THE BLADE CUTS DEEPER: Almost an Homage

THE BLADE CUTS DEEPER (Blu-ray)

2024 / 84 min

Leomark Studios

Available at www.MovieZyng.com

Review by Josey, the Sudden Cat🙀

Well, at least director/co-writer Gene Dolders did some of his homework…

In The Blade Cuts Deeper, John Abbott (John Tueart) is the sleazy creator and host of “Light, Camera, Kill,” a sensationalistic TV show that exploits tragedy by flippantly reenacting real life murders. However, his latest episode, depicting a serial killer’s handiwork, pisses off the wrong guy, who commences killing off everyone associated with that episode. In true giallo fashion, the killer isn’t revealed until the end, but the viewer ain’t gonna need a slide rule to immediately know who’s doing the carving.

As an intended giallo homage, there are some other similarities, primarily its aesthetic. There's a mysterious black-gloved killer, extended stalking sequences that are emblematic of the genre, and of course, plenty of death by cutlery, including a jaw-dropping scene where one victim is repeatedly - and convincingly - stabbed in the face. On occasion, the film manages to generate some genuine suspense. 

When someone brings donuts to the staff meeting.

However, there’s typically more to giallo than pure murder and mayhem. They’re generally structured like a mystery, even those that are more style over substance. Most of this film consists of Abbott being a dick while the killer picks off everyone around him. Storywise, this is just a slasher film filled with characters whose entire narrative purpose is to die.

That doesn’t mean The Blade Cuts Deeper isn’t enjoyable. Dolders is no Argento or Bava, but considering what appears to be a pretty low budget, this is a pretty good looking film. Additionally, the death scenes are mostly well-executed and extraordinarily brutal. As slasher movies go, trust me, you’ve seen far worse. But while it sometimes resembles giallo, the spirit just ain't there. Maybe Dolders should've actually finished his homework.

Catnip Reviews: DEADMAN'S BARSTOOL, TMNT TRILOGY (4K) and HARLEY FLANAGAN: WIRED FOR CHAOS

Snack-sized opinions from the frisky felines at Free Kittens…

DEADMAN’S BARSTOOL (Blu-Ray) - This ain’t your daddy’s Anchor Bay. Those of a certain age might fondly recall this boutique label was renowned as purveyors of B-movie horror and cult classics. These days, the label’s been putting out quirky, low-budget indies, most of which are an acquired taste. The black comedy, Deadman’s Barstool, is no exception. This one involves the disgruntled wife of a philandering televangelist who plots with his mistress to rob him blind, only to have their plans go up in smoke when he turns up dead. And that’s just the beginning of their problems. Not bad for a microbudgeted film by a writer-director (Dean Dempsey) with obvious cult aspirations, though he clearly loves his eclectic assortment of  characters more than you’re likely to. (2018/78 min/Anchor Bay). KITTY CONSENSUS: 😼😼

TEENAGE MUTANT NINJA TURTLES TRILOGY (4K UHD) - I’m still trying to wrap my head around the fact there are people pushing 50 who grew up watching Teenage Mutant Ninja Turtles on TV, then dragged their beleaguered parents to theaters to catch these - the original live-action trilogy - on the big screen. If you’re one of them, here’s a big ol’ box of nostalgia. This set collects Teenage Mutant Ninja Turtles, Teenage Mutant Ninja Turtles II: The Secret of the Ooze and Teenage Mutant Ninja Turtles III, all given good 4K restorations. These films are definitely products of their time, and their crude charm will likely be lost on anyone raised on the later (and better) films. However, if they were a part of your childhood, it’s an enjoyable trip down memory lane. You also might end up chuckling at what you used to think was awesome (like Vanilla Ice). This three disc set also comes with a generous selection of new and archival bonus features, as well as some physical goodies to re-establish your fandom.  (1990-1993/278 min min/Arrow Video). KITTY CONSENSUS: 😺😺😺

HARLEY FLANAGAN: WIRED FOR CHAOS (Blu-ray/DVD) - Though I’ve occasionally enjoyed my share of punk rock over the years, I never really delved into the hardcore stuff, and prior to watching this film, had never heard of Harley Flanagan (founder of the band, Cro-Mags). But it’s also been my experience that the most interesting music docs have been those about artists I’m not familiar with. That being said, Wired for Chaos is a fascinating (and sometimes harrowing) look at the life of a guy who has lived, eaten and breathed the genre all his life. Flanagan himself candidly tells his own story, which includes a childhood I wouldn’t wish upon anybody. The film also features interviews and testimonials from a variety of musicians, artists and people who know him well. The movie didn’t make me want to rush out and buy a Cro-Mags record, but Flanagan’s perseverance and dedication to his craft is admirable. We also get the impression he’s lucky to still be alive. (2025/99 min/Lightyear Entertainment). KITTY CONSENSUS: 😼😼😼😼

HOUSE ON HAUNTED HILL: Castle's Classic Creepfest

HOUSE ON HAUNTED HILL Limited Edition (Blu-ray)

1959 / 75 min

Film Masters

Available at www.MovieZyng.com

Review by Josey, the Sudden Cat🙀

Wasn’t it great being little, when damn near everything scared you, like skeletons dangling from tethers? 

I wasn’t around when cinema’s greatest carnival barker, William Castle, was turning schlock into gold with such gimmicks as theater seat buzzers, fright insurance policies and, of course, “Emergo,” which was used to help turn House on Haunted Hill into one of his biggest hits. This was where a red-eyed skeleton would ‘float’ over the audience on a wire. Cheap and tacky, to be sure, but it put butts in seats.

Still, I remember the onscreen (also tethered) skeleton scaring me as a kid when I first watched this on TV, along with other ghostly figures lurking in dark closets. Then there was that dreaded pool of acid, which was used to destroy the bodies of murder victims, though one poor sap gets thrown in alive. Back then, acid ranked just behind lava and quicksand on my list of the most horrible ways to die and it seemed like a lot of horror villains had a vat of the stuff in their basement.

But who is the actual villain in House on Haunted Hill? When revisiting the film years later, I appreciated how the narrative’s surprising twists kept the viewer guessing, an aspect that elevated this one above the usual tacky treasures Castle was making at the time. And despite some imagery that’s still kinda spooky, one could even argue that it isn’t really a horror movie at all. The story itself unfolds more like a Scooby Doo mystery…with booze…and guns.

"Sounds like the couple upstairs have made up again."

The movie remains very entertaining, though perhaps aesthetically quaint compared to the bloody-but-joyless 1999 remake. The great Vincent Price shines as Frederick Loren, a cynical millionaire who invites a group of carefully chosen strangers to spend the night at a supposedly haunted mansion, offering $10,000 to each who takes him up on the offer. The house, of course, has a dark past, as ominously explained by its owner, Watson Pritchard (Elisha Cook Jr). That’s when the fun begins.

House on Haunted Hill is William Castle’s one true classic. In addition to atmospheric direction, an engaging story and interesting characters, the overall performances are quite good for a film of this type (though all that’s really required of Carolyn Craig is to scream every ten minutes). Even without “Emergo,” it remains one of the better haunted house movies of the 1950s. Having been released on Blu-ray before (most notably, in one of Shout Factory’s Vincent Price collections), I don’t know if this new edition from Film Masters is a significant technical upgrade, but the overall video/audio quality is pretty good. Kinda light on bonus material, though.

EXTRA KIBBLES

AUDIO COMMENTARY - By Heath Holland.

SUPPLEMENTAL BOOKLET - Includes an essay by Jason A. Ney.

BEAST OF WAR: A Solid Slab of Sharksploitation

BEAST OF WAR (Blu-ray)

2025 / 87 min

Well Go USA

Review by Mr. Bonnie, the Bigger Boat😸

Ah…another day, another low budget shark movie.

I generally don’t mind reviewing these things, because even the bad ones (which is most of ‘em) are usually good for a few shits & giggles, often at their own expense. And like many of you, I never go in expecting another Jaws because that’s never gonna happen.

Beast of War hails from Australia and purports to be “based on a true story.” Fans of ferocious fish probably don’t care how much of the “true” part ends up in the movie, as long as there’s plenty of shark action, which this one eventually serves up in abundance.

I say eventually because the first act takes time to introduce its main characters. Set during World War II, a squad of new recruits are training for an upcoming mission. Leo (David Coles Smith) is an indigenous Australian haunted by a past tragedy involving a shark, Will (Joel Nankervis) is a smart but inexperienced young man who Leo takes under his wing, and Des (Sam Delich) is a racist, self-aggrandizing bully. Though other characters mostly exist to be fish food, the narrative does an excellent job fleshing out these three, assuring that we’re invested in their survival…or horrible deaths. 

A Farewell to Arm.

On the way to the mission, the troop’s ship is torpedoed by Japanese forces and sinks, stranding a half-dozen survivors on a slab of debris in the middle of the Pacific. They have little food and no fresh water, but their more immediate concern lurks under the surface: a great white shark that might just be the hungriest fish in movie history, relentlessly stalking these guys and putting the bitedown on anyone unfortunate enough to end up in the water.

Because bad shark movies far outweigh the good ones, I kept waiting for Beast of War to descend into silliness or stupidity, but it never does. Though there are lapses in plausibility, it was around the halfway point that I found myself thinking, Hey, this is actually pretty good. Sometimes really good, in fact. In addition to engaging characters and decent overall performances, writer-director Kiah Roache-Turner manages to create plenty of tension and atmosphere despite obvious budgetary limitations. Best of all, this one doesn’t appear to rely too much on CGI. The shark isn’t always convincing, but at least we feel it’s physically sharing the screen with the cast. Additionally, the attack scenes are brutal and bloody, punctuated by pretty realistic gore effects. 

I don’t know much much of this true story is actually true, nor do I care. What ultimately matters is that Beast of War is a surprisingly solid slab of sharksploitation. Running a lean 87 minutes, it benefits from a brisk pace, and other than an amusing aside depicting how these guys manage to solve their thirst problem, a mostly serious approach to its premise.