July 10, 2017

Movie News: Neill Blomkamp and Oats Studios Present: ZYGOTE Available July 12

Oats Studios and filmmaker Neill Blomkamp (District 9, Elysium, and Chappie) are pleased to announce the latest short film in the Oats Studios Volume I anthology, ZYGOTE.

Starring Dakota Fanning and Jose Pablo Cantillo, ZYGOTE will be available for free on July 12, 2017 via the Oats Studios YouTube, Steam, and Facebook channels.

Exclusively on the Steam platform, fans of ZYGOTE will be able to access a wealth of specialty behind-the scenes content including dailies, an HQ stereo version, concept art, sound stems, 3D models, the musical score, and more for just $4.99. This contribution will go towards Oats Studios and their mission of creating cutting edge, compelling films for their dedicated audience.



July 9, 2017

Blu-Ray Review: THE FATE OF THE FURIOUS

Starring Vin Diesel, Dwayne Johnson, Jason Statham, Charlize Theron, Michelle Rodriguez, Tyrese Gibson, Chris 'Ludacris' Bridges, Scott Eastwood, Nathalie Emmanuel, Kristofer Hivju, Kurt Russell, Elsa Pataky Helen Mirren. Directed by F. Gary Gray. (2017, 136 min).

There's a scene in The Fate of the Furious where cyber-terrorist Cipher (Charlize Theron) is trying to steal a nuclear football from some Russians traveling through New York. She hacks the computers of nearby cars, allowing her to control them from safety of her high-tech jet. Within minutes, thousands of driverless vehicles are giving chase, blocking the streets and literally falling from the sky...a veritable orgy of fiery destruction and twisted metal.

It's the quiet, understated moments we love about the franchise.

The aforementioned slice of hardcore motorporn isn't even the movie's climax, which is even more bombastic and audacious. This ultimately raises a question: Where can they go from here?

A quiet moment in The Fate of the Furious.
The Fate of the Furious is, of course, the eighth film in the long-running franchise, which shows no signs of slowing down  - or scaling back - anytime soon. Each film has steadily gotten bigger, longer & louder, evolving from a relatively straightforward depiction of super-cool street racers to an ever-growing cast - or 'family' - being recruited to save the world. It seems like half of the Screen Actors Guild shows up in this one. Scott Eastwood, Charlize Theron and, in an amusing cameo, Helen Mirren (!) join the already ginormous cast, and there's still room for a subtle shout-out to the departed Paul Walker.

The numerous action sequences are so big and over-the-top they make the skyscraper jump in Furious 7 look like a Sunday drive. You haven't lived until you've seen Jason Statham swoop into a moving plane strapped to a winged jetpack, Dwayne Johnson shrug-off multiple hits from rubber bullets (without so much as flinching) and Vin Diesel square-off against a nuclear submarine...with his car.

Really, the next logical step for the franchise would be to resurrect Steve McQueen, put him back behind the wheel of his Mustang and send the entire crew into space to battle aliens.

Lords of the Dance.
As usual, you'll scarcely believe a minute of it, but unlike, say, the Transformers series, the Fast and Furious films have actually become a lot more fun with each subsequent entry (speaking as someone who absolutely hated the original). This is because, even though they're essentially cartoons, these characters have grown on us over the years (including the bad guys, who nearly always end up as part of the team). So when Dominic Toretto suddenly 'goes rogue' at the behest of Cipher, we're actually invested in what could have caused him to turn on his friends. Oh, I'm sorry...family. That word is tossed around a lot in this film, and plotwise, takes on a new level of importance.

I don't know how much bigger these films can get, and maybe The Fate of the Furious will be the nadir of the series (how can you possibly top zombie cars?). I certainly hope not, because even though I still hold the early films in low regard, I've truly enjoyed the last few and look forward to the next one. If nothing else, just to see if Toretto & company are able to time travel...or fold space...or touch God. Until then, this one will be well worth seeing more than once because it's entertaining as hell.

NOTE: The Extended Unrated Edition included with this release is a digital copy. 

EXTRA KIBBLES
FEATURETTES:
"The Cuban Spirit" - On location with cast & crew members;
"Car Culture" - 3-part feature focusing on some of the vehicles, including the massive 'zombie car' sequence;
"All About the Stunts" - Title tells all;
EXTENDED SCENES
AUDIO COMMENTARY - By Director F. Gary Gray
EXTENDED EDITION (Digital Copy Only - not previewed)
DVD COPY
KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS

July 7, 2017

Blu-Ray Review: THE LOST CITY OF Z

Starring Charlie Hunnam, Robert Pattinson, Sienna Miller, Tom Holland, Angus Macfadyen, Ian McDiarmid, Franco Nero. Directed by James Gray. (2017, 140 min).
BROADGREEN PICTURES

A sign of the times: My youngest daughter, who's a horror fan, came into the room just as this film's title appeared on the screen. She sat next to me and watched for a few minutes before finally asking, "This isn't a zombie movie, is it?" 

Sorry, kid.

Another sign of the times: Though handsomely produced and critically lauded, The Lost City of Z sort-of came and went with little mainstream attention. Had this film been released 40 or 50 years ago, when attention spans seemed to be longer, it might have been a sizable hit.

Based of British explorer Percy Fawcett's real-life exploits, The Lost City of Z hearkens back to an era when epic big screen adventure was defined by such classics as Treasure of the Sierra Madre and King Solomon's Mines. I'm in-no-way suggesting this film is in the same league as those masterpieces, but it is definitely cut from the same cloth.

Percy judges this book by its cover.
Fawcett (Charlie Hunnam) is a British officer charged with mapping unexplored regions of the Peru/Brazil border, and instead finds evidence suggesting an advanced civilization that exists (or once existed) in the deep jungle. Convinced there's an ancient city awaiting discovery (which he names Z), finding it becomes his obsession. Along with loyal cohort Henry Costin (Robert Pattinson), Hunnam leads numerous expeditions to South America over the course of 20 years, despite public ridicule or its impact on his headstrong wife (Sienna Miller) and family, his oldest son (Tom Holland) in particular.

"No really...the hat makes the outfit."
Despite its length and sometimes deliberate pace, The Lost City of Z tells an interesting story, aided greatly by some stunning imagery and production design. The sequences taking place in the South American jungle are by-far the most engaging, where we get a real feel for how perilous these expeditions really were. As a character piece, the film is less successful. Hunnam exudes confidence and stoicism as Fawcett, though we're never as emotionally invested in his quest as we should be. Nor does the narrative effectively convey the personal consequences of his obsession. Conflicts with the government, colleagues and family are briefly touched upon, but quickly wrapped up before moving on.

Still, the journey is a entertaining one, even without zombies. It's rare that we get an epic adventure movie that doesn't pummel the viewer with non-stop action, making this film somewhat unique these days. And considering the fate of the real Percy Fawcett remains unknown, The Lost City of Z comes to a poignant, satisfying conclusion. Overlooked in theaters, the film deserves a second life on home video.

EXTRA KIBBLES
FEATURETTES - "Adventure in the Jungle"; "From Novel to Screen"; "Expedition Journal"
AUDIO COMMENTARY - By Director James Gray

KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS

July 6, 2017

Blu-Ray Review: BUSTER'S MAL HEART

Starring Rami Malek, DJ Qualls, Kate Lyn Sheil, Sukha Belle Potter, Lin Shaye, Toby Huss, Sandra Ellis, Nicholas Pryor. Directed by Sarah Adrina Smith. (2016, 98 min).

Mal heart indeed...

Buster (Rami Malek) is a scraggly, long-haired vagrant who survives in the Montana wilderness by squatting in unoccupied cabins, eating the owners' food, turning all the family photos upside-down and occasionally phoning talk show hosts to scream about some apocalyptic "inversion," which will apparently be triggered by Y2K. He also often finds himself adrift in a raft in the middle of the ocean, though it's never quite clear whether or not he's actually stranded.

Before all this, Buster was Jonah, a loving husband with an adorable daughter. However, life isn't turning out quite as he expected. Stuck with a job he hates - the night-shift concierge of a hotel - and living with his in-laws, Jonah is miserable and consistently exhausted. Then a stranger (DJ Qualls) arrives at the hotel one night. He has no ID and refuses to give his name, but claims to be privy to some sort of massive technological catastrophe and this knowledge makes him a target. However, he could simply be a paranoid conspiracy theorist, or perhaps just a figment of Jonah's imagination.

"I did use exact change...where are my goddamn Skittles?"
Throughout much of Buster's Mal Heart, the audience is uncertain what's real and what isn't, whether or not we can trust what Jonah sees, says and does. Not only that, the narrative keeps us questioning the chronology of most of these events. The only thing the audience becomes certain of is Jonah/Buster isn't playing with a full deck; there may even be something awful lurking behind those sunken eyes.

All that's left to learn is how and why he ends up adrift. The film is slow to reveal any answers, and when it does, the revelations are generally ambiguous, which is obviously writer/director Sarah Adina Smith's agenda. Like Donnie Darko, Buster's Mal Heart revels in surreal narrative and imagery, some of which is intriguing, other times ponderous. Malek, however, delivers a terrifically laconic performance that's note-perfect for the material.

The whole "what is reality" concept has been done more effectively in other films, but Buster's Mal Heart isn't without its merits. For the most part, we're intrigued enough to see it through to the end, even if our patience is occasionally tested and not every question is answered. The film may not be warrant repeated viewings (it is awfully depressing at times), but is certainly worth a few hours one evening.

EXTRA KIBBLES
DELETED SCENES
TRAILER
KITTY CONSENSUS:
NOT BAD...LIKE CAT CHOW

Blu-Ray News: ALIEN: COVENANT On Digital HD 8/1 & 4K Ultra HD, Blu-ray and DVD 8/15


THE PATH TO PARADISE BEGINS IN HELL

Ridley Scott’s Terrifying Return to the ALIEN Universe
Arrives On Digital HD August 1 and on 4K Ultra HD, Blu-ray and DVD August 15

Secrets of the Alien Universe Are Unlocked with Over 90 Minutes of Revealing Extras

 
Twentieth Century Fox Home Entertainment presents Ridley Scott’s return to the universe he created, with ALIEN: COVENANT, the newest chapter in the groundbreaking ALIEN franchise, arriving on Digital HD August 1 and on 4K Ultra HD, Blu-ray and DVD August 15. Limited Edition Exclusives will be available at Walmart, Target, and Best Buy.

The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an unchartered paradise, but is actually a dark, dangerous world. When they uncover a terrifying threat beyond their imagination, they must attempt a harrowing escape.



Featuring an all-star cast including Academy Award Nominee Michael Fassbender (X-Men franchise, Steve Jobs), Katherine Waterston (Fantastic Beasts and Where to Find Them), Billy Crudup (Jackie), Danny McBride (This Is The End) and Demián Bichir (The Hateful Eight), ALIEN: COVENANT is loaded with bonus material including a making-of documentary, deleted and extended scenes, commentary by director Ridley Scott, an inside look at “David’s Lab,” crew fear tests, and much more.


Fans can also pick up exclusive editions of ALIEN: COVENANT at Walmart, Target and Best Buy!

  • Walmart – Alien Day fan art designed t-shirt (4K Ultra HD and Blu-ray formats)
  • Target – 36-page book packaging featuring an inside look at David’s Lab and the creatures of Alien: Covenant, PLUS behind-the-scenes photography and concept sketches (Blu-ray format)
  • Best Buy –Alien baby Xenomorph steelbook (4K Ultra HD and Blu-ray formats)

July 5, 2017

Blu-Ray Review: FREE FIRE

Starring Sharlto Copley, Armie Hammer, Brie Larson, Cillian Murphy, Jack Reynor, Babou Ceesay, Enzo Cilenti, Sam Riley, Michael Smiley, Noah Taylor, Patrick Bergin, Tom Davis, Mark Monero. Directed by Ben Wheatley. (2016, 90 min).

One thing is certain...the cast of Free Fire are clearly having a good time.

What actor wouldn't want to get decked-out in 70's era garb, act super-cool, grab some guns and start blasting away at each other? Kind of like playing cops & robbers, only this time there isn't a single badge to be seen. Everyone's clearly all-in for this action-comedy. Whether or not the audience has as much fun is certainly subjective.

Aside from a brief and simple set-up - an illegal weapons sale gone awry - the entire film is one prolonged gunfight, bad guys vs. bad guys, in an abandoned factory. There are no actual story complications such as a betrayal or double-cross. They simply piss each other off enough to start shooting...and shooting...and shooting.

Much of the "humor" stems from the fight itself, that these characters are almost nonchalant about killing each other while fighting for their own lives. Everyone gets shot multiple times, yet no one backs down, continuing to taunt each other during the entire gunfight. Half-way through the film, some are dead and most of those who aren't are barely able to stand, much less run. A few amusingly ponder how much time they've got left before they lose too much blood to kill everyone and get out of there alive.

Cillian's Christian Bale impression never fails to amuse.
The absurd scenario is mostly played for laughs, and sometimes it's pretty funny. There's also some amusing dialogue interspersed among the non-stop gunplay. Even the violence - which grows increasingly brutal - elicits a few chuckles now and then. However, like many black comedies which attempt to mine laughs from a dark premise, a little of this goes a long way. Scenes of bullet-riddled characters hobbling and crawling everywhere become a little repetitive after awhile.

Most of the cast is good and a few of the characters are kind of interesting. Armie Hammer is fun as Ord. a sharp-dressed, smooth talking mediator. However, while Sharlto Copley is a good actor, the whiny, oddball persona he often incorporates in roles is growing tiresome. Aside from the polyester suit, there's little difference between his character in Free Fire and those he played in District 9 and Elysium.

But even if Free Fire isn't as much outrageous fun as the premise suggests, it's sometimes amusing and the violent action is well executed. The film runs out of gas toward the end, but it's interesting enough to check out at least once.

EXTRA KIBBLES
FEATURETTE: "The Making of Free Fire"
AUDIO COMMENTARY - By Director Ben Wheatley

KITTY CONSENSUS:
NOT BAD...LIKE CAT CHOW

Movie News: DisneyNature's GHOST OF THE MOUNTAINS Available Digitally & On Demand

Disneynature presents Ghost of the Mountains, a remarkable behind the scenes look at the making of Born In China; capturing the rarest animal to film in the wild – the Snow Leopard. To bring the historic and groundbreaking journey of Born in China to life, filmmakers endure extreme environments to witness stories of some of our planet’s most remarkable animals. The air is thin, the weather brutal, the terrain tricky, and the subjects nearly impossible to locate – and even tougher to capture on film. It is Available Now for Purchase Digitally & On Demand.

VIEW THE TRAILER:
 

Blu-Ray News: THE CABIN IN THE WOODS on 4K Ultra HD Combo Pack 9/5

Discover the truth behind The Cabin in the Woods when it arrives for the first time on 4K Ultra HD Combo Pack (plus Blu-ray and Digital HD) September 5 from Lionsgate. Featuring an all-star cast includingChris Hemsworth, Jesse Williams, Kristen Connolly, Anna Hutchison, and Fran Kranz, the critically acclaimed horror will be available in stunning 4K Ultra HD resolution and High Dynamic Range (HDR), which delivers the brightest, most vivid and realistic color with the greatest contrast. The 4K Ultra HD Blu-ray will also feature Dolby Vision™ high-dynamic range (HDR) and Dolby Atmos immersive audio. Dolby Vision transforms the TV experience in the home by delivering greater brightness and contrast, as well as a fuller palette of rich colors. Together with the captivating sound of Dolby Atmos, consumers will experience both cutting-edge imaging and state-of-the-art sound technology for a fully immersive entertainment experience. Co-written by producer Joss Whedon (The Avengers franchise) and director Drew Goddard (Cloverfield), The Cabin in the Woods 4K Ultra HD Combo Pack will be available for the suggested retail price of $22.99.

July 3, 2017

ALIEN and the Insatiable Compulsion

Starring Sigourney Weaver, Tom Skerritt, Veronica Cartright, Yaphet Kotto, John Hurt, Harry Dean Stanton, Ian Holm. Directed by Ridley Scott. (1979, 117 min).


Essay by D.M. ANDERSON

My youngest daughter, Lucy, and I recently exited the theater after watching Alien Covenant, the sixth film in the ongoing franchise (sorry, kids, the scrotum-sucking AvP movies don't count). We concurred that, while well made and certainly an enjoyable night at the movies, there was nothing particularly special about Alien Covenant. In fact, we both enjoyed the recent Alien rip-off, Life, a bit more. Perhaps because our expectations weren't as lofty for that one, or just maybe, facehuggers & chestbursters have lost most of their luster over the years.

As hard as it might be to fathom today, Ridley Scott's original 1979 film was really unprecedented. The plot may have directly ripped off a forgotten cheapie from 1958 (It! The Terror from Beyond Space), but Alien was so atmospheric, unpredictable, scary-as-fuck and shocking that it became a cinema milestone. In an era when the likes of Spielberg & Lucas had us cooing over any cuddly creature hailing from another world, here was one that was vicious, loaded with teeth, almost indestructible and existed for the sole purpose of slaughtering anything with a pulse. The film's infamous "birth" scene is as iconic as the first shark attack in Jaws and as unexpected as Marion Crane's death in Psycho.

Back in '79, watching that scene for the first time in a theater with a couple of buddies, we knew we were in for something bad when Kane (John Hurt) started choking and convulsing at the dinner table. After all, a nasty, acid-blooded spidercrab had recently attached itself to his face and shoved a slimy phallus down his throat, which was horrific enough. But even that didn't prepare the audience for what came next, when the most awful creature in horror history exploded from Kane's chest, showering his stunned crewmates in blood. I jumped from my seat and screamed, sending popcorn flying. The entire theater did. The last time I experienced a collective scream of that magnitude was when the shark in Jaws popped from the water to say hello to Martin Brody. One lady even ran from the theater, hand clasped tightly over her mouth. Back then, absolutely nobody saw this scene coming. Anyone claiming otherwise was lying their ass off.

Yes, John Hurt recently dined at Chipotle.
But Alien's disturbingly imaginative concept is really terrifying only once, like losing your virginity. You simply can't do it again and expect the same visceral experience you had the first time. James Cameron knew this, which is why he went the sci-fi-action route with his sequel, Aliens, the only film in the franchise as highly regarded as the first, and justifiably so. Every sequel afterwards was simply more of the same. Decades later, not even Ridley Scott himself could think to do anything more creative than make origin stories, which our beloved xenomorphs absolutely do not need. Sure, Prometheus and Alien Covenant are interesting, but what made these critters truly terrifying in the first place was their simple malevolence and horrifying method of reproduction. Giving them a history sort of demystifies their existence.

On the plus side, I must shoot some kudos Scott's way for bringing back one element of realism that's been missing from the franchise for a long time, which my daughter was sharp enough to point out. Referring to an early scene in Alien Covenant when a character decides to poke a bulbous object that releases microscopic, body-invading spores when disturbed, she remarked, "Why would he poke it? How could anyone visiting an alien world be that stupid?"

A good point, to be sure, but foolishly fucking with something strange is a time-honored sci-fi trope. In the original Alien, when Kane first ventures into the bowels of a derelict spaceship and sees thousands of eggs, the very first thing he decides to do is touch one, without pausing to ponder if that's a good idea. As he learns the hard way, it turns out to be a truly shitty idea. In fact, in the entire history of sci-fi films, not once has touching, poking or prodding a foreign object ever ended well, be it an egg, meteor, puddle of slime, pulsating orb, sexy alien babe or something swimming in a petri dish.

Free hugs!
But what makes scenes like this effective is what they say about the human condition. More than a simple plot device, Kane's first encounter with the egg is arguably the most realistic scene in the entire film. For all its grandeur and existential ideas, Scott's first prequel, Prometheus, was sometimes criticized for featuring some idiotic characters, most notably two dumbasses who try to touch a slimy, eel-like creature as though they're visiting a petting zoo. Yeah, it's a fatally dumb decision, but one that accurately reflects real human behavior...more specifically, male behavior. In movies, it's no accident that the character who chooses the hands-on approach is almost always a guy, usually an arrogant or cocky one.

Early in our marriage and not exactly rolling in cash, my wife, Francie, and I celebrated an anniversary by camping. Growing up in a family whose idea of a good time is to be outdoors, this was her fucking idea. For a city boy like myself, roughing-it means staying in a hotel without cable TV. But I was young, in love and willing to attempt survival without the conveniences which make life tolerable. So, armed with a tent, sleeping bags and sunblock, we ventured to a nearby campsite in Eastern Washington.

For those who picture the Pacific Northwest as a mountainous wooded wonderland, that's only west of the Cascades (where I grew up). Most of eastern Washington (Francie's old stomping ground) is as flat, hot and dry as Tatooine. It's bad enough driving through this barren wasteland; camping there is an exercise in masochism.

On one of these blistering days, we decided to take a walk. While crossing a field, we noticed something scurrying through the grass about twenty feet ahead. Thinking it might be a snake or something, Francie wisely exercised caution. I, on the other hand, did what any full-functioning male of my species would do in the same situation: look around for something to poke it with.

These friendly critters just love to play.
Armed with a small stick, I stealthily approached and proceeded to tap the critter into action. Suddenly, a noisy, quivering tail stuck straight up through the grass. It wasn't just a snake, but a rattlesnake and none-too-pleased with my company. I dropped the stick and ran, squealing like petrified piglet. The damn thing chased me about ten feet before giving up (angry snakes are a lot faster than I once thought). I suppose I was lucky because we were practically in the middle of nowhere. If I'd been bitten, no way could Francie have hauled my dumb ass to the nearest ER.

What did I learn from this self-instigated encounter with the dark side of nature? Not a damned thing. Given the chance, I'd probably do it again, albeit with a much bigger stick.

That's how most guys are wired. The compulsion to disturb something potentially dangerous is part of our DNA. Sure, we'll whack that hornet's nest! Hey, let's chase that skunk, lick that toad and taunt the neighbor's pitbull! Don't worry, honey, that venomous reptile can't hurt me! I'm armed with a twig! 

What's the worst that can happen?

Perhaps when we laugh at those dumbasses in sci-fi movies who stupidly play around with something they don't understand, guys in the audience are really laughing at themselves. After all, the funniest jokes are those with an element of truth to them. So when Kane seals his fate by messing with an alien egg, it's more than a simple story contrivance. In each of the Alien films he's directed, Ridley Scott taps into the male psyche and shows us human instinct in action.

Rewatching the original Alien with Lucy a few days later, she made another quip about never poking stuff in space. Since it's never boded well for any character in movie history, it's an acute observation. However, if I were in Kane's shoes, I must admit I'd still probably do the same thing. 

But I'd look around for a big-ass stick first.