February 10, 2021

THE POOP SCOOP: Hero Edition

WONDER WOMAN 1984 on Digital 3/16 and 4K, Blu-ray & DVD 3/30
It’s time for a hero when “Wonder Woman 1984” arrives on Premium Video on Demand (PVOD), 4K, Blu-ray, DVD and Digital. The film is directed by Patty Jenkins and stars Gal Gadot (“Wonder Woman”) in the title role. It also stars Chris Pine (“Wonder Woman,” the “Star Trek” films) as Steve Trevor, Kristen Wiig (“Bridesmaids,” “The Martian”) as Barbara Minerva, Pedro Pascal (TV’s “Game of Thrones,” “The Mandalorian”) as Maxwell Lord, Robin Wright (TV’s “House of Cards,” “Blade Runner 2049”) as Antiope and Connie Nielsen (“Wonder Woman,” TV’s “I Am the Night”) as Hippolyta.

The fate of the world is once more on the line, and only Wonder Woman can save it. This new chapter in the Wonder Woman story finds Diana Prince (Gal Gadot) living quietly among mortals in the vibrant, sleek 1980s—an era of excess driven by the pursuit of having it all. Though she’s come into her full powers, she maintains a low profile, curating ancient artifacts and only performing her superheroic acts incognito. But now, Diana will have to step directly into the spotlight and muster all her wisdom, strength and courage in order to save mankind from a world of its own making.

 

“Wonder Woman 1984” 4K UHD Combo Pack and Blu-ray contain the following special features:

  • The Making of Wonder Woman 1984: Expanding the Wonder

  • Gal & Kristen: Friends Forever

  • Small But Mighty

  • Scene Study: The Open Road

  • Scene Study: The Mall

  • Gal & Krissy Having Fun

  • Meet the Amazons

  • Black Gold Infomercial

  • Gag Reel

  • Wonder Woman 1984 Retro Remix


THE TOLL arrives on Blu-ray and DVD 3/30
Supernatural terror and spine-tingling suspense highlight this gripping journey into fear. When Cami orders a taxi service to take her to her father’s country home, she’s hoping for a quiet and uneventful ride. But a wrong turn by Spencer, her chatty driver, results in the car stalling on a dark and remote road. After several threatening and inexplicable occurrences, Cami and Spencer realize they are being watched by an unseen presence — one that sees them as trespassers, and is ready to exact a deadly toll.

THE FINAL COUNTDOWN on 4K Blu-ray 4/27
The time is now. The place is aboard the U.S.S. Nimitz, America's mightiest nuclear-powered aircraft carrier on maneuvers in the Pacific Ocean. Suddenly, a freak electrical storm engulfs the ship and triggers the impossible: The Nimitz is hurtled back in time to December 6, 1941, mere hours before the Japanese attack on Pearl Harbor. As the enemy fleet speeds towards Hawaii, the warship's Captain (Kirk Douglas), a Defense Department expert (Martin Sheen), a maverick Air Wing Commander (James Farentino) and a desperate Senator in the Roosevelt administration (Charles Durning) must choose between the unthinkable. Do they allow the Japanese to complete their murderous invasion or launch a massive counter-strike that will forever change the course of history?

 

LA LLORONA Golden Globe Nominee - Available on Digital HD March 2, 2021
RLJE Films, a business unit of AMC Networks, has picked up select rights to LA LLORONA from Shudder, AMC Networks’ streaming service for horror, thriller and the supernatural. LA LLORONA was recently nominated for Golden Globe Awards for Best Motion Picture, Foreign Language and is Guatemala’s Official Entry for 2021 Academy Award® consideration for Best International Feature Film. LA LLORONA will be released on Digital HD on March 2, 2021. LA LLORONA blends together the terror of both myth and reality into a devastating exposé of the genocidal atrocities against the Mayan community in Guatemala. Through a modern retelling of the classic Latin American legend, LA LLORONA forces a reckoning with not-so-distant crimes which should not have been forgotten. Following a premiere at the 2019 Venice Film Festival where the film won Best Film (Venice Days), LA LLORONA has had an impressive festival tour with appearances at TIFF, Sundance and BFI. The film is being celebrated as a true depiction of Latino culture. LA LLORONA is the third feature from iconic Guatemalan filmmaker Jayro Bustamante (Tremors), who co-wrote the film with Lisandro Sánchez. The film stars María Mercedes Coroy (Ixcanul), Margarita Kenéfic (Aro Tolbukhin in the Mind of a Killer), Sabrina de la Hoz (Tremors), and Julio Diaz.

February 8, 2021

FREAKY: A Gaggle of Giggles & Gore

FREAKY (Blu-ray Review)
2020 / 102 min

From UNIVERSAL

Review by Josey, the Sudden Cat🙀


This was originally going to be titled Freaky Friday the 13th, which would have been unfortunate. Sure, the premise is a horror variation of Freaky Friday. And yeah, it’s often extraordinarily funny. But the film isn’t another smug parody, which is a good thing because we already have too many of those.


It sure opens like one, though, with four partying teens getting slaughtered by a serial killer known locally as the Blissfield Butcher (Vince Vaughn). Damn near every slasher trope can be found in the first ten minutes: the urban legend, drinking, premarital sex, eye-rolling “teen talk,” fatally stupid decisions, ridiculous gore and a masked killer in overalls. The kids even overreact as though they’re in a parody.


The tone itself, however, suggests an homage. In fact, Freaky is loaded with references to a variety of horror films, not-so-much poking fun at them as giving respectful tips of the hat. Savvy viewers will spot allusions - subtle and otherwise -  to such diverse films as Carrie and Heathers, to say nothing of the ‘90s horror-revival flicks which obviously inspired writer-director Christopher Landon. The masterstroke, however, was using the classic body-switch premise of Freaky Friday as a clothesline on which to hang everything. 


To spare Vince Vaughn's feelings, the kids pretend to know who he is.
Why didn’t anyone think of this before? Freaky has the heartbeat of a balls-out horror film...suspenseful, atmospheric and loaded with spectacularly bloody death scenes (the wine bottle gag is my personal favorite). But the idea of a bullied teenage girl switching bodies with a sadistic serial killer is filled with inherent comedic possibilities, which the film exploits at every opportunity, with mostly successful results. 

It’s been awhile since Vince Vaughn has done a comedy, and longer than that since he’s actually been funny. People tend to forget he also played a variety of villains and killers in the past. Freaky allows him to do both. He’s suitably menacing as the Blissfield Butcher, but absolutely hilarious when he takes on the mannerisms of Millie, a meek & mousy teenage girl. Millie herself is played by Kathryn Newton, who’s equally effective when she becomes The Butcher, though far less comedic. Still, there’s a lot of guilty pleasure to be had in watching “Millie” strike back at her high school tormentors. In fact, both characters end up feeling occasionally empowered in their new bodies.


Whether one considers it a comedy with horrific moments or a horror film that just happens to be really funny, at least Freaky isn’t another parody, nor is it the kind of self-aware meta-horror purveyed in such films as The Cabin in the Woods. With smart writing, amusing performances and a wild spin on a familiar premise, saddling it with a dumb mash-up title like Freaky Friday the 13th would have been a disservice.


EXTRA KIBBLES

FEATURETTES - “Split Personalities: Millie vs. The Butcher” (Vince Vaughn & Kathryn Newton talk about their unusual roles); “Crafting the Kills” (the elaborate practical effects, particularly the ‘buzzsaw’ scene); “Christopher Landon’s Brand of Horror” (interview with the director); “Final Girl Reframed” (Director Christopher Landon’s discusses what makes his ‘final girl’ unique).

AUDIO COMMENTARY - By Christopher Landon

DELETED SCENES

DVD & DIGITAL COPIES

KITTY CONSENSUS:
PURR-R-R 

February 7, 2021

MADAME CLAUDE: Robert Webber Gets His Groove On

MADAME CLAUDE (Blu-ray Review)
1977 / 109 min

From CULT EPICS

Review by Fluffy the Fearless😾

At least Madame Claude starts with a bang...almost literally. 

The opening scene features several American dignitaries seated around a table while President Howard (Robert Webber) grouses about the possibility of Japan backing out of a military purchase deal. He then leaves the meeting, telling his staff he’s going to try to fix things. But when he gets to his private office, high-class prostitute Anne-Marie (Vibeke Knudsen) is waiting. Howard decides to temporarily forgo his concerns about Japan to engage in foreign relations of a different sort.


Such a scene is par for the course for director Just Jaeckin, whose greatest claim to fame was legitimizing softcore cinema with Emmanuelle. But what’s surprising is the participation of Webber, the type of respected actor you don’t typically see in a film like this. I, for one, was shocked to witness one of the guys from The Dirty Dozen actually getting dirty. His character’s purpose served - setting-up the perplexing plot - Webber’s five minutes of actual screen time are over. However, he does give the film’s best performance.


The real Madame Claude was a French brothel owner who’d send girls around the world to service wealthy clients, from corporate bigwigs to powerful politicians & mobsters. Here, she’s played by Françoise Fabian, the only woman in the cast we never see naked, presumably because she’s too busy dealing with the police, the CIA and nosy photographer David Evans (Murray Head), who has compromising pictures of her girls canoodling with high-profile clients. Too bad, really, because not-only does Fabian instill Claude with high society sex appeal, the surrounding narrative is so sloppy, convoluted and ultimately boring that I gave up trying to follow it.


"Lemme guess...you failed your driver's test again."
Which leaves Jaeckin’s indelible brand of soft core shenanigans. These scenes are artfully staged - copulation with class, so to speak - enhanced with an abundance of soft-focus camerawork and skin-friendly lighting. However, they’re also passionless and surprisingly bland. It’s with no small amount of irony that the one creatively erotic moment - a tryst on-board a passenger train - features no actual nudity.

On the plus side, legendary loony Klaus Kinski pops-up a few times to engage in some prime scenery chewing...always good for a few shits ‘n giggles. Additionally, the film has been given beautiful 4K restoration for this Blu-ray release, which includes a few interesting bonus features (listed below). Still, I think even fans of Just Jaeckin’s most infamous work would agree that actual storytelling was never one of his strengths. In Madame Claude, not even female eye candy - or Robert Webber getting his groove on - can offset humdrum sex scenes and a muddy narrative that’s afforded too much screen time.


EXTRA KIBBLES

INTERVIEW WITH JUST JAECKIN - A new interview. He seems like a charming fellow.

AUDIO COMMENTARY - By author Jeremy Richey

PROMOTIONAL GALLERY - Mostly vintage posters and lobby cards

ORIGINAL TRAILER

KITTY CONSENSUS:

MEH.

February 5, 2021

HAPPY TIMES: Hebrew Horror...and Humor

HAPPY TIMES (Blu-ray Review)
2019 / 93 min

From ARTSPLOITATION FILMS

Review by Fluffy the Fearless😸

Violent black comedy is hard to pull-off well. Go too dark or extreme and you risk sucking the enjoyment right out of it. Fortunately, Happy Times knows where that line is drawn and never crosses it. That isn’t to say the film pulls its punches. There’s plenty of bold, bloody brutality to be found here, but made palatable by a witty screenplay, amusing characters and a playful tone.

A wealthy Israeli couple sends the kids away for the night to host a dinner party with family members and their spouses. As they gather at this spacious mansion, they engage in small talk that seems deceptively mundane. But right from the get-go, we sense tension bubbling under the surface of nearly every insincere compliment and painted smile. Some of these folks have plenty of skeletons in their closets.


There’s a lot of resentment in the family which eventually rises to the surface, exacerbated by the arrival of Michael (Michael Aloni), a struggling actor who seems to take pleasure in flouting the family’s Jewish traditions. He is also the only completely honest guy at the table. Conflicts soon spiral out of control, with verbal combat escalating into violence for various reasons...misunderstandings, betrayal, sometimes even by accident.


Party poopers.
But despite the mayhem, which is often graphic, Happy Times is genuinely funny...especially once the bodies begin to pile up. These people ain't exactly likable, but they’re all well-developed and interesting. When they start to turn on each other, we’re invested enough in a few of them to pick sides. The ensemble cast of actors is uniformly solid, with Iris Bahr standing-out as Hila, the initially-congenial host who's eventually driven to kill.

Despite the L.A. location, this is an Israeli production filmed in English and Hebrew, with characters sometimes switching languages mid-sentence. I don’t know if it was writer-director Michael Mayer’s intention to incorporate both as a commentary on cultural integration, but it does seem to loom large with some characters. Whatever the case, Happy Times is smart, fast-paced, violent fun that strides up to the line without ever crossing it. Like all good black comedies, the film works because it knows when to say when.


EXTRA KIBBLES

BLOOPER REEL

DELETED SCENES

KITTY CONSENSUS:

PURR-R-R...

Rest in Peace, Christopher Plummer

 

February 4, 2021

THE POOP SCOOP: Really BIG Edition

GODZILLA (2014) arrives on 4K 3/23
Warner Bros. Home Entertainment announced today that 2014’s Godzilla will be released on Ultra HD Blu-ray Combo Pack and Digital on March 23rd.  An epic action adventure directed by Gareth Edwards (Rogue One: A Star Wars Story), Warner Bros. Pictures’ and Legendary Pictures’ Godzilla marked the long-awaited big screen return of the King of the Monsters. Directed by Edwards from a screenplay by Max Borenstein and a story by David Callaham, Godzilla is based on the character “Godzilla,” owned and created by TOHO CO., LTD. Thomas Tull and Jon Jashni produced the film with Mary Parent and Brian Rogers. Patricia Whitcher and Alex Garcia served as executive producers, alongside Yoshimitsu Banno and Kenji Okuhira. Godzilla will include an Ultra HD Blu-ray disc with the feature film in 4K with HDR and a Blu-ray disc with the feature film and special features. Fans can also own Godzilla in 4K Ultra HD via purchase from select digital retailers beginning on March 23rd.

THE FINAL COUNTDOWN on 4K Blu-ray 4/27
The time is now. The place is aboard the U.S.S. Nimitz, America's mightiest nuclear-powered aircraft carrier on maneuvers in the Pacific Ocean. Suddenly, a freak electrical storm engulfs the ship and triggers the impossible: The Nimitz is hurtled back in time to December 6, 1941, mere hours before the Japanese attack on Pearl Harbor. As the enemy fleet speeds towards Hawaii, the warship's Captain (Kirk Douglas), a Defense Department expert (Martin Sheen), a maverick Air Wing Commander (James Farentino) and a desperate Senator in the Roosevelt administration (Charles Durning) must choose between the unthinkable. Do they allow the Japanese to complete their murderous invasion or launch a massive counter-strike that will forever change the course of history?

 

THE GREATEST SHOW ON EARTH (Paramount Presents #16) on Blu-ray 3/30
This two-time Academy Award winner, including BEST PICTURE, captures the thrills, chills and exhilaration of the Ringling Brothers-Barnum & Bailey Circus with an all-star cast that includes Betty Hutton, Cornel Wilde, Charlton Heston, Dorothy Lamour, Gloria Grahame, James Stewart and Lyle Bettger. This essential movie of the Golden Age of Hollywood packs action, romance, laughs and treachery into an epic only DeMille could create, resulting in one of 1952's biggest hits.It's action, romance, laughs and treachery all under the big top, culminating in an incredible train disaster that threatens the very lives and livelihood of the traveling troupe. Grab a bag of popcorn, take a ringside seat and get ready to experience the excitement and drama of The Greatest Show On Earth!

 

DON’T TELL A SOUL arrives on DVD and Blu-ray 3/16
While stealing money to help their sick mother, teen brothers Matt and Joey are surprised by Hamby, a security officer who gives chase and is then trapped in a well. Over the next few days, Joey and Hamby forge an uneasy relationship. Hamby tells Joey he’ll keep quiet if Joey sets him free. But Hamby holds another secret, one that will threaten Joey and his family, in this twist-filled, cat-and-mouse thriller. Feature directorial debut for Alex McAulay (Writer of Flower), the film premiered at the Deauville Film Festival in September 2020 and selected for the Tribecca Film Festival. Don’t Tell a Soul stars Primetime Emmy® nominee Rainn Wilson (2007, Outstanding Supporting Actor in a Comedy Series, “The Office”; 2008, Outstanding Supporting Actor in a Comedy Series, “The Office”; 2009, Outstanding Supporting Actor in a Comedy Series, “The Office”), Fionn Whitehead (Dunkirk, TV’s “Black Mirror: Bandersnatch”, The Children Act), Jack Dylan Grazer (It, It Chapter Two, Shazam!) and Mena Suvari (TV’s “American Woman”, “American Horror Story”, American Pie franchise).

 

Paramount’s BEST PICTURE ESSENTIALS COLLECTION on Blu-ray 3/23
Paramount Home Media Distribution has officially announced that it will release on Blu-ray Best Picture Essentials, a box set with 10 award-winning films. The release will be available for purchase on March 23. Studio description: A must-own set for film fans and ideal entertainment in preparation for this year's Academy Awards ceremony, the BEST PICTURE ESSENTIALS 10-MOVIE COLLECTION includes an array of landmark films, each of which earned the prestigious Best Picture Oscar. Along with access to a digital copy of each film, the Blu-ray collection includes the following in high definition: Wings (1927), My Fair Lady (1964), The Godfather (1972), Terms of Endearment (1983), Forrest Gump (1994), The English Patient (1996), Titanic (1997), American Beauty (1999), Gladiator (2000), No Country For Old Men (2007)

February 3, 2021

SAN FRANCISCO: The Disaster Movie Blueprint

SAN FRANCISCO (Blu-ray Review)
1936 / 115 min

From WARNER ARCHIVE COLLECTION

Review by Mr. Paws😺

San Francisco is not the first disaster film. 1933’s Deluge probably holds that distinction. However, it’s the first one with all the elements that would come to define the genre...melodrama, subplots, tumultuous relationships, an all-star cast, epic destruction and a narrative blueprint followed by countless other films since, from In Old Chicago to James Cameron’s Titanic.

It’s also the first disaster movie with special effects that are more-or-less convincing. Its depiction of the 1906 San Francisco earthquake - which completely destroyed most of the city - is pretty damned impressive, even today. Buildings crumble, streets split open, fires break out, houses explode. One particularly great scene features destruction and panic inside a nightclub, which appears to have been done completely in-camera. Viewed in the context of when the film was made, the final act is a disaster lover’s dream.


But getting there might take some patience. Like some of the soapier entries in the genre, San Francisco dedicates a great deal of its running time to trials and tribulations of its main characters. The main narrative thread has Clark Gable as Blackie Norton, a devil-may-care nightclub owner who’s smitten with naive new singer Mary Blake (Jeanette MacDonald). With aspirations of becoming an opera star, she’s also being courted - personally and professionally - by unscrupulous bigwig Jack Burley (Jack Holt), owner of the local opera house. 


Mary's performance brings the house down.
While this little love triangle is sporadically interesting, the numerous musical numbers with MacDonald belting-it-out on stage are repetitive and unnecessarily long. I’d have preferred to see more of the dichotomy between lifelong friends Norton and Father Mullin (Spencer Tracy), a relationship that becomes increasingly strained due to the latter’s disapproval of Norton’s actions regarding Mary. While all the performances are uniformly solid, Gable stands out in particular, conveying Norton’s latent epiphanies with an admirable amount of subtlety.

When disaster finally strikes, it’s with no narrative foreshadowing, catching everyone off-guard...maybe even the viewer. The characters’ personal and legal problems are swiftly shoved aside in a sudden fight for survival (which, I suppose, is what would happen in real life). The quake itself lasts only a couple of minutes, but it’s violent, harrowing and devastating. The massive scale of destruction seen in the aftermath is impressively apocalyptic.


Eight decades later, San Francisco remains great popcorn entertainment, the original template for a genre that would reach its zenith in the ‘70s. It’s been nicely remastered for Blu-ray and features more vintage bonus material than the average Warner Archive release. For anyone who thinks the disaster genre began with Airport or The Poseidon Adventure, consider this film a fun little history lesson.


EXTRA KIBBLES

“TALL, DARK & HANDSOME” - A 45 minute documentary that originally aired on TNT, narrated.hosted by Liam Neeson.

2 SHORTS - From the Fitzpatrick TravelTalks series, “Cavalcade of San Francisco” and “Night Descends on Treasure Island” both feature the city where the film takes place.

CARTOON SHORT - “Bottles,” which is really kinda creepy.

ALTERNATE ENDING - An alternate final shot, which is better than the one included in the film.

RE-ISSUE TRAILER

KITTY CONSENSUS:

PURR-R-R...

February 1, 2021

LOVE STORY (Paramount Presents #15) is Iconic, Whether You Like it or Not

LOVE STORY (Blu-ray Review)
1970 / 100 min

From PARAMOUNT

Review by Mr. Paws😽

I’ve been covering the ongoing Paramount Presents Blu-ray series with great curiosity, especially since the stated purpose is spotlighting the most iconic or classic films in the studio’s library, remastered and released with new bonus features and packaging.

Some of the selections (The Haunting, The Golden Child) have been...uh, interesting, while others are obvious choices for the deluxe treatment. If there’s one film which inarguably falls into the latter category, it’s Love Story


For the unenlightened, Love Story was the biggest film of 1970. Adjusting for inflation, it remains Paramount’s sixth-highest grossing film of all time and the 41st biggest from any studio. That’s right, kids...this saccharine little film made more bank than any films in the Lord of the Rings, Transformers and Harry Potter franchises.


Watching the film today, that may be hard to fathom. Certainly a product of its time, Love Story doesn’t come across as anything but your usual case of boy-meets-girl, boy-marries-girl, boy-mourns-girl. There are even times when the film has a similar aesthetic to a ‘70s-era TV movie of the week. But if the film seems unremarkable today, that’s only because it’s the one responsible for nearly every cliche and trope we’ve seen in romantic tearjerkers ever since.


"It says here the jelly goes on next."
Though still shamelessly manipulative, the film isn’t quite as sappy as its reputation and history suggests. Oliver (Ryan O’Neal) and Jenny (Ali MacGraw) are young, but not “star-crossed lovers.” The quasi-antagonistic banter they engage in throughout the film is down-to-Earth and often quite funny. In fact, the only exceedingly-cloying aspect is Francis Lai’s score, especially the iconic but monumentally-overused love theme. Like all terrible tunes, it might be days before the thing leaves your head.

Since romance has never been my genre of choice, the fact I still found Love Story fairly watchable can be considered high praise. There’s something admirable about its simplicity and eagerness to placate its intended audience. From a historical perspective, of course, the film is essential and it goes without saying that anyone who fell in love with Oliver & Jenny back in 1970 will get a kick out this trip down memory lane. 


Like other Paramount Presents discs, Love Story has been nicely remastered and features a small-but-interesting batch of bonus features, mostly about the film’s history and cultural impact.


EXTRA KIBBLES

“FILMMAKER FOCUS” - New featurette with critic/historian Leonard Maltin discussing the film’s history and impact.

LOVE STORY: A CLASSIC REMEMBERED” - Archival featurette with director Arthur Hiller.

TCM INTRODUCTION - With Ben Mankiewicz.

TRAILER

DIGITAL COPY

KITTY CONSENSUS:

PURR-R-R...