September 16, 2025

Revisiting GET CARTER in 4K


GET CARTER (4K UHD)
1971 / 112 min
Warner Archive Collection
Available at www.MovieZyng.com
Review by Mr. Paws😺

A strong argument can be made that 1971’s Get Carter is the best British gangster movie ever made. And even though it wasn’t nearly as revered at the time of release, many critics and historians have claimed that very thing. This excellent new 4K transfer only strengthens that argument…at least aesthetically.

And aesthetics are a big deal here. If it didn’t look and sound like writer-director Mike Hodges rolled over a boulder to examine what thrived in the dark beneath it, Get Carter wouldn’t have the same impact. In that sense, the film conveys the same feeling we get from watching Taxi Driver, where being immersed in its drab & gritty setting is a major part of what makes it effective.


Essentially a complex tale of revenge, Michael Caine is Jack Carter, a London mob enforcer who returns to his hometown of Newcastle to investigate the death of his brother, Frank, supposedly while driving drunk. While Carter’s convinced he was murdered, his boss warns him not to step on the toes of other gangsters. He does, of course, once it turns out that the biggest of them, Cyril Kinnear (John Osborne), has a motive for murder (related to the rape and exploitation of Frank’s teenage daughter, Doreen).


"No talking. You're in 'time out'."

Caine’s role in Get Carter is unlike anything else he’d done at the time (or since, really), playing an unlikeable, irredeemable and cold-blooded killer whose tough exterior is almost impenetrable (save for a solitary moment when he sees Doreen forced to appear in a porno film). He’s also banging his boss’ wife, Anna (though that aspect of the story smacks of a an excuse to gratuitously show Britt Eklund masturbating). While we don’t necessarily like Carter, his antagonists are worse. And since there are a lot of ‘em, the film is chock-full of violent, satisfying payback. Best of all, Caine nails the part.   

Still, it’s sort of understandable why Get Carter was underwhelmingly received back in the day. To be honest, I didn’t care for it much when I first watched it, either. But it’s one of those movies that gets better the more you see it, when you don’t go in with preconceived narrative expectations and appreciate what the filmmakers are trying to do, which is toss the audience into an ugly world filled with terrible people (including its protagonist). And as gangster movies go, it’s the goddamn Godfather compared to the pointless Stallone remake. 


EXTRA KIBBLES

4K & BLU-RAY COPIES

FEATURETTES - Mike Hodges in Conversation is an enjoyable Q&A with the director before a live audience; In The Sound of Roy Budd, music analyst Jonny Trunk discusses the score; Don’t Trust Boys is an interview with actor Petra Markham, who plays Carter’s 16-year old niece; Klinger on Klinger features the son of producer producer Michael Klinger.

2 AUDIO COMMENTARIES - 1) By actor Michael Caine, director Mike Hodges and cinematographer Wolfgang Suschitzky; 2) By critics Kim Newman and Barry Forshaw.

INTRODUCTION BY MICHAEL CAINE - From 2022.

ORIGINAL & RE-RELEASE TRAILERS


THE POOP SCOOP: Classics & New Classics

🙀WEAPONS on Digital Now and Blu-ray, 4K & DVD October 14 from Warner Bros. When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance. The supernatural horror thriller, which has earned more than $136 million at the U.S. box office and over $239 million worldwide, stars Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Cary Christopher, with Benedict Wong, and Amy Madigan. The acclaimed original horror film has a Certified Fresh score of 94% on Rotten Tomatoes. Cregger directs from his own screenplay, and also produces alongside Roy Lee, Miri Yoon, J.D. Lifshitz and Raphael Margules, with Michelle Morrissey and Josh Brolin executive producing. The filmmaker’s creative team behind the camera includes director of photography Larkin Seiple, production designer Tom Hammock, editor Joe Murphy and costume designer Trish Sommerville. The music is by Ryan Holladay, Hays Holladay and Zach Cregger.

😺TRON and TRON: LEGACY Now on 4K UHD and Blu-ray from Disney. TRON was digitally scanned and carefully restored by The Walt Disney Film Restoration team, who corrected dirt, warping, and other imperfections to ensure pristine image quality. The work was supervised by director Steven Lisberger. TRON: Legacy has been remastered in High Dynamic Range from the original digital sources under the supervision of director Joseph Kosinski. Meticulously remastered, both films transport audiences back to the digital frontier with an experience more immersive, dynamic, and visually spectacular than ever before. It is also available on digital platforms including Amazon Prime Video, Apple TV, and Fandango at Home, the releases showcase breathtaking Dolby Vision picture quality and pulse-pounding Dolby Atmos audio for the ultimate home-viewing experience. Re-watch the two films before the new film TRON: Ares is released in theaters October 10.


🙀The Gialli Cult Classic, A HYENA IN THE SAFE, on Blu-ray November 25 from Celluloid Dreams. One safe. Six keys. Six robbers, each expecting their cut of a diamond heist when they finally meet to divide their spoils after months in hiding. But before they can open the safe that guards their glittering hoard, they are mysteriously killed, one by one. With fear and suspicion growing among the shrinking group of survivors, it becomes clear that one of them is trying to take all the diamonds for themselves! Directed and co-written by Cesare Canevari (MATALO!), A Hyena in the Safe is a remarkable caper/giallo crossover filled with dark humor and moments of psychedelic glory. The fallout from this heist will make your head spin with its inventive, over-the-top deaths and a free-spirited attitude that only the flamboyant '60s could produce. A Hyena in the Safe has never been officially released in the US. In fact, no English dub exists, and this Blu-ray release will feature the film in its original Italian language with English subtitles exclusively. 


😺NOBODY 2 on Digital Now and 4K, Blu-ray and DVD October 7 from Universal. Bob Odenkirk returns as Hutch, an overworked assassin who just needs a break, in this bareknuckle action-thriller. 


🙀SHUDDER: A DECADE OF FEARLESS HORROR and CREEPSHOW: THE COMPLETE SERIES on Blu-ray November 11 from Shudder. 10 of the streaming service’s best movies in one boxed set. On the same day, Shudder releases all four seasons of their acclaimed anthology series, Creepshow, based on the original film by George A. Romero and Stephen King. 


😹THE NAKED GUN (2025) on 4K, Blu-ray & DVD November 11 from Paramount. Lt. Frank Drebin Jr. (Liam Neeson) follows in his father's footsteps in THE NAKED GUN, directed by Akiva Schaffer. Joining the case are Pamela Anderson, Paul Walter Hauser, CCH Pounder, Kevin Durand, Cody Rhodes, Liza Koshy, Eddie Yu, with Danny Huston. 


😺David Cronenberg’s THE SHROUDS on Blu-ray & DVD October 21 from Criterion Collection. David Cronenberg returns with one of his most personal films, an audacious, elegiac exploration of grief, mortality, and love wrapped in the guise of a corporate-espionage thriller. 


😺THE LIFE OF CHUCK on 4K, Blu-ray and DVD September 30 from Decal/Neon. This unforgettable tale celebrates the life of Chuck Krantz as he experiences love, loss, and the multitudes contained in all of us. 


😺A NIGHTMARE ON ELM STREET 7-FILM COLLECTION on 4K September 30 from Warner Bros. From his first terrifying appearance on Elm Street to his resurrection through nightmares, the collection includes the original seven films. 


😺James Gunn’s SUPERMAN on Digital NOW, Coming to 4K, Blu-ray & DVD September 23 from Warner Bros. In his signature style, James Gunn takes on the original Super Hero in the newly imagined DC universe with a singular blend of epic action, humor and heart, delivering a Superman who’s driven by compassion and an inherent belief in the goodness of humankind. 


🙀CREEPSHOW 2 on 4K UHD September 30 from Arrow Video. The Limited Edition 4K UHD features a brand new 4K restoration from the original negative, packed with hours of special features and an illustrated collector’s booklet.


😺MISSION IMPOSSIBLE: THE FINAL RECKONING on Digital August 19 and 4K & Blu-ray October 14 from Paramount. Both the digital and physical releases come with hours of bonus content, including behind-the-scenes interviews, exclusive commentary, and deleted footage not seen in theatres.


😺AIRPORT: THE COMPLETE 4-FILM COLLECTION on 4K and Blu-ray September 30 from Kino Lorber. This 4-Film collection includes all four newly-restored Airport movies, accompanied by new audio commentaries.

September 15, 2025

The Good, Bad & Ugly of PATTERNS


PATTERNS (Blu-ray)
1956 / 83 min
Available at www.MovieZyng.com
Review by Mr. Paws😺

The boutique label, Film Masters, is mostly known for releasing older films that have been largely forgotten. Many are low budget - sometimes really low budget - obscurities that’ll never be mistaken for lost masterpieces. But whether it’s an overlooked gem or Corman-cranked cheapie, these discs generally boast great restorations and bonus material that’s often more informative and entertaining than the movies themselves…

…which makes this release of 1956’s Patterns a little perplexing. Written by Rod Serling (based on his teleplay for a Kraft Television Theatre episode that aired a year earlier), it’s a genuinely great film. And if all you know of Serling are his classic, genre-bending series, The Twilight Zone and Night Gallery, it’s something of a revelation. Instead of a sci-fi tinged allegory or creepy slice of horror, the film is a compelling drama of corporate greed and office politics. 


But atypically, this Blu-ray is just a bare-bones disc with no bonus material or even a supplemental booklet that usually accompanies Film Masters releases (which I’ve always enjoyed). Considering Patterns is the work of one of the 20th Century’s most influential screenwriters, surely it’s deserving of some retrospective analysis and/or appreciation (if even just an audio commentary). Additionally, the actual video transfer isn’t quite up to snuff. For most of the running time, the picture and sound quality is decent, if unremarkable, until the key final scene, which suddenly turns noticeably murky and muddy, almost as if someone forgot to finish the job.


Bad vibes only.
Still, Patterns is a film worth discovering, with Van Heflin as Fred Staples, the newest executive at Ramsey & Company, a powerful industrial corporation. He’s initially hired to work alongside longtime vice president Bill Briggs (Ed Begley), whose compassion for others is the polar opposite of the company’s ruthless president, Walter Ramsey (Everett Sloane), relentlessly driven by profit and expansion, which leads to considerable conflict with Briggs. But Ramsey’s conniving agenda all along has been to push Briggs out by making him miserable enough to resign, then replace him with Staples as the new VP. This puts Staples in a moral quandary since he and Briggs have become close friends and partners. 

Though Fielder Cook’s direction is merely perfunctory, Sterling’s story and screenplay crackle with sharp dialogue and complex characters, bolstered by excellent performances from Heflin, Begley and Sloane, the last of whom is wonderfully hateful. Even devoid of a music score or much in the way of melodramatic flourishes, Patterns is a consistently engaging film that holds up to repeated viewings, even if it hasn’t yet gotten the Blu-ray release it deserves.

September 14, 2025

Catnip Reviews: 1923 SEASON 2, BRIDE HARD and PAW PATROL: FIRE RESCUE


Snack-sized opinions from the frisky felines at Free Kittens…

1923 Season Two (Blu-ray) - As as one of the six or seven people who’ve never seen a single episode of Yellowstone - or the first season of this spin-off prequel - I struggled a bit getting up-to-speed on the story arc and characters of 1923’s second (and final) season. Still, hanging out with Harrison Ford and Helen Mirren is always time well spent. Once the novelty of seeing two big screen legends doing series television wears off, the show itself is decent, with great production values, solid performances and complex characters. This three-disc set includes plenty of bonus features that fans will enjoy. (2025/443 min/Paramount).

KITTY CONSENSUS: 😺😺😺


BRIDE HARD (Blu-ray) - It’s been my experience that any movie touting itself as “(insert title) meets (insert title)” has ever been any good, and Bride Hard did nothing to change my mind (in this case, it’s “a mash-up of Bridesmaids and Die Hard”). Of course, results may vary, depending on your tolerance for Rebel Wilson’s brash, overbearing screen presence. For me, she’s tolerable in small doses, but in lead roles, she’s about as entertaining as that obnoxious drunk relative at holiday get-togethers. Here, she plays a secret agent who squares off against a crew of mercenaries at her bestie’s wedding, but at no point is she convincing or funny, nor is anyone else. An interminable attempt to blend action and comedy, this makes Paul Blart: Mall Cop look like Lethal Weapon. Saddest of all, it's directed by Simon West, who once showed promise with such kitchy classics as Con Air. (2025/104 min/Magenta Light).

KITTY CONSENSUS: 😾


PAW PATROL: FIRE RESCUE (DVD) - Yet another collection of cartoons from Nickelodeon’s long-running animated series. Like previous seasons, there’s plenty of innocuous, undemanding entertainment for the wee ones, with cute characters, positive messages and passable CGI. For parents, this is the kind of disc you pop in to keep the kids occupied while you pay bills or clean out the garage, safe in the knowledge that they won’t be subjected to anything objectionable. Though I’m obviously not among the show’s demographic, I found myself grateful that my own children grew up in the era of Nickelodeon’s more creative programming…and I still kinda miss Kipper the Dog. (2024-25/132 min/Paramount).
KITTY CONSENSUS: 😺😺

September 11, 2025

CLOWN IN A CORNFIELD (4K): Not Quite Your Typical Slasher Film


CLOWN IN A CORNFIELD (4K UHD SteelBook)
2024 / 96 min
Review by Josey, the Sudden Cat🙀

There are a few things that set Clown in a Cornfield apart from your typical slasher film… 

First, it’s based on a popular young adult novel of the same name. I haven’t read it, but unless standards for YA fiction have dramatically changed since I taught middle school, I suspect the book isn’t nearly as gory or expletive-ridden as the movie. That ain’t a criticism, either. Clown in a Cornfield boasts some gleefully bloody - and frequently funny - death scenes.


Second, it’s directed and co-written by Eli Craig, the guy responsible for Tucker & Dale vs. Evil, one of the best horror comedies of the past 20 years. In that one, he cleverly turned many genre clichés on their ear without ever descending into dumb parody. Craig returns to similar territory here, which somewhat elevated my expectations. Overall, the result isn’t quite as fresh or funny, but after a shaky, inauspicious first half, the film serves up a few big laughs, some narrative surprises and unexpected social commentary.


I won’t say what that commentary is because it’s directly related to a major plot twist and motive of the main antagonist. But I did appreciate the revelations and very thinly-disguised themes they serve. And as a card-carrying liberal, I’m giddy at the idea of far-right, mouth-breathing boomers taking a break from yelling at clouds and screaming “woke!” over a slasher movie that has the audacity to be perceptive.


"You never shut up, do you?"
But its roots are still firmly planted in the slasher genre, with an plot and aesthetic similar to those of the 80s. Katie Douglas plays Quinn, a semi-rebellious teenager who moves to the small town of Kettle Springs with her father and ends up falling in with the wrong crowd…according to all the adults anyway. One of her new friends, Cole (Carson MacCormac), is the mayor’s son and wrongly blamed for burning down the Baypen corn syrup factory, which was the town’s livelihood. Meanwhile, someone dressed as Frendo, the Baypen clown mascot, starts killing this group of kids one by one. 

For awhile, this is all standard slasher stuff…bloody kills, clueless parents, kids vilified by cops, teachers, parents, etc. And if that’s all you want from a horror movie, it more or less delivers. But it’s the unexpected narrative directions taken later that make the film stand out. Like Tucker & Dale vs. Evil, these flourishes, bolstered by good overall performances, are what give viewers a bit more than just another body count.


Though Clown in a Cornfield is available in both Blu-ray and 4K, fans should definitely choose the latter. Not only are both formats included, it’s packaged in a great looking SteelBook. Other than a commentary track, there aren’t any bonus features. However, it includes a set of magnets featuring Frendo and the tools he uses as weapons. I’m thinking of sticking ‘em on the fridge, though the wife might have something to say about that.


EXTRA KIBBLES

4K & BLU-RAY COPIES

AUDIO COMMENTARY - By director Eli Craig, author Adam Cesare, actors Carson MacCormac & Katie Douglas.

SET OF MAGNETS - Perfect for the fridge!

September 10, 2025

NCIS Season 22: As Reliable as Foghat


NCIS - THE COMPLETE TWENTY-SECOND SEASON (DVD)
2024-2025 / 1037 min (20 episodes)
Review by Carl, the Couch Potato😽

This month marks the most I’ve ever watched NCIS (or any of its 8,000 spin-offs) in its entire 22 year history. Not that it isn’t a decent show…it’s just that it takes a lot for a show to make me a dedicated weekly viewer. However, there have been plenty occasions when I’ve entered the room while my wife was enjoying an episode and it was intriguing enough for me to plop on the sofa with her. But unless Mark Harmon showed up as curmudgeonly Special Agent In-Charge Leroy Jethro Gibbs, I had no idea if we were watching NCIS: New Orleans or NCIS: Los Angeles or NCIS: Hawaii, etc.

Speaking of which, I had no idea Mark Harmon actually left the show a few seasons ago, as did a lot of other people I remembered. So for me, this was kinda like the time I caught Foghat (who I loved as a teenager) in concert at some casino, only to discover the drummer was the only original member left. But it turned out okay because they still put on a great show.


Cropdusting is never appreciated.
Coming into Season 22 (an admiral accomplishment for any series), long-time cast members Sean Murray (Timothy McGee), Rocky Carroll (Leon Vance) and Brian Dietzen (Jimmy Palmer) are still kicking around, but there are a lot of new young faces in the line-up since I last paid attention (new to me, anyway). Notable ones include Wilmer Valderrama as agent Agent Nick Torres, Katrina Law as Agent Jessica Knight, and in the unenviable position of filling the void left by Mark Harmon, Gary Cole as Supervisor Alden Parker.

But just as Foghat has reliably cranked out “Slow Ride” for decades, the song remains the same for NCIS. Aside from various ongoing subplots, the show’s mystery/police procedural formula still works pretty well after 22 years, and as usual, some episodic plots more interesting than others. So why fix what ain’t broken? After all, Foghat’s brand of butt-rock as served them well, no matter who’s on the stage.


EXTRA KIBBLES

FEATURETTES - Behind the Scenes of a Legacy; Undercover I Do; The Expert Behind the Screen.