve never seen the infamous sci-fi suppository known as Alien 3, stop reading now.


Alien 3 takes place an unspecified amount of time after Ripley’s showdown with the xenomorph queen in Aliens, which is arguably one of the best sequels of all time, not just because it compares favorably to the original, but because it's unique unto itself. Writer/director James Cameron uses the concepts hatched in Alien (no pun intended) as a springboard for a film that's completely different in pace, tone and level of character development. It works as both a sequel and a rousing stand-alone sci-fi/action epic. Even Francie, who normally doesn’t go in for this sort of thing, liked Aliens.


Naturally, we couldn’t wait for a third entry in the franchise, having been teased about it for months with enticing trailers. And since the first two were distinctly different, we were open to the idea of Alien 3 going in a new direction. In fact, more of the same might have even been considered a disappointment. The last thing this series needed to become was Friday the 13th in space.


A lot of ideas were tossed around during Alien 3’s notoriously troubled production, which included having the story take place on Earth or, more intriguingly, a wooden planet-sized superstructure populated by monks (or something like that). Many other ideas were considered, too, all of which sounded cooler than what the final product turned out to be.


That pitch might have gone something like this: “Hey, I got it! Let’s have it take place on a lice-infested prison planet, shave the entire cast bald and kill off every character that survived the last film…including Ripley! We can get the guy who directed those Madonna videos to do this one!”


David Fincher may be a highly respected director today, but back then, he was a relative nobody entrusted to helm one of the most anticipated sequels of the era, which the powers-that-be at 20th Century Fox apparently decided should be the Schindler’s List of action movies. 


But we didn’t know any of that as we lined up on opening night in 1992 to catch the next installment of the Alien franchise. It had been six years since Aliens and we were more than ready for Ripley to resume kicking serious xenomorph ass. This was gonna be great.


Who's a good boy!
While I can’t speak for the rest of the packed theater that night, my excitement started to wane before the opening credits even finished, with scenes showing a xenomorph egg hatching onboard the Sulaco, the Marine ship where Ripley, Hicks, Newt and Bishop were in cryosleep after the events in Aliens

Uh…what? How is that possible? Ripley already killed the alien queen and the rest were all vaporized in a nuclear explosion back on the planet she just escaped. Who the fuck was still around to lay an egg?


At no point does the movie attempt to answer that question, but okay. I was willing to overlook such a glaring plot hole as long as the rest of the movie delivered the gooey goods. Instead, Alien 3 is a relentless Debbie Downer with almost none of the suspense of the first film or the intense action of the second. While not terribly made or anything, it’s slow, depressing and - aside from Ripley herself - features no likable or interesting characters. Bald, filthy and dressed in rags, they even all look the same. It’s as if everyone involved on both sides of the camera were intentionally trying to tank the franchise.


And our reward for enduring two hours of bleak nihilism? Watching Ripley die horribly, an alien bursting from her chest as she falls into a vat of molten lead. Yeah…thanks, guys.


As the end credits rolled, Francie and I filed out of the theater with the rest of the crowd, most with grim expressions on their faces. This was the most downbeat capper to a trilogy I’d ever seen (at the time, we didn’t know the franchise would keep hobbling along well into the 21st Century). In the lobby, as we walked past the sizable crowd of people lined up for the next showing, Francie blurted out, fairly loudly, “I can’t believe they killed Ripley!”


Oh, you should have seen the looks on those faces in line, who seemed to turn in unison to hatefully glare at my wife as though she just beat up a child in a wheelchair. 


I’m sure some of you have seen or read how The Simpsons have accurately predicted things that eventually occurred in real life. In Season Two, there’s an episode where Homer accidentally spoils The Empire Strikes Back’s big plot twist as he’s leaving the theater. Now we were living it.



Like Homer, Francie didn’t mean to spoil the movie…she was just caught up in the moment, which was an emotional sucker-punch. Still, part of me sympathized with that crowd, some who looked like they were ready to step out of line to either get a refund or burn my wife at the stake. Of course, I’d have to defend her should they have chosen the latter, but since taking on an angry mob is not among my list of skills, I simply hastened our quick exit. 

Looking back on it now, I like to think of my flight response as an act of heroism. Perhaps not quite as sexy as single-handedly taking on international terrorists to save my wife on Christmas Eve, but hey, Francie’s alive and that’s all that matters. Of course, that incident is funny now. And who knows, maybe she inadvertently spared a few people the agony of having to sit through Alien 3 (while saving a few bucks), which remains the worst movie in the entire franchise.

July 3, 2017

ALIEN and the Insatiable Compulsion

Starring Sigourney Weaver, Tom Skerritt, Veronica Cartright, Yaphet Kotto, John Hurt, Harry Dean Stanton, Ian Holm. Directed by Ridley Scott. (1979, 117 min).


Essay by D.M. ANDERSON

My youngest daughter, Lucy, and I recently exited the theater after watching Alien Covenant, the sixth film in the ongoing franchise (sorry, kids, the scrotum-sucking AvP movies don't count). We concurred that, while well made and certainly an enjoyable night at the movies, there was nothing particularly special about Alien Covenant. In fact, we both enjoyed the recent Alien rip-off, Life, a bit more. Perhaps because our expectations weren't as lofty for that one, or just maybe, facehuggers & chestbursters have lost most of their luster over the years.

As hard as it might be to fathom today, Ridley Scott's original 1979 film was really unprecedented. The plot may have directly ripped off a forgotten cheapie from 1958 (It! The Terror from Beyond Space), but Alien was so atmospheric, unpredictable, scary-as-fuck and shocking that it became a cinema milestone. In an era when the likes of Spielberg & Lucas had us cooing over any cuddly creature hailing from another world, here was one that was vicious, loaded with teeth, almost indestructible and existed for the sole purpose of slaughtering anything with a pulse. The film's infamous "birth" scene is as iconic as the first shark attack in Jaws and as unexpected as Marion Crane's death in Psycho.

Back in '79, watching that scene for the first time in a theater with a couple of buddies, we knew we were in for something bad when Kane (John Hurt) started choking and convulsing at the dinner table. After all, a nasty, acid-blooded spidercrab had recently attached itself to his face and shoved a slimy phallus down his throat, which was horrific enough. But even that didn't prepare the audience for what came next, when the most awful creature in horror history exploded from Kane's chest, showering his stunned crewmates in blood. I jumped from my seat and screamed, sending popcorn flying. The entire theater did. The last time I experienced a collective scream of that magnitude was when the shark in Jaws popped from the water to say hello to Martin Brody. One lady even ran from the theater, hand clasped tightly over her mouth. Back then, absolutely nobody saw this scene coming. Anyone claiming otherwise was lying their ass off.

Yes, John Hurt recently dined at Chipotle.
But Alien's disturbingly imaginative concept is really terrifying only once, like losing your virginity. You simply can't do it again and expect the same visceral experience you had the first time. James Cameron knew this, which is why he went the sci-fi-action route with his sequel, Aliens, the only film in the franchise as highly regarded as the first, and justifiably so. Every sequel afterwards was simply more of the same. Decades later, not even Ridley Scott himself could think to do anything more creative than make origin stories, which our beloved xenomorphs absolutely do not need. Sure, Prometheus and Alien Covenant are interesting, but what made these critters truly terrifying in the first place was their simple malevolence and horrifying method of reproduction. Giving them a history sort of demystifies their existence.

On the plus side, I must shoot some kudos Scott's way for bringing back one element of realism that's been missing from the franchise for a long time, which my daughter was sharp enough to point out. Referring to an early scene in Alien Covenant when a character decides to poke a bulbous object that releases microscopic, body-invading spores when disturbed, she remarked, "Why would he poke it? How could anyone visiting an alien world be that stupid?"

A good point, to be sure, but foolishly fucking with something strange is a time-honored sci-fi trope. In the original Alien, when Kane first ventures into the bowels of a derelict spaceship and sees thousands of eggs, the very first thing he decides to do is touch one, without pausing to ponder if that's a good idea. As he learns the hard way, it turns out to be a truly shitty idea. In fact, in the entire history of sci-fi films, not once has touching, poking or prodding a foreign object ever ended well, be it an egg, meteor, puddle of slime, pulsating orb, sexy alien babe or something swimming in a petri dish.

Free hugs!
But what makes scenes like this effective is what they say about the human condition. More than a simple plot device, Kane's first encounter with the egg is arguably the most realistic scene in the entire film. For all its grandeur and existential ideas, Scott's first prequel, Prometheus, was sometimes criticized for featuring some idiotic characters, most notably two dumbasses who try to touch a slimy, eel-like creature as though they're visiting a petting zoo. Yeah, it's a fatally dumb decision, but one that accurately reflects real human behavior...more specifically, male behavior. In movies, it's no accident that the character who chooses the hands-on approach is almost always a guy, usually an arrogant or cocky one.

Early in our marriage and not exactly rolling in cash, my wife, Francie, and I celebrated an anniversary by camping. Growing up in a family whose idea of a good time is to be outdoors, this was her fucking idea. For a city boy like myself, roughing-it means staying in a hotel without cable TV. But I was young, in love and willing to attempt survival without the conveniences which make life tolerable. So, armed with a tent, sleeping bags and sunblock, we ventured to a nearby campsite in Eastern Washington.

For those who picture the Pacific Northwest as a mountainous wooded wonderland, that's only west of the Cascades (where I grew up). Most of eastern Washington (Francie's old stomping ground) is as flat, hot and dry as Tatooine. It's bad enough driving through this barren wasteland; camping there is an exercise in masochism.

On one of these blistering days, we decided to take a walk. While crossing a field, we noticed something scurrying through the grass about twenty feet ahead. Thinking it might be a snake or something, Francie wisely exercised caution. I, on the other hand, did what any full-functioning male of my species would do in the same situation: look around for something to poke it with.

These friendly critters just love to play.
Armed with a small stick, I stealthily approached and proceeded to tap the critter into action. Suddenly, a noisy, quivering tail stuck straight up through the grass. It wasn't just a snake, but a rattlesnake and none-too-pleased with my company. I dropped the stick and ran, squealing like petrified piglet. The damn thing chased me about ten feet before giving up (angry snakes are a lot faster than I once thought). I suppose I was lucky because we were practically in the middle of nowhere. If I'd been bitten, no way could Francie have hauled my dumb ass to the nearest ER.

What did I learn from this self-instigated encounter with the dark side of nature? Not a damned thing. Given the chance, I'd probably do it again, albeit with a much bigger stick.

That's how most guys are wired. The compulsion to disturb something potentially dangerous is part of our DNA. Sure, we'll whack that hornet's nest! Hey, let's chase that skunk, lick that toad and taunt the neighbor's pitbull! Don't worry, honey, that venomous reptile can't hurt me! I'm armed with a twig! 

What's the worst that can happen?

Perhaps when we laugh at those dumbasses in sci-fi movies who stupidly play around with something they don't understand, guys in the audience are really laughing at themselves. After all, the funniest jokes are those with an element of truth to them. So when Kane seals his fate by messing with an alien egg, it's more than a simple story contrivance. In each of the Alien films he's directed, Ridley Scott taps into the male psyche and shows us human instinct in action.

Rewatching the original Alien with Lucy a few days later, she made another quip about never poking stuff in space. Since it's never boded well for any character in movie history, it's an acute observation. However, if I were in Kane's shoes, I must admit I'd still probably do the same thing. 

But I'd look around for a big-ass stick first.

February 26, 2019

ALIEN Turns 40

It's hard to believe this film is now four decades old. I remember sitting in the theater, utterly terrified, like it was yesterday. But here it is, and Fox is finally giving the film the 4K release it deserves...

The Scariest Movie Ever Made Celebrates 40 Years as ALIEN Arrives on 4K Ultra HD April 23

The terrifying sci-fi adventure, ALIEN, celebrates 40 years with an all-new 4K Ultra HD master, available April 23. A limited edition 4K UHD steelbook of ALIEN 40th Anniversary Edition will also be available exclusively at Best Buy.

In the film that birthed the wildly successful
ALIEN franchise, the crew of the deep space tug Nostromo awaken from stasis during a voyage home to Earth when their ship’s computer detects what is believed to be an alien distress signal coming from the desolate nearby moon, LV-426. While investigating, one of the crew, Kane (John Hurt), is attacked by an alien creature that latches to his face and he is rushed back to the Nostromo to receive medical treatment. Ripley (Sigourney Weaver), the ship’s warrant officer, advises against Kane’s return due to quarantine regulations - but her orders are ignored by Ash (Ian Holm), bringing the Nostromo under threat from a mysterious, extraterrestrial apex predator with violent and lethal survival instincts.

The film was restored in 4K in 2018 by 20th Century Fox at Company 3/Deluxe Entertainment Services Group, supervised by Ridley Scott and Pam Dery, with the 4K scans were done at EFilm.
---------------------------------------------------
And hey, while you're here, check out our retrospective essay, 



May 12, 2015

Blu-Ray Review: IT! THE TERROR FROM BEYOND SPACE

Starring Marshall Thompson, Shawn Smith, Kim Spalding, Ann Doran, Dabbs Greer, Paul Langton, Ray "Crash" Corrigan. Directed by Edward L. Cahn. (1958, 69 min).
Olive Films

Of course, any sci-fi or horror disciple worth their salt regularly drops to their knees and worships at the alter of Alien. It’s one of the most influential genre films of all time; the list of subsequent movies it has inspired is longer than the Dead Sea Scrolls. Even today, almost 40 years later, countless directors and screenwriters borrow liberally from Ridley Scott’s classic.

But as revered as it is, Alien itself probably wouldn't exist if not for a small, mostly-forgotten film with the exact same premise (and some strikingly-similar scenes) released 21 years earlier. For some of you, this might be like learning God actually gave the world two sons: the charismatic, good-looking messiah we admire and worship, and the prematurely-balding older brother who lacked the same ambition and remained a simple carpenter for the rest of his life. Still, Jesus may have once looked up to his big brother for inspiration and guidance, much like younger siblings generally do when Mom and Dad aren't around.

It! The Terror from Beyond Space is the sci-fi equivalent of that older brother, and Alien fans might be surprised at how much their beloved film steals borrows from this low-budget piece of drive-in fodder. In fact, part of the fun of watching this movie today is discovering the striking similarities between the two. For example:
  • A crew of astronauts lands on a hostile planet (in this case, Mars) for a rescue mission.
  • After taking off, they discover an alien creature is onboard.
  • The creature consists mostly of teeth.
  • The creature is sneaking through the air vents to get around in the ship, which one unfortunate crew member discovers when hunting it down. 
  • Crew members die one-by-one, similar to Agatha Christie’s And Then There Were None.
  • The creature turns out to be almost indestructible, impervious to bullets, fire, electricity, radiation and toxic gas.
  • In fact, the only way to kill it is to open an airlock and expose it to the vacuum of space.
"Okay...which one of you left the seat up?"
Okay, so maybe you’re a tad disillusioned that Alien isn’t quite as original as you once thought. Does this mean It! The Terror from Beyond Space a better movie? Of course not. Alien still deserves its status as an all-time classic, yet there’s a lot of fun to be had in checking out this old relic, which is actually pretty entertaining on its own terms. Sure the special effects are archaic, but like Alien, it benefits from low-key performances and smart dialogue, with a story that has since-proven to be timeless.

Any true fan of a particular genre needs to acknowledge and appreciate the older films which make such love possible. While no classic, It! The Terror from Beyond Space deserves a bit of that same love thrown its way, especially since nobody involved with Alien ever did.

EXTRAS: None.

KITTY CONSENSUS:
Purr...there's a lot of fun to be had comparing this ol' thing to a modern classic.

December 24, 2016

Movie News: ALIEN: COVENANT First Trailer Released!

Witness the Creation of Fear.
20th Century Fox has released the first trailer for ALIEN: COVENANT! Ridley Scott returns to the universe he created, with ALIEN: COVENANT, a new chapter in his groundbreaking ALIEN franchise. The crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. Check out the trailer below!
ALIEN: COVENANT Official Channels
  ALIEN: COVENANT 
hits theaters everywhere on May 19, 2017.

September 18, 2016

Blu-Ray Review: ALIENS - 30th ANNIVERSARY EDITION

Starring Sigourney Weaver, Michael Biehn, Paul Reiser, Lance Henriksen, Carrie Henn, Bill Paxton, William Hope, Ricco Ross, Al Matthews, Jenette Goldstein, Mark Rolston. Directed by James Cameron. (137/154 min).
20TH CENTURY FOX

If you're reading this, chances are you already have Aliens in your collection in some form or another. Why wouldn't you? As a sequel, it's one of the best of all time, not just because it compares more-than-favorably to the original, but because it's a unique film unto itself. Writer/director James Cameron uses the concepts hatched by Alien (no pun intended) as a springboard for a film that's completely different in pace, tone and level of character development. It works as both a sequel and a stand-alone sci-fi/action epic on its own. Best of all, Aliens has aged remarkably well for a 30 year old film; few sci-fi/action films released since have even come close to matching its intensity.

Along with the original, Aliens is the only other film in the entire franchise (which is still being milked) that's an undisputed classic. Hence, it's also been repeatedly re-released and repackaged over the years, by itself and in various boxed-sets with the others (such as 2010's impressively-exhausting Alien Anthology). Just like they did with Alien back in 2014, Fox has put out this handsomely-packaged Blu-Ray boxed set to celebrate its 30th Anniversary (has it really been that long?).

If you've never gotten around to adding Aliens to your collection and understandably don't want to waste your money on the other sequels, by-all-means, go right now and pick this up. Not only does it include both the original theatrical version and 1991's highly-touted Special Edition (generally considered the better of the two), this set comes with a booklet of beautifully illustrated art from the Dark Horse comic series. There are also 10 postcard-sized collector's cards of original concept art.


However, the disc's picture, sound & bonus features (all of which are remarkable) are exactly the same as those included on the Alien Anthology, and most of those extras were part of the Alien Quadrilogy DVD set back in 2003. Aside from the artwork, the only new bonus feature is "The Inspiration of Aliens," which isn't on the disc. It comes as a digital code which can be streamed 10 times and has an expiration date. As for the digital copy of the film, it's only the theatrical version, not the Special Edition.

Needless to say, the Aliens 30th Anniversary Edition is more of a commemorative souvenir than anything else, albeit a nicely packaged one. Of course, the film is great and still holds up well after dozens of viewings, but this release is more for newcomers and hardcore completists. Casual fans need not apply.

EXTRA KIBBLES:

The following are the same features included in 2010's Alien Anthology:
Theatrical Version and the 1991 Special Edition
Deleted/Extended Scenes
Original and Final Isolated Film Scores
Audio Commentary with Writer/Director James Cameron, Producer Gale Anne Hurd, Aliens Effects Creator Stan Winston, Several Special Effects Artists and most of the Primary Cast (minus Sigourney Weaver)
Deleted Scenes Footage Marker (For the Special Edition, this feature lets you know which scenes weren't in the theatrical cut)
"MU-TH-UR Mode" Interactive Feature (My favorite feature, this allows you to access bits of trivia and supplemental materials, of which there's a ton)

New to this edition:
Digital Code for "The Inspiration of Aliens" (An all-new featurette featuring James Cameron, but I've been unable to access it as of this writing)
Booklet of Comic Book Art from Dark Horse Comics
10 Collector's Cards of Concept Art
Digital Copy of the Theatrical Version

KITTY CONSENSUS:
NOT BAD...THE MOVIE ITSELF IS EXTREMELY MEOW-WORTHY, BUT WE'VE SNACKED ON MOST OF THESE KIBBLES BEFORE

August 20, 2021

OCCUPATION: RAINFALL: Deja Vu, Part Two

OCCUPATION: RAINFALL (Blu-ray Review)
2021 / 128 min

FROM LIONSGATE

Review by Tiger the Terrible😼

This is a sequel to 2018’s Occupation, an Australian sci-fi film depicting an alien invasion and the rag-tag group of fighters who form a resistance movement. Though not particularly original - nor especially memorable - it was entertaining enough if expectations were kept in-check. One also had to admire the ambition behind it. Considering the limited budget, the film was brimming with confidence, with an open-ended coda that optimistically assured us the fight wasn’t over. 

Sure enough, it ain’t. And I’ve got news for you, kids...the fight ain’t over here, either.


But you really need to see the first film before diving into this one, since it unfolds on the presumption that viewers are well-versed with what’s already transpired and every major character (human or otherwise). Aside from a very brief prologue, there’s no attempt to bring newcomers up-to-speed. Even having reviewed the original (three years ago), I’d forgotten most of it because nothing left a lasting impression.


Occupation: Rainfall hits the ground running with a chaotic battle being waged in the air and on the ground. It's immediately obvious the film has a much larger budget than it’s comparatively quaint predecessor. Everything’s bigger, faster and louder, with special effects that run the gamut from spectacular to silly. Though it feels like we’re joining mid-story, a plot of its own begins to unfold, with human fighters teaming with a few of the friendlier ‘Greys’ (slang term for the aliens) to locate some kind of alien object called Rainfall, which could wipe out the rest of  humankind. Meanwhile, resistance leader Amelia’s (Jet Tranter) efforts to end the conflict diplomatically are being thwarted by the army’s more gung-ho approach, spearheaded by Commander Hayes (Daniel Gillies). Not a single aspect of the narrative is original or groundbreaking, but it's enjoyable in the moment.


"That ain't a Grey, Matt. It's a gopher."
Occupation: Rainfall does include some welcome bits of comic relief largely absent from the first film, most notably the antagonistic friendship between American satellite analyst Bud Miller (Ken Jeong) and laid-back alien partner “Steve” (voiced by Jason Isaacs). Similarly, the relationship between cynical soldier Matt Williams (Dan Ewing) and “Gary” (voiced by Lawrence Makoare) has a few amusing moments reminiscent of Enemy Mine or Alien Nation. Elsewhere, though, little effort is made to flesh anyone out. They’re either completely virtuous or irredeemably evil. And aside from the intentionally humorous moments, much of the dialogue is almost laughably grandiose.

Like the first film, Occupation: Rainfall earns zero points for originality and goes on a bit too long, but is certainly watchable. It’s slickly-made, has lots of flash and mostly moves at a brisk pace. However, be aware that the film comes to a remarkably unsatisfying conclusion where nothing is actually resolved. Only at the end are we informed by a title card that this is actually Rainfall, Chapter One. The film is an enjoyable enough time killer, but hardly engaging enough to justify a cliffhanger ending. 


EXTRA KIBBLES

“SYDNEY ESCAPE” - A key action sequence is intercut with orchestral scoring sessions in the studio.

2 AUDIO COMMENTARIES - 1) By writer-director Luke Sparke; 2) By Sparke, producers Carly & Carmel Imrie, actor Zachary Garred and SFX supervisor Alex Becconsali.

DELETED SCENES

DIGITAL COPY

KITTY CONSENSUS:

NOT BAD. LIKE CAT CHOW.

January 30, 2015

WIZARD WORLD COMIC-CON: Q&A with the Great Yaphet Kotto

Of course, no comic-con would be complete without plenty of Q&A sessions with various celebrities from TV, movies and (for reasons which still escape me) WWE. Rising stars, cult heroes and living legends were in abundance at this year’s Wizard World Comic-Con in Portland, signing photos each day and appearing for Q&A sessions in many of the spacious ballrooms of the Oregon Convention Center. 
The quandary one faces when attending these things is deciding which Q&A you want to attend first, since many were held at the same time. Being more of an old-school movie fan, one man I definitely wanted to check out was the legendary Yaphet Kotto, he of Alien fame and distinctive voice, one of the great character actors of all time. In addition to Alien, he was the main villain in the James Bond film, Live and Let Die, as well as one of Arnold Schwarzenegger’s sidekicks in the goofy-yet-oddly-prophetic camp classic, The Running Man. Personally, my favorite film of his is Midnight Run, where he plays beleaguered FBI agent Alonso Mosely, and hoped I’d get the opportunity to ask him about it. But his resume extends back much further, before most people attending the comic con were even born. How could this not be fascinating?
Yaphet Kotto, signing for a fan.
Yaphet Kotto, signing for a fan.
Arriving a few minutes early, I was somewhat taken-back by how few people showed up in the ballroom to see him…maybe 50 or 60 (compared to the hundreds next-door to cheer-on one of the actors from the CW series, Arrow). Sure, Kotto may not be starring in a currently hot TV show, but this was Parker from Alien, for chrissakes!
Anyway, Kotto arrived shortly afterwards (looking pretty damned good for a man of 75), along with the Q&A moderator, who got the ball rolling by asking about the seminal film of most interest to comic-coners, Alien. Kotto congenially discussed how he came into the classic role, telling us he knew it was special just by reading the script. Aside from Sigourney Weaver as Ripley, Kotto’s performance as Parker was arguably the most memorable, and he was more-than-happy to talk about it (including the infamous chest-burster scene, in which none of the cast besides John Hurt knew was coming).
One thing I was fascinated to learn during the discussion was Kotto’s early career, nurtured and influenced by the likes of Barbara Stanwyck and Mary Astor, legends whose names were likely completely lost on the average fan in attendance. He also expressed a particular fondness for the theater, often declaring stage work as his preferred method of acting to film or television (explaining, in detail, the difference between the two).
When the panel finally opened up to audience questions, I shot my hand up and was first called upon. Although the film isn’t really of interest to the average comic con fan, I just had to ask about Midnight Run (in my humble opinion, one of the funniest movies of all time). To me, it looked like it was a blast to make, with Kotto working alongside such stars as Robert DeNiro and Charles Grodin, and every actor given free reign given to improvise whenever appropriate. If you haven’t seen this film, Kotto’s performance is angry-yet-amusing, and some of his deadpan, icy stares are priceless. I totally expected him to gush about how much fun he had.
But instead, he informed me Midnight Run was actually a particularly problematic film for him, since he was suffering from high blood pressure, fever, lengthy 18 hour shoots and a director (Martin Brest) who required an excruciating number of takes for every scene. As a film fan, this was a revelation. I always had the impression Midnight Run was tons of fun for everyone involved.
Hi, Portland!
Hi, Portland!
Inevitably, stupid questions were asked, such as the moderator bringing upThe Running Man, which no one really loves, and Kotto freely admitted was comic book tripe that he did for the money. Even worse was another member of the audience, obviously trying to sound intelligent & politically correct with a race-bating question about the struggle of “minority actors” in Hollywood. Kotto promptly responded that there are no minority actors (just actors of different races), and that he’s never personally experienced racism in his career. Another idiot tried to goad him for his opinion about how the director of Selma was denied an Oscar nod. But Kotto would have none of that, vehemently and articulately declaring, as a member of the voting academy, the best film of 2014 is American Sniper.
As the Q&A drew to a close, I felt like I got first-hand insight about an actor I’ve respected for years, one who values the thrill of the performance over celebrity status and doesn’t give a shit about being African-American. I enjoyed his tales of stage and screen immensely, yet am somewhat sad more folks at the comic con didn’t care enough to listen to this living legend. Their loss, I guess.

August 7, 2018

Breaking the ALIEN CODE

Starring Kyle Gallner, Azura Skye, Mary McCormack, Richard Schiff, Aaron Behr, Graham Hamilton. Directed by Michael G. Cooney. (2017/97 min).

AVAILABLE ON DVD FROM

Review by Tiger the Terrible😼

Alien Code doesn't deserve its title. Not only does it totally spoil one of the film's more intriguing surprises, it sounds like some sort of History Channel mockumentary. The movie is better than that. Smarter, too.

Kyle Gallner (if there's ever a Metallica biopic, he's a shoe-in to play Lars Ulrich) is Alex, a cash-strapped computer cryptologist who comes home to discover a corpse on the floor...his own. It's the first part of a labyrinthine puzzle which the movie dishes out one piece at a time.

The nutshell plot has Alex recruited by a shady organization to decipher a complex code embedded in a retrieved satellite, which they think is from the future. Alex discovers, however, that it is alien in origin. Not only that, the code consists of partial blueprints for some sort of apocalyptic weapon. The agency dismisses Alex before he can complete the entire code. He also develops a fatal brain tumor that allows him to see these aliens...faceless, suited men who exist in a different temporal dimension (or something like that). With time running out - not-to-mention becoming increasingly warped - Alex tries to stop the weapon from being used, with help from Beth (Azura Skye), the previous cryptologist who worked on the code (and who also has a brain tumor).

Lars Ulrich in the studio.
The overall narrative is far more complex than that, with a strange new twist thrown in every few minutes or so. Part of the fun is watching how these plot points are linked and eventually converge. The film doesn't sustain its unique premise all the way to the finish and sometimes threatens to collapse under the weight of its own lofty ideas (often at the expense of any real character development). But for the most part, it's enjoyably perplexing, coming to a logical - if inevitable - conclusion.

Despite a deceptively stupid title, Alien Code is a decent example of intelligent science-fiction on a limited budget. Free of any flash or spectacle, the film is driven entirely by its ideas, which are certainly interesting enough to warrant checking-out a time or two.

KITTY CONSENSUS:
NOT BAD. LIKE CAT CHOW.