April 11, 2017

Blu-Ray Review: UNDERWORLD: BLOOD WARS

Starring Kate Beckinsale, Theo James, Lara Pulver, Tobias Menzies, Bradley James, Peter Andersson, James Faulkner, Clementine Nicholson, Daisy Head, Charles Dance. Directed by Anna Foerster. (2017, 91 min).

The original Underworld was a competently made, mildly entertaining horror-fantasy that, while successful, wasn't anything especially memorable. Aside from a sultry, leather-clad Kate Beckinsale defying gravity as she shot and sliced her way through legions of Lycans, there was little to distinguish it from similar CGI driven action-thrillers. Yet here we are,14 years later, with a fourth sequel, Underworld: Blood Wars, which probably prompted many of us to say, "Really? They're still making those?"

I never felt compelled to venture beyond the first film, even when the other sequels popped up on television, and if Blood Wars is any indication, I'm not alone. The film realizes the franchise isn't exactly the Star Wars saga, and wisely takes the time - through narration and flashbacks - to recap major events from previous installments that newbies need to know.

As usual, Selene overdresses for the occasion.
Beckinsale returns as Selene, a vampire Death Dealer, now an outcast (she once killed an elder who betrayed her) and hunted by both Lycans and the Eastern Coven. However, when the Lycans' powerful new leader, Marius (Tobias Menzies), poses a serious threat, council member Semira (Lara Pulver) suggests making peace with Selene so she can show Death Dealer trainees how to protect the coven. Semira also has secret nefarious plans to take control of the coven. Meanwhile, Marius is looking for Selene because her Lycan/vampire daughter's blood will make him invincible.

It's a lot of plot for an action movie and much of it is fairly predictable, therefore not too interesting. The same could be said for most of the characters. As Selene, Beckinsale still knows how to fill-out a leather jumpsuit and smolder, but her main ally, David (Theo James) isn't particularly dynamic and Marius makes a bland villain. On the other hand, Lara Pulver effectively exudes sexiness and cruelty in equal measures as Semira. There's an abundance of bloodletting and CG action, which I suppose is what we pay to see. Some of it is fun and engaging, though nothing you haven't seen before in countless other similar films, including the original Underworld.

By no means terrible, Underworld: Blood Wars is an unremarkable film that isn't apt to have much appeal beyond its core of existing fans. Undemanding newcomers may find it watchable, as it moves along briskly and doesn't overstay its welcome, but it's doubtful they'll wait with bated breath for Underworld 6

EXTRA KIBBLES
FEATURETTES:
"The Evolution of Selene" (profile of the title character; "Building a Blood War"; Old & New Blood" (featurette of new & returning characters); "The Evil Evolved"
UNDERWORLD: BLOOD WARS - Digital version of the graphic novel...good luck actually reading it.
DIGITAL COPY
KITTY CONSENSUS:
NOT BAD...LIKE CAT CHOW

OVERLOOK FILM FESTIVAL Announces Line-Up, World Premiere of Four Features, Roger Corman to Accept Master of Horror Award.

THE OVERLOOK FILM FESTIVAL ANNOUNCES LINEUP, WORLD PREMIERE OF FOUR FEATURES, ROGER CORMAN TO ACCEPT MASTER OF HORROR AWARD
Full program schedule & tickets on sale now:
www.overlookfilmfest.com

(PORTLAND, OR) – The Overlook Film Festival is proud to announce its inaugural year programming lineup. In addition to the 37 films (20 features and 17 short films from 16 countries) on offer, the festival will overflow with genre-themed parties, interactive events, and live experiences, all set against the breathtaking backdrop that is Mt. Hood, located just one hour east of Portland, Oregon.

On closing night of the festival, audience members will be treated to an unmissable secret screening. The Centerpiece presentation of the 2017 edition of The Overlook Film Festival is William Oldroyd's LADY MACBETH, which premiered at the Toronto International Film Festival and was a Sundance Film Festival Official Selection. The festival's Opening Night film and additional surprises will be announced later this week.

Legendary director and producer Roger Corman will attend to accept the Overlook Film Festival's Master of Horror Award. The Master of Horror Award was established to honor a living legend who has contributed lasting innovations to the genre throughout a long career, inspiring new filmmakers for years to come. Producer and director Roger Corman has made more than 300 feature films, earning him the nickname the “Godfather of Independent Film.”

In addition to films and special guests, the Overlook Film Festival is generously packed with live presentations. The festival's signature live event, a weekend long immersive horror game available to badge holders, is produced by Bottleneck Immersive exclusively for the festival. Other live experiences run the gamut from sessions of extreme haunt sensation BLACKOUT to Glass Eye Pix's TALES FROM BEYOND THE PALE, a live-audio drama featuring all new work written and directed by horror impresarios Glenn McQuaid and Larry Fessenden.

“It’s an incredibly exciting time and we’re really proud of the lineup!,” said Festival Co-Director Michael Lerman. “Between the world premieres and the festival favorites, I feel like it really does justice in honoring this amazingly special location.” Added festival co-director Landon Zakheim “The festival was built from the ground up to exist as a community for fans to celebrate horror in all of its forms. We can’t wait for attendees to discover our dark carnival of interactive experiences and the artists behind them.”


Centerpiece and Closing Night presentations

Centerpiece Film:

LADY MACBETH
Director: William Oldroyd
United Kingdom, 2016
Rural England, 1865. Katherine is stifled by her loveless marriage to a bitter man twice her age, and his cold, unforgiving family. When she embarks on a passionate affair with a young worker on her husband’s estate, a force is unleashed inside her so powerful that she will stop at nothing to get what she wants.

Closing Night Film:

Secret Screening

For our closing night festivities, the Overlook Film Festival proudly presents a hotly anticipated film from a bold voice in film. Come and be the first to see an unmissable work of genre art!

Feature presentations

THE BAD BATCH
Director: Ana Lily Amirpour
United States, 2016
Set in a post-apocalyptic future, this imaginative tale sees a young girl deemed longer suitable for civilized society, is forcibly put out to pasture in rugged Texas wasteland inhabited by a iron-pumping ground of blood thirsty cannibals. The sophomore effort from Ana Lily Amirpour (A Girl Walks Home Alone at Night), The Bad Batch is genre-bending acid trip full of iconic imagery and evocative sequences.

THE BAR
Director: Álex de la Iglesia
Spain, 2017
Spanish genre maverick Alex de la Iglesia returns to form with fast paced horror-comedy about a random group of diners who get trapped together inside a bar in downtown Madrid when a sniper opens fire on the streets. As claustrophobia sets in inside, a series of bizarre occurrences take place outside, leading this mismatched bunch to extreme paranoia that may have vicious consequences.

World Premiere
BLOOD DRIVE

Created by: James Roland
United States, 2017
Syfy's new grindhouse-inspired series soaked in high-octane chaos and just barely approved for television. After Los Angeles’ last good cop is forced to join a twisted cross-country death race, his only hope of survival is a dangerous femme fatale. Oh, and forget gasoline… these cars run on human blood.

BOYS IN THE TREES
Director: Nicholas Verso
Australia, 2016
Part eerie, part moving, this engrossing coming-of-age tale sees two estranged teens begrudgingly finding themselves walking home together on Halloween 1997. As the differences in the pair start bubble to the surface, the two embark on a surreal journey through their vivid memories, lurid dreams and morbid fears.

THE DWARVES MUST BE CRAZY
Director: Bhin Banloerit
Thailand, 2016
The most insane and hilarious horror comedy you will see this year, The Dwarves Must Be Crazy follows a village of little people as it is attacked by an evil ancient Thai spirit. When the local inhabitants feast on some poisonous fireflies, all hell breaks loose in this chaotic piece of anarchic cinema full of intestines and flatulence humor.

HOUNDS OF LOVE
Director: Ben Young
Australia, 2016
In the mid-1980s, 17-year-old Vicki Maloney is randomly abducted from a suburban street by a disturbed couple. As she observes the dynamic between her captors, she quickly realizes she must drive a wedge between them if she is to survive.

KILLING GROUND
Director: Damien Power
Australia, 2016
With their hearts set on a romantic vacation, Ian and Samantha arrive at an isolated campsite, only to to find an SUV and a tent — with no sign of the occupants. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that will test the young couple’s breaking point. The great tradition of shockers like Straw Dogs and Wolf Creek, this brutal survival thriller cuts deep.

LAKE BODOM
Director: Taneli Mustonen
Finland, 2016
Every camper’s worst nightmare came true at Lake Bodom in 1960 when four teenagers were stabbed to death while sleeping in their tent. As the years passed and the case grew cold, the unsolved mystery turned into a creepy campfire story passed from generation to generation. Now, a group of teenagers arrives at the same campsite, hoping to solve the murder by reconstructing it minute by minute. As night falls, it turns out not all of them are there to play.

LIKE ME
Director: Robert Mockler
United States, 2017
A reckless loner, desperate for human connection, sets out on a crime spree that she broadcasts on social media. Her reality quickly splinters into a surreal nightmare that escalates out of control, just in time for Christmas.

MAYHEM
Director: Joe Lynch
United States, 2017
In this explosive new film from director Joe Lynch, a dangerous virus that prevents the infected from controlling their inhibitions is discovered in a corporate law building - the very same firm that recently cleared an infected man on murder charges. When a quarantine is issued and the building goes on lockdown, all hell breaks loose inside, leaving a disgruntled employee (Steven Yeun) and an irate client (Samara Weaving) to fight their way to the top to “have a word” with the corrupt executives who wronged them.

MEATBALL MACHINE KODOKU
Director: Yoshihiro Nishimura
Japan, 2017
Japanese cyberpunk is alive and well In this follow-up to the 2005 splatter comedy Meatball Machine. Taking the reigns this time is effects specialist Yoshihiro Nishimura (Tokyo Gore Police) as he puts his own independent spin on the story of the alien parasite who turns unsuspecting humans into Necro-borg - half man, half machine creatures who will stop at nothing to battle each other to the death.

M.F.A.
Director: Natalia Leite
United States, 2017
Following the brutal sexual assault of a fellow classmate, an introverted art student sets out into the campus night to take justice into her own hands in director Natalia Leite's terrifying and poignant revenge thriller.

PSYCHOPATHS
Director: Mickey Keating
United States, 2017
When an unidentified madman is sent to the electric chair, it triggers a sort of Mischief Night for a group of serial killers out in an entire city. An escaped mental patient, a beautiful seductress, a strangler who preys on unsuspecting women and an enigmatic masked contract killer run amok in Mickey Keating's new slasher fest.

North American Premiere
PREY

Director: Dick Maas
Netherlands, 2016
Bad boy Dutch director Dick Maas returns with this over-the-top thriller about a enormous, aggressive lion who is on the loose outside of Amsterdam. Teaming up the police and her hunter ex-boyfriend, a brilliant veterinarian is hot the trail, dead set on catching the beast before he tears through everything in site in this romp of a gore fest.

World Premiere
STILL/BORN

Director: Brandon Christensen
Canada, 2017
When Mary loses one of her twins during childbirth, she feels an unparalleled disconnect. As she struggles with the loss of one child, she begins to suspect a sinister force have plans for the other. Written by Colin Minihan of The Vicious Brothers (GRAVE ENCOUNTERS) and pitch perfectly directed by new comer Brandon Christensen, Still/Born is a newborn horror you won't soon forget.

TERROR 5
Director: Sebastian Rotstein & Federico Rotstein
Argentina, 2016
On a night when the City Governor is facing the accusation of being responsible for a tragedy that led to the death of 15 persons when a building in construction fell apart, five citizens who remain disillusioned are fated to face their most terrifying fears. Based on a set of urban legends, these seedy, allegorical tales of lust, possession, revenge, and voyeurism will make your skin crawl.

TWO PIGEONS
Director: Dominic Bridges
United Kingdom, 2017
Hussein, a slick talking real estate agent, gets by day to day thanks to sharp wit and massive ego. Unbeknownst to him, he's sharing his apartment with a forgotten stranger, a master of concealment who is plotting a malicious campaign of vengeance. One of the most unique voices in genre cinema this year, director Dominic Bridges crafts the darkest of comedies about class.

THE UNTAMED
Director: Amat Escalante
Mexico/Denmark, 2016
The fragile existence of a young housewife and her working class family is thrown off balance when a mysterious stranger comes into their lives convinces them that in the nearby woods, inside an isolated cabin, dwells something not of this world that could be the answer to all of their problems. Director Amat Escalante's shocking and controversial new film touches on themes of family values, hypocrisy, homophobia, and male chauvinism.

Special presentations

Master of Horror
The Overlook Film Festival's Master of Horror Award was established to honor a living legend who has contributed lasting innovations to the genre throughout a long career, inspiring new filmmakers for years to come. This year's recipient is the one and only Roger Corman, director and producer extraordinaire whose techniques, output and mentorships changed the face of independent film. Joining Corman onstage will be filmmaker Mick Garris (creator of "Masters of Horror" and director of Stephen King's "The Shining" and "The Stand" miniseries events) to hold a live conversation about Corman's illustrious career for the podcast POST MORTEM WITH MICK GARRIS. Stay for a screening of a classic Corman film.

World Premiere
CAPTURE

Director: Georgia Lee
Hong Kong/United States, 2016
A young woman returns to her family in Hong Kong to tend to her ailing grandmother. Upon arriving, she begins to come into contact with strange occurrences - noises, moving objects and frequent electronic disruptions. Filming her day to day activities for her doting husband, she begins to unravel the terrifying mystery that haunts her family and its connection to her dark past. In the tradition of William Castle, this innovative feature uses app technology for maximum, real time interactivity with the film and the evils within.

PARANORMAN
Directors: Chris Butler & Sam Fell
United States, 2012
A misunderstood boy who can speak with the dead takes on ghosts, zombies and, worst of all, grown-ups, in order to save his town from a centuries-old curse in this modern animated classic from the wizards at Laika. Join your fellow children of all ages for the perfect love letter to all things that go bump in the night.

World Premiere
PRIMAL SCREEN

Director: Rodney Ascher
United States, 2017
Why are we simultaneously attracted to and repelled by the things that scare us the most? In this unique piece of work, acclaimed filmmaker Rodney Ascher (ROOM 237, THE NIGHTMARE) explores the pop culture that left dark impressions on us as children. Ascher asks real people to look back at pop-culture artifacts that traumatized them in their youth and describe the effect they had on their lives. A singular hybrid of documentary and horror, Ascher will present with an extended talkback following.

Live presentations

IMMERSIVE HORROR GAME

Produced by Bottleneck Immersive
Unfolding over the entire festival weekend, The Overlook Film Festival’s signature event is a fully realized interactive horror mystery that bleeds seamlessly into the festival atmosphere. Open to all badge holders, The game permeates the entire weekend, featuring planted actors, hidden clues, tactile puzzles, and surprising twists that each player can engage with at their own comfort and interest. Those who follow the clues become the protagonists of an engaging and thrilling narrative that no two players will experience in exactly the same way. Details of the game’s story are not revealed until the festival begins. Don't phone it in. And remember: discovering how to play is all part of the game.
3\4\6|3/     8/4|3|     2/7|2\4|4\8\4\7\8/     2|3|9/2/7|3|     7\2/6|4\8/9\
6\2\8/6\2|3|7|

The game is available exclusively to badge holders. To register for a more active experience, players must must opt-in and attend a game orientation at the festival. To be notified when registration goes live, sign up for the festival's mailing list here: http://bit.ly/2oYdtdd

TALES FROM BEYOND THE PALE
Directors: Larry Fesseden & Glenn McQuaid
Presented by Glass Eye Pix, TALES FROM BEYOND THE PALE is an ongoing series of audio dramas penned by luminaries from the world of contemporary horror from JT Petty (HELLBENDERS) to Simon Barrett (YOU’RE NEXT), and Kim Newman (ANO DRACULA), featuring players from Ron Perlman (HELLBOY), to Angus Scrimm (PHANTASM), and Mark Margolis (AMERICAN HORROR STORY). The Overlook edition will feature performers culled from the film lineup and festival guests. Join horror impresarios Glenn McQuaid and Larry Fessenden as they invite you to close your eyes and… listen. Priority entrance for badge holders.

CHALET
Director: Anne Katherine Lesser
The Chalet is based on The ABC Project's A(partment 8), an immersive performance piece for an audience of one. In The Chalet audience members take a walk in someone else's skin for a fully immersive theatrical experience. One audience member per performance. Morbid & disturbing with a twinge of black humor, A(partment 8) was a smash hit at the 2016 Hollywood Fringe Festival receiving rave reviews and selling out from word of mouth within 24 hours of its opening night. Slots available exclusively for all-access badge holders.

BLACKOUT
Directors: Kristjan Thor & Josh Randall
In 2009, an underground immersive horror experience swept through the NYC art scene and began a path that would transform the international horror community. BLACKOUT is an X-rated fear experience designed for adults over 18 to walk through completely alone. Created by directors Kristjan Thor and Josh Randall, BLACKOUT has had productions in New York, Chicago, San Francisco, and Los Angeles. Now at the Overlook Film Festival, BLACKOUT presents a rare and unique opportunity for the adventurous to make their way through what the NEW YORK TIMES has called the "most extreme theater event of the year." Slots available exclusively for all-access badge holders.

WARNING: This is considered an extreme experience and is exclusively for pass holders. Participants will be required to sign a waiver. Slots will be limited and made available on Monday April 24th. Sign up for our mailing list to learn the exact time: http://bit.ly/2oYdtdd

DEAD RIGHT HORROR TRIVIA
Do you consume horror as voraciously as zombies eat flesh? The hit Los Angeles horror event comes to the Overlook Film Festival! Join your hosts Ryan Turek (Blumhouse Productions) and Sam Zimmerman (Shudder) to test your horror knowledge in eight rounds of terrifyingly titillating trivia. Scare yourself with how much you actually know about horror.  Registration for this event is free and open to the public, Overlook badge holders receive priority registration.

MULE
Director: Guy Shelmerdine
From virtual reality's impresarios of horror Dark Corner Studios (creators of CATATONIC) comes a new vision of death. Piece together the choices that led to your demise, as you endure the the final hours of one very bad day. Choose your ending — do you want to be buried or cremated?

MULE is a 360º immersive virtual reality experience. Not recommended for people with epilepsy or who are sensitive to portrayals of graphic violence or nudity. Slots available exclusively for all-access badge holders.

THE PUMPKIN PIE SHOW
Director: Clay McLeod Chapman
Come join us for a special presentation of The Pumpkin Pie Show and get ready to get icky. For 20 years, author Clay McLeod Chapman and his rigorous storytelling session The Pumpkin Pie Show have offered a view into the lives of Southern Gothic monstrosities. Sometimes darkly humorous, sometimes strangely heartbreaking, these stories explore the domestic horrors of the everyday, finding terror within our own households. This one-of-a-kind performance delves deep into the depraved minds of those madmen and women who drift along the periphery of humankind. Priority entrance for badge holders.

ONE-ON-ONES PRESENTED BY THE PUMPKIN PIE SHOW
Director: Clay McLeod Chapman
Author Clay McLeod Chapman will take one audience member at a time on a dark ride through depravity in this intimate storytelling experience. Think of it as a heart-to-bleeding-heart with madmen, murderers and monsters telling their own story. No fourth wall, no escape. Sessions will last between 5 to 20 minutes. Available exclusively for all-access badge holders.

Short film presentations

ARCANA
Director: Jerónimo Rocha
Portugal, 2015
Somewhere in a dark wet dungeon on the Iberian peninsula, an 11th century heretic plots her escape.

ARRET PIPI
Director: Maarten Groen
Netherlands, 2015
Sarah and Bram's road trip takes a horrifying turn when they stop for a bathroom break in the dark woods of Wallonia, Belgium.

THE CLEANSING HOUR
Director: Damien LeVeck
United States, 2016
Two webcasters who stream faked exorcisms around the world must contend with the appearance of a real demon - live in front of millions of viewers.

DAWN OF THE DEAF
Director: Rob Savage
United Kingdom, 2016
When a sonic pulse infects the hearing population, a small group of Deaf people must band together to survive.

DEATH METAL
Director: Chris McInroy
United States, 2016
A metalhead gets passed down a satanic guitar that riffs to shreds.

DON'T EVER CHANGE
Director: Don Swaynos
United States, 2016
The reunion of a woman and her estranged daughter is interrupted by a man with an unusual request.

AN ELDRITCH PLACE
Director: Julien Jauniaux
Belgium, 2016
A tale of frontiers and madness.

FUCKING BUNNIES
Director: Teemu Niukkanen
Finland, 2017
Raimo’s comfy middle class bubble is burst when a satan worshipping sex cult moves in next door.

GREAT CHOICE
Director: Robin Comisar
United States, 2017
A woman gets stuck in a Red Lobster commercial.

THE HOME
Director: L. Gustavo Cooper
United States, 2017
A young woman fights for her sanity, and for her unborn child, as an ancient evil descends on a convent.

I WANT YOU INSIDE ME
Director: Alice Shindelar
United States, 2016
A tale of all-consuming desire.

THE ITCHING
Director: Dianne Bellino
United States, 2017
In this handmade collaboration, a shy Wolf tries to connect with a group of hip, party-loving Bunnies but finds her body is in revolt.

A KNOCK AT THE DOOR
Director: Katrina Rennells & Wendie Weldon
United States, 2016
Moments after the sound of a bloodcurdling scream, there is a knock at the door.

A NEARLY PERFECT BLUE SKY
Director: Quarxx
France, 2016
You might think that Simon lives a monotonous life. You would be wrong...

THE SOUND OF BLUE, GREEN AND RED
Director: Joshua Erkman
United States, 2016
A man searches for his missing wife, only to realize upon finding her, she is not who he thinks she is.

WHEN SUSURRUS STIRS
Director: Anthony Cousins
United States, 2016
A body horror tale like no other. The story of one man's bond with a parasitic creature that could result in the end of us all.

Important Dates

April 14: Press Accreditation closes
April 27: Festival begins

To keep up to date with The Overlook Film Festival, visit http://www.overlookfilmfest.com/. Follow us on Facebook (https://www.facebook.com/OverlookFilmFestival/) and on Twitter (@TheOverlookFest) and Instagram (@OverlookFilmFest) and join the conversation using the hashtag #OverlookFilmFest

The Overlook Film Festival
The Overlook Film Festival is a 4-day celebration of horror that runs from April 24 - 30, 2017 at the historic Timberline Lodge located in Mt. Hood, Oregon, featured in Stanley Kubrick's masterpiece THE SHINING as the location of the infamous Overlook Hotel. Presenting superior film programming with an expanded focus on experiential events, the festival showcases exciting work in new and classic horror cinema alongside the latest in interactive and live shows for a fully immersive weekend. As a summer camp for genre fans, The Overlook is a community event bringing the best of horror in all its forms to an enthusiastic and appreciative audience within an intimate and inspirational environment.

The Overlook Film Festival is sponsored by IFC Midnight, Shudder, Syfy, Daily Dead, and FrightDay.
Media partners: ScreenAnarchy, Bloody Disgusting, Birth.Movies.Death.

April 9, 2017

Blu-Ray Review: MONSTER TRUCKS

Starring Lucas Till, Jane Levy, Holt McCallany, Rob Lowe, Thomas Lennon, Barry Pepper, Danny Glover, Frank Whaley, Amy Ryan. Directed by Chris Wedge. (2017, 104 min).

Somewhat famously, Monster Trucks - which cost $125 million - was actually completed nearly two years ago, its release date repeatedly pushed back until it finally saw the light of day in January, the month most movies are sent to die. By then, its studio, anticipating a massive flop, had already taken a writedown on the film months before it even reached theaters. Sure enough, Monster Trucks came and went virtually unnoticed.

Is it that bad? Not really.

Sure, Monster Trucks is narratively clumsy and filled with bland, cliched characters. And yeah, it looks like it was cynically produced with tie-in toys in-mind, pandering to undemanding kids infatuated with both monsters and trucks. One might even be offended by some of the blatant product placement on display (everyone drives a Dodge, watches TV channels owned by Viacom and drinks Big Red). The entire movie itself is more concept than creation, and probably deserved to play to empty auditoriums.

On the other hand, if you're in the right frame of mind (or a 10-year-old boy), Monster Trucks plays surprisingly well at home, where expectations are generally lower to begin with. Despite an utterly predictable story loaded with heavy-handed themes we've seen in countless other family films, it still manages to be sporadically charming. The two lead teen characters, Tripp & Meredith (Lucas Till & Jane Levy, who are obviously well into their 20's) may not be particularly dynamic, but they're likable enough to keep us rooting for them.

When garden slugs go unchecked.
The premise, in which an evil oil executive (Rob Lowe) whose drilling accidentally unleashes giant mollusk-like creatures who feed on oil, is inherently ridiculous, but little kids aren't likely to care. They'll be too enthralled by Creech, a slimy-yet-cute critter who loves going fast by serving as the engine to Tripp's rusty old pick-up. Of course, the oil company wants to keep drilling, with plans to poison the ecosystem Creech came from, so they hire professional thug Burke (Holt McCallany) to capture Creech so they can keep it secret. Typical of films like this, it's up to the kids to save the day from the nasty, heartless adults.

Kids probably wouldn't have it any other way, which one needs to keep in-mind. Monster Trucks is unabashedly a children's movie and everything that entails. It's colorful and fast-moving, with interesting special effects and the type of silly humor that makes them giggle. There's also a considerable amount of vehicular action & destruction, and what Hot Wheels loving little boy isn't gonna love that? If nothing else, Monster Trucks is technically ambitious. Much of its considerable budget is obviously right up there on the screen.

Monster Trucks is ultimately a forgettable film, perhaps even irritating from an adult perspective. But if you have kids, it's inoffensive entertainment that's sure to amuse them a time or two. It's cynical, assembly-line filmmaking, to be sure, though not as bad as its reputation suggests.

EXTRA KIBBLES
FEATURETTES: "Who's Driving the Monster Trucks?"; "The Monster in the Truck"; "Creating the Monster Truck"
GAG REEL
DELETED SCENES
PRODUCTION DIARY
2 WALL DECALS
DVD & DIGITAL COPIES
KITTY CONSENSUS:
NOT BAD...IF YOU HAVE KITTENS IN THE HOUSE

April 8, 2017

DVD Review: BLACKHEARTS

Directed by Fredrik Horn Akselsen, Christian Falch. (2017, 83 min).

To call black metal on the fringe is an understatement. Unremittingly bleak, musically extreme and overtly satanic, it's a safe bet even most hardcore metal fans consider it unlistenable noise. The genre was born in the Norwegian underground over two decades ago, and for the most part, that is where it has stayed.

Still, while legends like Mayhem, Darkthrone and Gorgoroth aren't exactly household names, the genre's influence did manage to leak beyond its Nordic borders. Blackhearts is a fascinating documentary that focuses primarily on three black metal artists from various parts of the world, whose only dream is to travel to Norway and perform where their music would be most appreciated. We get to know them personally...life in their home countries, their influences and what the music means to them personally.

Of the three, Sina, a guitarist from Iran, is the most likable and charming. Forbidden from performing black metal in his home country, when he finally has the opportunity to play at a music festival in Norway (and meet a few of his idols), his awestruck sincerity is genuinely heartwarming, whether you're a fan of the genre or not. Then there's Hector, a family man from Colombia, who not only loves the genre, but has embraced Satan in his personal life; he and his band, Lucifarian, even sell their souls in a black ritual in order to afford the trip to Norway. Finally, we have Kaiadas, from Greece, who's a member of the alt-right political party, Golden Dawn, and gets arrested for criminal activities before the rest of his band heads north to perform at a festival.

Getting into that Christmas spirit.
We also meet a few of the "godfathers" of black metal, Nocturno Culto from Darkthrone and Arnt Gronbech from Keep of Kalessin, both of whom are more humble and down-to-Earth than the over-the-top, sinister image we typically associate with the genre. They are also philosophical about the role black metal plays in their own lives.

There are plenty of music performances. None of them are likely to create any converts, though one has to appreciate how technically - not-to-mention physically - demanding this music is. I also have to admit, though black metal isn't exactly my thing, Keep of Kalessin was intriguing enough for me to check out more of their music (turns out they're a damn good band).

It's a cliche for artists of virtually any genre to publicly announce "it's all about the music," which is easy to say when you're famous and raking in millions. But black metal artists already know they'll never be famous, never be millionaires, never accomplish more than preaching to the choir in dark caverns during Norwegian winters. For them, it really is all about the music, even if playing in a tiny room with six other happy headbangers. Whether they're veterans or hopefuls, their dedication to their craft is never in question. Even if one dismisses black metal as unintelligible noise, Blackhearts is an enlightening and entertaining look at a culture they probably know very little about.

EXTRA KIBBLES
FEATURETTES:
"It's All About Looking Good Onstage" - Obsidian C's workout regimen;
"He Fought a Bear and Lost" - Interview with Darkthrone's Nocturno Culto at 2015's Blastfest;
"White Metal Ministry" - Interview with a Colombian pastor and black metal musician; though the song remains the same, as they say, his message is different.
EXTENDED SCENE (of Hector's Satanic ritual)
2 MUSIC VIDEOS
TRAILER
KITTY CONSENSUS:
PURR-R-RAWR-RAWR-RAAAAHHH!

April 7, 2017

Blu-Ray Review: WAR ON EVERYONE

Starring Alexander Skarsgard, Michael Pena, Theo James, Malcolm Barrett, Tessa Thompson, Caleb Landry Jones, Paul Reiser. Directed by John Michael McDonagh. (2016, 97 min).

Watching War on Everyone, I am reminded how great Michael Pena is. Though not often a leading man, he sure manages to steal a lot of scenes from his bigger co-stars. He's also pretty damn funny while never appearing to be trying too hard.

He's easily the best part of War on Everyone, a hit or miss black comedy about two unscrupulous, crooked cops who supplement their income by extorting most of the criminals they're pursuing. Pena plays Detective Bob Bolano, who, along with his partner, Terry Monroe (Alexander Skarsgard), learn of a racetrack robbery planned by wealthy playboy "Lord" James Mangen (Theo James). But they find themselves in over their heads because Mangen is ruthless, violent and unafraid to kill anyone who crosses him.

"Does someone need a hug?"
The plot is mostly a springboard for these two cops to engage in a variety of bad behavior. They harass suspects, cause a lot of gratuitous destruction, snort coke & drink on the job and, of course, are indifferent to the threats of their frustrated captain (Paul Reiser, in a thankless role). Sometimes the film is clever and funny, other times obnoxious and gratuitously stupid. As is typical for films like this, there's an ensemble of supporting characters whose only purpose is to behave like oddballs. 

Monroe's blustery, belligerent behavior grows especially tiresome after awhile, and unfortunately, he gets more screen time than Bolano. That's too bad because Pena is absolutely wonderful in the role. He's effortlessly amusing, even when forced to occasionally deliver some asinine dialogue. It's his numerous throw-away lines and reactions that provide most of the movie's laughs.

Elsewhere, War on Everyone works in fits and starts, wavering - sometimes uncomfortably - between dark humor and Will Farrell-style overkill. Ultimately, the film is probably amusing enough to make it worth a watch, especially with Michael Pena in fine form.

EXTRA KIBBLES
FEATURETTE: "Everyone Sounds Off: The Quirky Cast of War on Everyone"
DVD & DIGITAL COPIES

KITTY CONSENSUS:
NOT BAD...LIKE CAT CHOW

April 5, 2017

Blu-Ray Review: ROGUE ONE: A STAR WARS STORY

Starring Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, Jiang Wen, Forest Whitaker. Directed by Gareth Edwards. (2016, 133 min).

I've been a big Star Wars fan ever since the original was released 40 years ago. It's a saga I didn't want to end, although George Lucas' maligned (and largely unnecessary) prequel trilogy dampened some of my enthusiasm. Like a lot of people, I was cautiously optimistic when Disney announced acquisition of Lucasfilm and immediately announced continuing the franchise.

I say cautiously because, even though I was excited the saga would be getting another trilogy (beginning in 2015 with The Force Awakens), Disney also announced numerous Star Wars Anthology films (side stories, prequels, character origins, etc.) to be released in interim years between the regular episodes. The prospect of milking the property for all it's worth by running it in into the ground loomed large.

While most of us breathed a collective sigh of relief when Episode VII, The Force Awakens, was a triumphant return to everything that made the original trilogy great, the first announced spin-off, Rogue One, initially seemed to confirm my worst fears. Making an entire film based on a few lines of dialogue from the original Star Wars reeked of cashing in on a brand name. Since that dialogue also summarizes the outcome, what other possible purpose could a film like that serve?

"Dammit, didn't I tell you to 'go' before we left?"
Plenty, as it turns out. Surprisingly, not only is Rogue One better than the entire prequel trilogy, I'll go out on a limb and say it's also better than Return of the Jedi and just as good as The Force Awakens. While obviously still part of the Star Wars universe, Rogue One establishes a unique look and tone all its own. It's a down-to-Earth, gritty, in-your-face film that owes as much to classics like The Dirty Dozen and Where Eagles Dare as it does the saga which inspired it. Out of the entire franchise, this is the first one that truly feels like a war film. Because the basic premise - theft of the original Death Star plans by the rebellion against the Empire - is essentially a suicide mission, Rogue One is also the darkest and most violent. No love story, no quasi-mystic philosophizing, no fuzzy critters to market as plushies at the Disney store, no cute androids (though there is one that's funny as hell).

The film takes a fair amount of time establishing the plot and characters, but by the second hour, which focuses almost exclusively on the actual mission, Rogue One is a rapid-fire thrill ride. Featuring some of the best-executed battle scenes in the entire franchise, the final act is intense, vivid and extraordinarily suspenseful. Considering the outcome is already a forgone conclusion, that's quite a feat.

Donnie Yen loves the smell of napalm in the morning.
A major reason why we're so invested in this familiar story is the characters, an eclectic and inclusive band of rag-tag rebels led by Jyn Erso (Felicity Jones), one of the more dynamic female characters in the Star Wars universe. She's aided by rebel captain Cassian Andor (Diego Luna), brutally-honest android K-2SO (voiced by Alan Tudyk) and Clone Wars veteran Saw Gerrera (Forest Whitaker), who saved Jyn as a child when her father, Galen (Mads Mikkelsen), was taken by the Empire and forced to weaponize the Death Star. But my favorite character is blind warrior Chirrut Imwe, because there should be a place in every action movie for the legendary Donnie Yen.

While definitely part of the Star Wars universe, Rogue One works just as well as a stand-alone film. If you're one of the six people left on Earth who've never seen a single episode in the entire saga, you could walk away feeling like you've seen a complete, enthralling story. As for the rest of us, it fits neatly within the saga and holds up just as well over repeated viewings. If Rogue One is representative of what Disney has in-mind for the Star Wars Anthology films, the franchise just might remain fresh and exciting enough outlive us all.

EXTRA KIBBLES:
FEATURETTES:
"A Rogue Idea" - The early stages of production and planning;
"Visions of Hope: The Look of Rogue One" - Featurette of the set design and construction;
"The Princess & the Governor" - How Leia and Grand Moff Tarkin were digitally recreated;
"Rogue Connections" - A brief segment on the various connections to the ongoing Star Wars saga;
"Epilogue: The Story Continues" - Footage from the premiere, along with fan reactions and scenes from the film.
CHARACTER FEATURETTES:
"Jyn: The Rebel"; "Cassian: The Spy"; "K-2SO: The Droid"; Baze & Chirrut: Guardians of the Whills"; "Bodhi & Saw: The Pilot & The Revolutionary"; "The Empire"
DVD & DIGITAL COPIES
KITTY CONSENSUS:
MEE-OW! LIKE BEING TURNED LOOSE IN A BIRD SANCTUARY.

April 4, 2017

Blu-Ray Review: SILENCE

Starring Andrew Garfield, Adam Driver, Liam Neeson, Tadanobu Asano, Yosuke Kubozuka, Shinya Tsukamoto, Ciaran Hinds, Issey Ogata. Directed by Martin Scorsese (2016, 160 min).

What makes Martin Scorsese so great - besides impeccable narrative and technical skills - is that he's never directed a film that isn't worth watching. Not that everything he's made has been stupendous, but even his weakest efforts (for me, that would be Bringing Out the Dead) reflect a sincerity you simply don't see from most mainstream directors. His pictures always feel like they are labors of love.

Silence is no exception. Though its audience appeal is probably more limited than the flamboyant epics Scorsese is typically associated with, this one is just as ambitious in scope and ultimately a rewarding, if somewhat challenging, viewing experience.

"Francisco...my Spidey Senses are tingling. Or maybe it was that burrito I had for lunch."
Andrew Garfield is Sebastiao Rodriguez, a 17th Century Jesuit priest who's told that his mentor, Father Ferreira (Liam Neeson), has apostatized (renounced his faith) after being tortured in Japan. Ferreira was there on a mission to spread Christianity, which Japanese authorities view as a dangerous threat to their own culture and therefore outlawed. Thousands of Christians have been tortured and killed over the years.

While the church believes Ferreira is missing because he is either dead or has truly renounced Christianity, Rodriguez and fellow priest Francsico Garupe (Adam Driver) are convinced their mentor's faith is unshakable and journey to Japan to try and find him. With the aide of a drunken fisherman, Kichijiro (Yosuke Kubozuka), the two priests sneak into Japan, only to discover villages of converted Christians who still worship in secret. They welcome the priests with open arms, even though doing so puts their own lives at risk because a samurai known as The Inquisitor continues searching the island for anyone practicing the "outlaw faith." He routinely tortures and kills anyone who refuses to renounce Christianity. Though Silence is seldom very graphic, the variety of horrific ways these people die is difficult to watch.

Andrew Garfield in The Barry Gibb Story.
Rodriguez and Garupe split up to avoid capture and continue their search for Ferreira. Rodriguez is eventually caught - betrayed by Kichijiro - and imprisoned in Nagasaki along with a bunch of other Christians. His faith is severely tested when they insist he apostatize in order the save, not only his own life, but those of the other religious prisoners. He also discovers that Ferreira has been living in Nagasaki this entire time and did indeed renounce Christianity. Their confrontation not only has the viewer questioning Rodriguez' stoic dedication and the nature of the Jesuits' mission, it's also the high point of the entire film, giving us a lot to think about. How the Japanese government chooses to deal with Christians is unjustifiable, yet at the same time, we're led to understand why this new religion is seen as an invasive threat to their culture. Similarly, Rodriguez' steadfast convictions are supremely admirable, but it's also clear he's unwilling to accept any "truth" other than what he's been taught. Has sort of a timely ring, doesn't it?

Like some of Scorsese's other "passion projects" (he's been trying to adapt Shusaku Endo's novel for years), Silence requires a certain amount of dedicated commitment from the viewer. While beautifully shot and wonderful to look at, the film is long and very deliberately paced. Though the most traditionally plot-driven film he's made since Shutter Island, Scorsese is not interested in providing easy answers to the many questions his story raises. Additionally, we are presented with characters far too complex to simply be labeled "good" or "evil."

Is it one of Scorsese's best? Well, there's no easy answer to that, either. His films are so varied that one can't really compare Silence to, say, Goodfellas, Taxi Driver or Raging Bull. But like those classics, it's one that might haunt you long after it's over.

EXTRA KIBBLES
FEATURETTE: "Martin Scorsese's Journey Into Silence" - a making-of featurette featuring cast & crew interviews.
DIGITAL COPY
KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS

Blu-Ray News: Jordan Peele's GET OUT Arrives on Blu-ray & DVD on May 23

FROM THE MIND OF JORDAN PEELE COMES THE RECORD-BREAKING SOCIAL THRILLER WITH A
NEVER-BEFORE-SEEN ALTERNATE ENDING.

AVAILABLE ON DIGITAL HD MAY 9, 2017
BLU-RAY, DVD AND ON DEMAND MAY 23, 2017
FROM UNIVERSAL PICTURES HOME ENTERTAINMENT

 
   
A speculative thriller from Blumhouse Productions (Split, Insidious franchise, The Gift) and the mind of Jordan Peele, the first African-American writer/director to cross $100 million at the box office with his debut film, GET OUT arrives on Digital HD on May 9, 2017 and on Blu-ray™, DVD and On Demand on May 23, 2017 from Universal Pictures Home Entertainment.  Known as the best reviewed movie of 2017 on Rotten Tomatoes to date, the dark and unsettling break-out hit is deeply relevant to modern day topics, captivating audiences with thrilling conflicts and danger at every turn. Own GET OUT on Blu-ray™, DVD and Digital HD and be the first to see the chilling alternate ending that flips the script, a behind-the-scenes look at the making of the film, plus much more! 
Now that Chris (Daniel Kaluuya, Sicario), a young African-American man, and his girlfriend, Rose (Allison Williams, “Girls”), a young white woman, have been dating for several months, she invites him for a weekend getaway upstate at her family’s upstate home with parents Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).  At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.
BLU-RAY AND DVD BONUS FEATURES
  • Alternate Ending with Commentary by Writer/Director Jordan Peele
  • Deleted Scenes with Commentary by Writer/Director Jordan Peele
  • Unveiling the Horror of Get Out: Go behind-the-scenes for the making of Get Out
  • Q&A Discussion with Writer/Director Jordan Peele and the Cast: Director/Writer Jordan Peele sits down with the cast to answer fan questions on the film hosted by Chance the Rapper.
  • Feature Commentary with Writer/Director Jordan Peele 
 

April 3, 2017

Blu-Ray News: JOHN WICK CHAPTER 2 on Digital HD 5/23 and on 4K, Blu-Ray & DVD 6/13


Keanu Reeves Returns as the Legendary Assassin in the Action-Packed Thrill Ride Arriving on Digital HD May 23 and on 4K Ultra HD Combo Pack, Blu-ray Combo Pack, and DVD on June 13 from Lionsgate.


John Wick: Chapter 2, the highly anticipated, hard-hitting second installment in the thrilling John Wick saga, shoots its way onto Digital HD May 23 and on 4K Ultra HD Combo Pack (plus Blu-ray and Digital HD), Blu-ray Combo Pack (plus DVD and Digital HD), DVD, and On Demand June 13 from Summit Entertainment, a Lionsgate company. Keanu Reeves (The Matrix franchise) returns with director Chad Stahelski (John Wick) and writer Derek Kolstad (John Wick) in this globe-trotting, action-packed thriller. Reeves stars alongside an all-star cast including Bridget Moynahan (TV’s “Blue Bloods”), Ian McShane (TV’s  upcoming “American Gods”), John Leguizamo (American Ultra), Common (Selma), Peter Stormare (TV’s upcoming “American Gods”), and, reuniting with Reeves for the first time since The Matrix films, Laurence Fishburne (TV’s “Hannibal”).

Legendary hit man John Wick is forced out of retirement again by a former associate plotting to seize control of a shadowy international assassins’ guild. Bound by a blood oath to help him, John travels to Rome, where he squares off against some of the world’s deadliest killers.

The 4K Ultra HD, Blu-ray, and Digital HD releases feature over three hours of extensive bonus material including feature-length audio commentary with Keanu Reeves and director Chad Stahelski, three deleted scenes, nine featurettes, the official John Wick “Kill Count” video, and the Dog Wick short. Featurettes include “RetroWick: Exploring the Unexpected Success of John Wick,” featuring the cast discussing the success of the first film; “Training John Wick,” showing Keanu Reeves and Common training with guns, cars, and hand-to-hand combat; “Wick-vizzed,” which looks at the blueprint “pre-viz” of John Wick’s action beats; “As Above, so Below: The Underworld of John Wick,” exploring the assassin’s underworld in the movie; “Friends, Confidantes: The Keanu/Chad Partnership,” delving into the long-standing relationship between Keanu Reeves and one-time stunt coordinator – and now director – Chad Stahelski; “Car Fu Ride-Along,” where fans can experience a true ride-along with Keanu Reeves and the stunt driver; “Chamber Deck: Evolution of a Fight Scene,” breaking down one of the fight sequences from concept to screen; and “Wick’s Toolbox,” looking into John Wick’s bag of tricks. The 4K Ultra HD and Blu-ray versions will also feature Dolby Atmos audio remixed specifically for the home-theater environment, to place and move audio anywhere in the room, including overhead.

The DVD release features audio commentary with Keanu Reeves and director Chad Stahelski, and the featurettes “RetroWick: Exploring the Unexpected Success of John Wick” and “As Above, So Below: The Underworld of John Wick.” John Wick: Chapter 2 will be available on 4K Ultra HD Combo Pack, Blu-ray Combo Pack, and DVD for the suggested retail price of $42.99, $39.99, and $29.95, respectively.

4K/BLU-RAY/ DIGITAL HD SPECIAL FEATURES
·       Deleted Scenes
·       “RetroWick: Exploring the Unexpected Success of John Wick” Featurette
·       ‘Training John Wick” Featurette
·       “WICK-vizzed” Featurette
·       “Friends, Confidantes: The Keanu/Chad Partnership” Featurette
·       “As Above, So Below: The Underworld of John Wick” Featurette
·       “Car Fu Ride-Along” Featurette
·       “Chamber Deck: Evolution of a Fight Scene” Featurette
·       “Wick’s Toolbox” Featurette
·        “Kill Count” Featurette
·        Dog Wick Short
·        Audio Commentary with Keanu Reeves and director Chad Stahelski