November 11, 2018
THE 7TH DAY is Memorable, Whether You Like It or Not
Starring
Starring Juan Diego, Jose Luis Gomez, Jose Garcia, Victoria Abril,
Yohana Cobo, Eulialia Ramon, Ramon Fontsere, Carlos Hipolito.
Directed by Carlos Saura. (2004/100 min).
AVAILABLE
ON BLU-RAY FROM
Review
by Fluffy the Fearless🙀
One
of the great things about this gig is I'm often given the opportunity
to review films that I would never have discovered on my own. Quite
frankly, there's a good reason I've never heard of a lot of them,
while a few have become personal favorites I enjoy spreading the word
about. Then there are movies like Spain's The 7th Day.
Consistently
downbeat and occasionally plodding, this isn't what one would call a
fun time at the movies. Still, its most powerful and tragic moments
are likely to stick with the viewer long after it's over, especially
when burdened with the knowledge it's based on a true story.
In
true Shakespearian fashion, The 7th Day presents a
decades-long family feud that begins when Luciana Fuentes is shunned
by Amadeo Jimenez, the man she was expecting to marry. Her psychotic
brother, Jeronimo (Ramon Fontsere), avenges her by stabbing him to
death. While he's sent to prison, the Fuentes' matriarch is killed
when their home is burnt down. It's suggested that this was in
retaliation for Amadeo's murder, but we're never 100% certain who the culprit really is.
The Fuentes's are mostly ostracized from Extremadura, the village
where both families have always lived.
Fast
forward thirty years...Jeronimo is released from prison and
immediately stabs Amandeo's brother, Jose (Jose Garcia). While he
survives, Jeronimo goes back to prison and dies shortly afterwards.
The remainder of the Fuentes family - certain Jose killed their
mother all those years ago - soon decide to act on their decades-long
resentment of, not only the Jimenezes, but the entire village.
Jeronimo is a little too cuckoo for Cocoa Puffs. |
When
the story focuses on the Fuentes family, The 7th Day is
morbidly fascinating. Led by Luciana and Antonio (Juan Diego), they
turn out to be as dangerously unhinged as their murderous brother, and it appears that this ongoing feud has been largely
one-sided. These scenes are often disturbing, creating an increasing
sense of dread as the film progresses. We just know something awful is about to happen.
Less
interesting are the various subplots involving the village dynamics.
As the troubled Jimenez patriarch, Jose is sympathetic and likable,
as is his beleaguered wife Carmen (Eulalia Ramon). However, too much
of the film features oldest daughter Isabel's (Yohana Cobo)
relationship with Chino (Oriol Vila), a hunky local drug dealer. And
unfortunately, most of the narrative is presented from her point of
view. There are other scenes featuring peripheral characters, but few
figure that prominently into the primary story (do we really care
about an unfaithful wife's tryst with a truck driver?).
On
the other hand, maybe presenting the tedium of their lives was director Carlos Saura's intention all
along. Despite The 7th Day's rambling episodic structure, the final act
is tension-filled and disturbing. The shattering climax may indeed seem
inevitable, but every character is caught completely
off-guard. Since we've gotten to know most of them - albeit
superficially - how can we not be haunted by the
denouement?
Whether
one likes The 7th Day or not, its conclusion is undeniably
potent and ultimately memorable. That alone make it worth checking out at-least once, which
will probably be enough for some viewers.
KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS
November 7, 2018
Can Mike Tyson Save GIRLS VS. GANGSTERS?
Starring
Fiona Sit, Ivy Chen, Ning Chang, Mike Tyson, Tiantian Fan, Son Bao
Tran, Shuilin Wang, Elly Nguyen. Directed by Barbara Wong. (2018/114
min).
AVAILABLE ON DVD FROM
WELL GO USA
AVAILABLE ON DVD FROM
WELL GO USA
Review
by Stinky the Destroyer🙀
Is
it a mere coincidence that Mike Tyson happens to appear prominently
in two of the worst movies I've reviewed this year? Probably. It
isn't as though he's the reason they happen to be awful. Not even
Daniel Day Lewis could save either China Salesman or this
execrable comedy, Girls vs. Gangsters.
Of
course, Tyson can't act, but he's no worse than anyone else in the
cast. Girls vs. Gangsters is a Chinese rip-off of The
Hangover, with three young ladies who plan a wild weekend before
one of them gets married. After getting drunk at a crime boss' party,
they wake up naked on the beach with no idea how they got there. Two
of them are also handcuffed to a suitcase of gold bricks and, worse
yet, the gangster's leather-clad henchwoman is after them. Most of
the film has them trying to piece together the events of the previous
night while running for their lives.
"If only your ears were meatier." |
The
film is a sequel to 2014's Girls, which I haven't seen. But if
this one is any indication of writer/director Barbara Wong's
abilities, I dodged a bullet. Girls vs. Gangsters is not-only
laugh free, it's narratively vapid and offensively stupid. Every attempt
at humor feels labored and desperate, with
an abundance of scatological humor, leering shots of cleavage and
even a rape joke for those who still think that shit is
funny. The three lead characters are shrill, obnoxious and irritating
caricatures who generate zero empathy and even less likability.
Again,
none of this is Tyson's fault. In fact, his brief appearance ironically ends up being a welcome break from the three leads'
constant whining, crying and shrieking. He's still terrible, but the
fact he's arguably the best part of the movie should tell you all you
need to know.
EXTRA
KIBBLES
DIRECTOR
INTERVIEW
TRAILER
KITTY CONSENSUS:
BLEH...LIKE COUGHING UP A HAIRBALL
November 4, 2018
MR. CAPRA GOES TO WAR: Yeah...He Did That
Review by Mr. Paws😸
Imagine
if Steven Spielberg decided to drop everything and serve his country
by using his talents to make films supporting the war in Afghanistan.
That's essentially what Frank Capra did at the onset of America's
involvement in World War II. Granted, it was a different era and
collective attitudes regarding war have changed, but you get
the idea.
Capra
was one of the most successful directors working in Hollywood at the
time, yet put it all on hold to oversee a series of documentaries for
the military. His salary? A little over $300 a month. Man, that's
some serious patriotism.
This
disc from Olive Films collects five of those films, two from the Why
We Fight series and three others, all originally produced by the
U.S. War Department. Capra didn't exactly "direct" them -
most consist largely of existing footage shot by others - but oversaw their
assembly and narrative. Being wartime, these films were obviously
made to generate support for the war effort, as well as inspire those
who were sent to fight.
"We need a love scene right here." |
The
best of the lot, Prelude to War, explains how and why the U.S.
got involved, and provides detailed histories of its enemies (Germany,
Italy and Japan). Using stock footage and animation, the film is
a chilling example of how easily fascism can spread through
fear-mongering and propaganda (sounds familiar, doesn't it?). Also
interesting are The Negro Soldier and The Battle of Russia,
mainly because they often paint a decidedly different - and sometimes
inaccurate - picture than history eventually did.
Speaking
of history, the MVP of this disc is undoubtedly Joseph McBride, a
film historian and Frank Capra biographer. Not only does
he discuss Capra's film career before, during and after the war, his
informative introductions to each film provides valuable historical
context. Seeing them prior to the films is highly recommended.
Mr. Capra Goes to War isn't indispensable, especially since it's
by-no-means a complete collection. However, it is an interesting
curiosity for Capra fans who might have wondered what he was up to
for four years. The documentaries themselves range from historically
informative to archaic & silly. Sometimes what we learn about
them is a lot more interesting.
EXTRA
KIBBLES
"FRANK
CAPRA: WHY WE FIGHT" - Analysis of Capra's early career and
involvement in WWII by biographer Joseph McBride.
INTRODUCTIONS
- Intros to each film by Joseph McBride.
KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS
November 3, 2018
THE FOREST OF LOST SOULS: Misery May Not Always Love Company
Starring
Daniela Love, Jorge Mota, Mafalda Banquart, Ligia Roque, Lilia Lopes,
Tiago Jacome. Directed by Jose Pedro Lopes. (2017/71 min).
AVAILABLE ON BLU-RAY FROM
WILD EYE RELEASING
AVAILABLE ON BLU-RAY FROM
WILD EYE RELEASING
Review
by Josey, the Sudden Cat🙀
The
fictional forest of the title is a place where people frequently go
to commit suicide, which we learn during the very first scene when a
young girl swallows poison, then wades into a lake and silently dies.
Later,
grieving family man Ricardo (Jorge Mota) visits the woods to do the
same thing, only with a knife. He meets Carolina (Daniela Love),
another young girl who he says reminds him of his own daughter. She's
apparently there to kill herself, too, and during their conversation,
while coming across various other dead bodies, they make fleeting
attempts to talk each other out of suicide. Ricardo's mind is made
up, though, but uses Carolina's poison - with her permission - to
avoid any pain.
At
this point, The Forest of Lost Souls gives us two revelations.
First, the girl who killed herself in the opening scene was one
of Ricardo's daughters. Second, Carolina takes his knife and viciously stabs
him anyway, assuring an agonizing death. Afterwards, she takes his
phone and car, using both to find what's left of his family with the
intent of killing them, too.
"Eeew! Something touched my leg!" |
Deliberately
paced and visually intriguing, the film's use of black & white
effectively reflects the film's tone, not-to-mention the overall
despair most of these characters feel. The Forest of Lost Souls
is beautiful to look at and the interaction between Ricardo &
Carolina is quite engaging - even funny at times - holding the
promise of exploring the nature of sadness and what leads one to
choose suicide as a way out.
However,
the interest level wanes once the story leaves the forest to focus on
being the horror film it's promoted as. Ricardo's dysfunctional
family isn't as interesting - or likable - as Ricardo himself and we
spend a lot more time around them than we'd like to. Caroline is a
chillingly cruel character whose cold-blooded apathy is unnerving,
but writer-director Jose Pedro Lopes doesn't give her much to do
during the second half besides stalk her prey. He maintains the same
dark tone, but in the long run, that might actually work against it.
The film's unrelenting nihilism defuses any attempts to create
tension because we're pretty sure how things will turn out
long before the end credits roll.
Still,
The Forest of Lost Souls certainly earns points for
presentation. It's visually arresting and atmospheric, particularly
during the first half. Had the narrative been more consistently
compelling - perhaps focusing entirely on Ricardo &
Carolina - this could have been a slow-burning stunner. But as-is,
the film is watchable.
EXTRA
KIBBLES
FIGHT
SCENE REHEARSALS
DELETED
SCENES - With Commentary
AUDIO
COMMENTARY
SHORT
FILM - "St. John"
TRAILER
KITTY CONSENSUS:
NOT BAD. LIKE CAT CHOW.
November 2, 2018
THE HOUSE WITH A CLOCK IN ITS WALLS on Digital 11/27, 4K, Blu-Ray and DVD 12/18
VIEW THE TRAILER |
Enjoy
the delightfully thrilling tale of a mysterious house where things,
including the inhabitants, are not what they seem to be.
The House With a Clock in its Walls arrives on Digital and via the digital movie app MOVIES ANYWHERE on November 27, 2018, as well as on 4K Ultra HD, Blu-ray, DVD and On Demand on December 18, 2018. Based on the classic children’s
book and praised as “creaky, freaky haunted-mansion fun” (LA Times),
The House With a Clock in its Walls features over 60
minutes of bonus content including an alternate beginning and ending,
stunning featurettes, deleted scenes, a hilarious gag reel, and feature
commentary. Enchanting from start to finish, it’s
the perfect adventure for families during the holidays.
October 30, 2018
PREHYSTERIA!: A Kids Movie for Thirtysomethings
Starring
Austin O'Brien, Brett Cullrn, Colleen Morris, Samantha Mills, Tony
Longo, Stuart Fratkin, Stephen Lee. Directed by Charles & Albert
Band. (1993/83 min).
AVAILABLE
ON BLU-RAY FROM
Review by Stinky the Destroyer😼
At
the start-up of this disc, there's a trailer with a montage of
several Full Moon Features cult horror classics to promote the
company's Amazon channel. Many of the clips contain violence, blood
and sex. One might initially question why something like this would
precede a family film, until you realize that anyone who enjoyed
Prehysteria! back in the day are now in their mid-to-late 30s, and I seriously doubt any kids today would be interested in a movie like
this. Full Moon knows damn well who their audience is.
Since
90s' nostalgia appears to be a thing now, those same thirtysomethings
who grew up on Full Moon's economic brand of straight-to-video
entertainment might hold the same reverence for Prehysteria!
that my generation did for The Shaggy D.A. In retrospect, both are
terrible films, but sure enjoyable when we were too young to know any
better. And sometimes it's fun revisiting childhood pleasures.
This snack comes with a prize. |
Full
Moon Features is, of course, known for horror movies, but did produce
a number of fantasy-oriented family films under the Moonbeam
Entertainment banner. Of those, Prehysteria! is arguably the
only one to really find an audience, who were probably more enamored
with the concept than the story itself: What kid wouldn't love
the idea of miniature dinosaurs scuttling around the house,
especially after Jurassic Park just made them cool again?
Naturally,
Prehysteria! is no Jurassic Park...or We're
Back...or even Carnosaur. The dinos are cute-but-clunky,
the humor is eye-rolling, the performances are pedestrian and the
story nearly non-existent. Anyone reading this probably already knows
that and doesn't care. For them, this Blu-ray is a silly little
trip back to the good ol' days of perusing the
local Blockbuster armed with indiscriminate tastes.
EXTRA
KIBBLES
"VIDEOZONE"
- Full Moon was including making-of features on their VHS releases
before DVD was a glint in anyone's eye.
AUDIO
COMMENTARY - By Charles Band & Austin O'Brien
TRAILERS
- For numerous other Full Moon films
DVD COPY
KITTY CONSENSUS:
NOT BAD...AS A SILLY TRIP DOWN MEMORY LANE FOR 90s KIDS.
THE PREDATOR on Digital, 4K Ultra HD, Blu-ray and DVD 12/18
The universe’s greatest hunter returns in The Predator on Digital and Movies Anywhere November 27 and 4K Ultra HD, Blu-ray and DVD December 18. Fans can also bring home a special edition Predator 4-Movie Collection, which includes Predator, Predator 2, Predators and The Predator on 4K Ultra HD and Blu-ray.
The hunt has evolved – and so has the explosive action – in the next chapter of the Predator series, from director Shane Black (Iron Man 3). Now, the most lethal hunters in the universe are stronger, smarter and deadlier than ever before….and only a ragtag crew of ex-soldiers and an evolutionary biology professor can prevent the end of the human race.
The Predator Digital, 4K Ultra HD™, Blu-ray™ & DVD SPECIAL FEATURES
The hunt has evolved – and so has the explosive action – in the next chapter of the Predator series, from director Shane Black (Iron Man 3). Now, the most lethal hunters in the universe are stronger, smarter and deadlier than ever before….and only a ragtag crew of ex-soldiers and an evolutionary biology professor can prevent the end of the human race.
The Predator Digital, 4K Ultra HD™, Blu-ray™ & DVD SPECIAL FEATURES
- Deleted Scenes
- A Touch of Black
- Predator Evolution
- The Takedown Team
- Predator Catch-Up
- Gallery
October 29, 2018
BELIEVER and Some Payback for the Pooch
Starring
Cho Jin-woong, Ryu Jun-yeol, Kim Joo-hyuk, Kim Sung-ryung, Park
Hae-joon, Cha Seung-won. Directed by Lee Hae-young. (2018/124 min).
AVAILABLE
ON BLU-RAY FROM
Review
by Tiger the Terrible😾
Mr.
Lee is Korea's most notorious druglord, as well as its most elusive.
In fact, nobody even seems to know what he looks like, and those who
have seen him don't live long enough to talk about it. As for
lower-level crime bosses who pose as Lee to elevate their own
status...well, they aren't too long for this world either. Won-ho
(Cho Jin-woong) is a detective who's been obsessed with catching Mr.
Lee for years, but has never come close.
Won-ho sees another opportunity when an explosion at one of Mr. Lee's
warehouses leaves a survivor, Rak (Ryu Jun-yeoi), and his dog. Rak seems less upset that his mother perished in the explosion than the
wounds suffered by the dog, so he agrees to help Won-ho get inside the
organization. In the film's best sequence, Won-ho poses as a buyer to
meet psychotic Chinese dealer Ha-rim (Kim Joo-hyuk) in a hotel, then
goes to the next floor and poses as Ha-rim to make a deal with another
henchman who works for Lee. The whole segment is tension-filled and
masterfully performed.
Daft Punk...the early days. |
Elsewhere,
Believer is content to be a your standard
obsessed-cop-vs.-elusive-criminal caper, with enough narrative and
stylistic flourishes to keep it engaging. Won-ho and Rak are
interesting characters, but few of the others really rise above
standard tropes: the dedicated team, the green rookie, the cruel
henchman, the depraved kingpin (though a pair of loony chemists deserve their own movie). Storywise, the revelation of Mr.
Lee's identity probably won't be a big shock to anyone who's seen
The Usual Suspects, though the film does end with a memorable
- and wonderfully ambiguous - resolution.
Other
than the denouement, there aren't a lot of surprises and most of the big action is regulated to the final act. Still, Believer is
stylishly made, the performances are good and I admit getting some
perverse pleasure from a scene involving the brutal torture of one
particularly hateful character. That's what he gets for
maiming the dog!
EXTRA
KIBBLES
TRAILER
DVD
COPY
KITTY CONSENSUS:
NOT BAD. LIKE CAT CHOW.
October 28, 2018
NIGHTWING and SHADOW OF THE HAWK: Two for the Niche Crowd
NIGHTWING
Starring
Nick Mancuso, David Warner, Kathryn Harold, Stephen Macht, Ben
Piazza, Strother Martin, Charles Hallahan. Directed by Arthur Hiller.
(1979/105 min).
SHADOW OF THE HAWK
Starring Jan-Michael Vincent, Marilyn Hassett, Chief Dan George. Directed by George McGowan. (1976/92 min).
AVAILABLE ON BLU-RAY FROM
MILL CREEK ENTERTAINMENT
SHADOW OF THE HAWK
Starring Jan-Michael Vincent, Marilyn Hassett, Chief Dan George. Directed by George McGowan. (1976/92 min).
AVAILABLE ON BLU-RAY FROM
MILL CREEK ENTERTAINMENT
Review
by Josey, the Sudden Cat🙀
This
latest double feature from Mill Creek Entertainment resurrects two
forgotten relics of the 1970s.
Well,
mostly forgotten. I actually recall seeing Nightwing in
theaters, back when everyone, including yours truly, was still
stricken by Jaws fever and it seemed like another knock-off popped up at my local Southgate Quad every week.
Some where okay, most were terrible and none came close to giving me
the visceral rush of Jaws.
Nightwing
gives us vampire bats that terrorize an Indian reservation in New
Mexico. Stonefaced local deputy Youngman Duran (Nick Mancuso) teams
up with obsessive bat hunter Dr. Payner (David Warner) and perky
girlfriend Anne Dillon (Kathryn Harrold) to try and destroy the
proliferating pests. Other than some livestock and a few dumb
tourists, these bats don't do much actual killing and the first half
is really slow going. Things eventually improve, though the special
effects are laughably terrible throughout. On the plus side, Warner's
campy performance is wonderfully over-the-top. Based on his manic
description of these animals, you'd think they were gonna bring about
the apocalypse.
Ms. Harold conveys utter terror. |
While mostly bat guano, Nightwing still holds morbid
historical interest for the surprising amount of genuine talent
behind it. This wasn't the usual low-budget Jaws ripoff. It
was directed by none-other than
Arthur Hiller, known for such classics as The Americanization of
Emily, Love Story and The In-Laws. Amazingly, Carlo
Rambaldi, who'd already worked on Close Encounters and Alien, created the silly looking bats (which look more like angry
dachshunds). Not only that, legendary composer
Henry Mancini is onboard to provide the score. One can only assume these guys'
paychecks included a lot of zeros.
But
at least Nightwing is
kind of fun, even if that fun generally comes at its own expense.
Shadow of the Hawk, on the other
hand, is a comparatively dull and takes its ambiguous story way too seriously.
Despite a few creepy moments, it looks and plays like a TV
movie-of-the-week from the era: competently made, but with little
genuine style or atmosphere. Jan-Michael Vincent plays Mike, a
cynical businessman whose Native American grandfather (Chief Dan
George) shows up to groom him as a tribal shaman in order to battle a
malevolent demon. On the way back to the village, he fights a bear to
the death, is pursued by a demonic car, blows up an owl and locks
lips with new friend Maureen (Marilyn Hassett).
Even bears love Jan-Michael Vincent. |
Consisting
mostly of individual set-pieces rather than a cohesive narrative,
Shadow of the Hawk is
more of a mystical road movie than a horror film. The overly serious
screenplay is filled with groan-worthy dialogue, not helped by wooden
performances from Vincent and Hassett (neither of whom were ever
outstanding actors to begin with). Then again, what else would you
expect from a director whose greatest claim to fame was Frogs?
However, if you're looking to complete your Jan-Michael Vincent
collection - and who isn't? - here's your chance.
Since
I have fond memories of hanging out at the Southgate Quad every
weekend, Nightwing was a pleasant nostalgia trip. There might
even be those with a similar sentimental fondness for Shadow of
the Hawk. Neither of these titles would be worth picking up
individually, but as a reasonably-priced double feature with a decent
video transfer, this Blu-ray is probably has a niche audience who
might dig it.
KITTY CONSENSUS:
NOT BAD. LIKE CAT CHOW.
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