Revisiting HOWARDS END in 4K

HOWARDS END (4K UHD)

1992 / 142 min

Cohen Media Group

Reluctantly reviewed by D.M. Anderson😸

I saw Howards End back in the day. To be honest, this kind of stuff ain’t exactly in my wheelhouse, but it was up for a slew of Oscars and I always enjoy catching as many of the nominees as possible. The film was more entertaining than I expected - quite a bit more, actually - and if it weren’t for the Academy turning that year’s Oscar night into a belated Clint Eastwood love-fest, I suspect this would’ve nabbed more statues than it actually did.

Still, I’ve never felt compelled to revisit Howards End again, or any other Merchant Ivory movie, for that matter. When it comes to period dramas, once is generally enough, even for the good ones. Perhaps I’d change my tune if an occasional car chase or dinosaur attack were thrown in. 

So when the 4K UHD remaster of Howards End arrived, I hailed the rest of the Free Kittens staff: “Here, kitties! Howards End is here! Who’s up for a classic Edwardian drama about contrasting class cultures? Kitty-kitty-kitty!” Grabbing their treat bag, I shook it loudly. “I’ll throw in some snacks. Pepper! Bonnie! Stinky, I know you’re a big Anthony Hopkins fan, and I promise you’ll like it better than Solace!” 

Crickets. *sigh*

Looks like I’m revisiting Howards End, after all. That’s okay…it could be a lot worse (like rewatching Solace). And again, it isn’t that I don’t like Howards End. So I’ll get to it right after this Donnie Yen action flick I need to review…and maybe also that Australian shark movie that arrived yesterday. After all, it’s Friday, so I have all night.

When the Wifi goes down.

The next day:

You know what? I’d forgotten most of this movie in the 30+ years since I last watched it. More specifically, I’d forgotten how aesthetically gorgeous it is, so if nothing else, Long-time Merchant Ivory cohort Tony Pierce-Roberts’ cinematography really shines with this 4K disc, which is apparently remastered in its original aspect ratio (2.39:1) for the first time. For purists, that’s probably a big plus. This one also features two audio options DTS-HD Master Audio 5.1 and 2.0. Both sound really good, though the former is superior, especially with regard to Richard Robbins’ lush score.

Elsewhere, the performances carry the movie. Even someone whose tastes don’t lean toward period drama has to concur that Emma Thompson deserved her Oscar for Best Actress. As Margaret Schlegel, she’s totally engaging. And like Stinky, I’m also a big Anthony Hopkins fan, and rewatching him here reminded me of how effectively he embodies his characters, whether he’s playing psychos, gentlemen or conservative jerks like Henry Wilcox (and he still instills Henry with a complexity that’s occasionally relatable). I won’t go so far as to say he was robbed of an Oscar (not even being nominated), but this another example of Hopkins’ ability to elevate any movie (well, maybe not Solace). Looks like Stinky missed out on another great performance.

One might think I’m the wrong guy to review a movie like this. Then again, I did enjoy revisiting it more than I thought I would, at least enough that it no longer felt like an obligation (slowly but surely, the story drew me in once again). So maybe that’s a testament to how well Howards End transcends its genre, kind like how my horror-hating wife got sucked into Train to Busan. But fans of the film should keep in-mind that this new 4K release is just a technical upgrade. There are no new bonus features. 

EXTRA KIBBLES (most of this is from the 2016 Cohen Media Blu-ray release)

4K & BLU-RAY COPIES

FEATURETTES - Returning to Howards End is a 20 minute conversation between director James Ivory and film curator Laurence Kardish; Interview with James Ivory and Vanessa Redgrave; Q&A with James Ivory takes place following a 2016 screening; Behind-the-Scenes is a featurette from 1992; James Ivory Remembers Ismail Merchant has the director recalling his longtime professional and personal partner; Building Howards End is the longest, and in many ways, the best of the bonus features; The Design of Howards End is about the costuming and production design.

AUDIO COMMENTARY - By critics Wade Major and Lael Lowenstein.

ORIGINAL AND RE-RELEASE TRAILER

THE LONG WALK and the Long Wait

THE LONG WALK (Blu-ray)

2025 / 108 min

Lionsgate

Review by Princess Pepper😸

As a Stephen King fan most of my life, I’ve been waiting for a movie adaptation of The Long Walk for nearly as long. But I’ve also learned to temper my expectations over the years, since there have been plenty of great King stories that ended up being disappointing (and sometimes terrible) films. 

That being said, it was still hard not to get revved up over this one. Not only did the film have a decades-long, on-again-off-again production history, it’s been my view that most of the best King adaptations have been those that are not based on one of his horror novels. Though frequently horrifying, The Long Walk is not a horror story, but often labeled as such because of the author’s reputation. 

Fortunately - and at long last - the film does not disappoint. As directed by Francis Lawrence from a screenplay by JT Mollner, The Long Walk is not-only the best film either of these guys have been involved with, it’s one of the better King adaptations of the past 20 years. Most importantly, this feels like Stephen King, not just because of its general faithfulness to the novel, but in the grim tone, anti-authoritarian themes prevalent in much of his work, and well-drawn cast of characters.

The basic story is simple: In an alternate dystopian America, one young man from each state is selected by lottery to participate in the titular event, an annual competition in which everyone commences walking and do not stop until only one remains. Anybody falling below three miles per hour is given three warnings to pick up the pace before being shot. Overseeing the event is The Major (Mark Hamill), an enigmatic symbol of the totalitarian regime the country has become since an unspecified war has rendered it into a permanent state of economic depression.

The walk itself comprises a majority of the narrative, presented from the point-of-view of its competitors, primarily Ray Garraty (Cooper Hoffman) and Pete McVries (David Jonsson), who quickly develop a close bond. Along the way, other participants are introduced, as well as their motivation in volunteering for a competition that’ll likely result in their deaths. For most of these characters, it’s the prize that awaits the winner…massive wealth and the granting of any single wish they want. But some others, like the main protagonists, have more esoteric reasons.

Worst. Parade. Ever.

The concept alone has always been morbidly compelling, which is vividly depicted onscreen. Not only is the film extremely violent, it becomes vicariously exhausting as the walk drags on for hundreds of miles and the attrition grows. But what makes it a truly harrowing journey is the assortment of engaging characters. As friendships develop and more is revealed about each of them (for better and worse) we become emotionally invested in their fates. This is especially true regarding Ray and Pete, whose relationship develops into brotherly love…even as they realize one or both of them are certain to die. Bolstered by strong performances from Hoffman and Jonsson, their brief friendship as endearing as Red and Andy’s in The Shawshank Redemption, or perhaps more accurately, Gordie and Chris’ in Stand by Me.

Though there’s occasional levity and inspirational moments, The Long Walk is relentlessly downbeat, exacerbated by the characters’ desperation and brutal death scenes that are sometimes tough to watch, as well as the hauntingly sparse rural landscape through which they’re walking. Speaking of which, the film’s production design is unusual for a dystopian film, with vehicles, signage and houses that appear lifted from the 1960s. At the same time, there’s technology shown that didn’t exist back then, so we’re never certain exactly when this story takes place. Such aesthetic ambiguity is a neat creative touch, and along with excellent cinematography, it keeps things visually interesting.

Then there’s that ending, which takes a significant detour from the original novel. It isn’t better or worse than what King came up with, but certainly unexpected and I suppose some fans of the book might balk at the new climax. Beyond that, however, The Long Walk is a beautifully bleak and brutal adaptation that stays true to the spirit of its source material. Some of us waited a long time for this one, but it was worth it.

EXTRA KIBBLES

EVER ONWARD: MAKING THE LONG WALK - This is an excellent 75 minute making of documentary with plenty of behind-the-scenes footage and interviews with most of the cast & crew.

TRAILERS

DIGITAL COPY

THE POOP SCOOP: Battle & Boogie Edition

BOOGIE NIGHTS on 4K on 12/16 from Warner Bros. The film features an all-star ensemble cast, including Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, William H. Macy, Heather Graham, Nicole Ari Parker, and Philip Seymour Hoffman. Written and directed by Anderson, the film is produced by Lloyd Levin, John Lyons, Anderson, and JoAnne Sellar. Boogie Nights will be available to purchase on 4K Ultra HD Blu-ray Disc online and in-store at major retailers and available for purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Fandango at Home and more. 

BATTLE ROYALE 25th Anniversary 4K/Blu-ray SteelBook Coming 12/9 from Lionsgate. In the near future, the economy has collapsed, unemployment has soared, and juvenile crime has exploded. Fearful of their nation’s youth, the Japanese government passes The BR Law: Each year, a 9th grade class is sent to a remote island where they will be locked into exploding neck collars, given a random weapon, and forced to hunt and kill each other until there is only one survivor left. Chiaki Kuriyama (Kill Bill) and screen legend Takeshi Kitano (Ghost in the Shell) star in the movie that has been argued, acclaimed, and banned around the world. Presented in 4K for the first time on its 25th anniversary, it remains one of the most savage, shocking, and emotionally powerful films of all time.

The Original TEENAGE MUTANT NINJA TURTLES Trilogy on 4K and Blu-ray 12/16 from Arrow Video. Martial arts mayhem rises from the sewers when Teenage Mutant Ninja Turtles Trilogy makes its global 4K UHD debut. The three films are live action with realistic animatronic costumes created by Jim Henson's Creature Shop. Teenage Mutant Ninja Turtles features a brand 4K restoration of the film from the original camera negative by Arrow Films approved by director Steve Barron. Teenage Mutant Ninja Turtles II: Secret of the Ooze and Teenage Mutant Ninja Turtles III feature 4K restorations of the films from the 35mm interpositives by Arrow Films. The Limited Edition boxset is overflowing with hours of special features, collectible packaging, and newly commissioned extras. There is also a Blu-ray release.

ONE BATTLE AFTER ANOTHER on Digital 11/14 and Blu-ray, 4K & DVD 1/20/2026 from Warner Bros. Written, directed and produced by Paul Thomas Anderson and starring Academy Award and BAFTA winners Leonardo DiCaprio, Sean Penn and Benicio Del Toro, and Regina Hall, Teyana Taylor and Chase Infiniti. 

PRIDE & PREJUDICE 20th Anniversary Edition Coming 11/23 on 4K from Universal. The exclusive Pride & Prejudice 20th Anniversary Collector’s Edition includes a beautifully curated 42-page book filled with behind-the-scenes photos, a foreword written by Director Joe Wright, excerpts from cast and crew, behind-the-scenes photos, and much more!

HOWARD’S END on Blu-ray & DVD 11/18 from Cohen Media Group. A gorgeous 4K restoration from the original negative, overseen and approved by director James Ivory and cinematographer Tony Pierce-Roberts. 

DANTE’S PEAK is Finally Coming to 4K/Blu-ray on 12/16 from Kino Lorber. Who will survive when the inferno unleashes its fury? The answer will leave you breathless, and the special effects will blow you away! 

CHAIN REACTIONS Blu-ray Mediabook Blu-ray December 2 from Dark Sky Films. Fifty years after Tobe Hooper’s classic shocked the world, CHAIN REACTIONS charts the film’s profound impact and lasting influence on five great artists – Patton Oswalt, Takashi Miike, Alexandra Heller- Nicholas, Stephen King, and Karyn Kusama. 

THE BLACK PHONE 2 on Digital Now and Blu-ray and 4K December 23 from Universal. Director Scott Derickson (Sinister, The Exorcism of Emily Rose) continues the nightmare with darker, deadlier, and more terrifying scenes than ever before as Ethan Hawke (First Reformed) returns to his most disturbing role as deranged serial killer The Grabber..

BEAST OF WAR on Blu-ray and DVD December 9 from Well Go USA. When their boat is sunk while crossing the Timor Sea during World War II, a young troop of Australian soldiers must find a way to survive the harsh seas on a quickly shrinking life raft. Hundreds of miles from anywhere, they must confront interpersonal conflicts, enemy attacks, and the advances of one very large, very hungry great white shark. 

GOOD FORTUNE arrives 11/7 on Premium Digital and 12/9 on 4K and Blu-ray from Lionsgate. In Aziz Ansari’s directorial debut, GOOD FORTUNE, a well-meaning but rather inept angel named Gabriel (Keanu Reeves) observes a struggling gig worker, Arj (Aziz Ansari), and intervenes to show him that money can't solve all his problems. 

Stephen King’s THE LONG WALK on Digital October 21 and 4K, Blu-ray & DVD November 25 from Lionsgate. The highly anticipated adaptation of master storyteller Stephen King’s first novel is an intense, chilling, and emotional thriller that challenges audiences to confront a haunting question: how far could you go?

PEE WEE’S BIG ADVENTURE on 4K & Blu-ray December 16 from Criterion Collection. One of the most eccentric comedies of the 1980s, this is a pop-culture touchstone that helped make a manic oddball named Pee-wee Herman into an icon for outsiders of all ages.

Catnip Reviews: SHAKESPEARE'S SH*TSTORM, THE OGRE OF ATHENS, AIRPORT 4-FILM COLLECTION

Snack-sized opinions from the frisky felines at Free Kittens…

SHAKRESPEARE’S SHITSTORM (4K UHD/Blu-Ray) - If Dick Clark was the “World’s Oldest Teenager,” then Lloyd Kaufman is unquestionably the world’s oldest 12 year old boy. His sense of humor hasn’t changed one whit since first assuming the throne of low-budget bad taste in 1984 with The Toxic Avenger. If anything, he’s since plunged to new depths of immaturity, as demonstrated with Shakespeare’s Shitstorm. If nothing else, the title is accurate. Traces of The Tempest can be found if you squint hard enough, while massive amounts of spewing excrement are the catalyst to what can loosely be called a plot. Elsewhere, there’s plenty of the juvenile, scatological, gross out gags that helped build Kaufman's empire, along with heavy-handed “satire” attacking modern political correctness with the subtlety of a jackhammer. But I’ll give the Troma team props for one thing…Blu-ray & 4K releases of their titles are generally loaded with bonus material and this one is no exception. (2020/94 min/Troma Entertainment). KITTY CONSENSUS: 😼😼

THE OGRE OF ATHENS (Blu-ray) - In this 1956 obscurity, Thomas (Dinos Iliopoulos) is a lonely, nebbish banker who is suddenly mistaken for The Ogre, a notorious criminal who’s been terrorizing the city of Athens. But upon a chance meeting with a sultry dancer, he ends up falling-in with a crew of small time gangsters who are planning a big heist, believing Thomas to be The Ogre himself. Along the way, Thomas strikes up a friendship with another young dancer who’s unhappy with her life. Considered a milestone in Greek cinema, The Ogre of Athens features fine moments of perceptive human drama, charming comedy and even some film noir touches. Well worth seeking out, this disc also comes with a few supplements that offer valuable historical context.  (1956/104 min/Radiance Films). KITTY CONSENSUS: 😺😺😺

AIRPORT - THE COMPLETE 4-FILM COLLECTION (Blu-ray) - This set is a disaster lover’s dream. Obviously products of their time - when disaster movies were plentiful and profitable - none of them are works of art, but remain tons of melodramatic fun...occasionally at their own expense. While the original Airport is widely considered the best one (and credited for popularizing the genre to begin with), I’ve always been more partial to Airport 1975 and Airport ‘77, both of which are more action driven. As for The Concorde - Airport ‘79…it’s still a morbidly fascinating, unintentionally hilarious train wreck. All four films have been given terrific 4K restorations, so they look and sound great, though I do wish more effort was put into providing some substantial bonus material. There’s a booklet featuring a perfunctory essay, along with insightful new audio commentaries for each, but considering their cultural impact of ‘70s cinema (for better or worse), surely they deserve a bit more. (1970-1979/470 min/Kino Lorber). KITTY CONSENSUS: 😼😼😼😼

ONE FLEW OVER THE CUCKOO’S NEST (4K): A Time to Forgive?

ONE FLEW OVER THE CUCKOO’S NEST (4K UHD)

1975 / 133 min

Warner Bros

#InPartnershipwithWB

Review by Mr. Paws😸

While Jaws has gotten a lot of attention this year, another little film celebrated its 50th Anniversary as well. It also swept the Oscars back in 1975, winning every major category, including Best Picture. I distinctly remember being 12 years long and staring drop-jawed in the front the TV when the final award of the night was announced, incredulous that it beat the greatest movie ever made. It didn’t matter that Jaws was the only nominated film I’d actually seen at the time.

I still haven’t quite forgiven the Academy for that, but after finally watching One Flew Over the Cuckoo’s Nest about a decade later - old enough to better appreciate its themes, distinctive characters and rich performances - I had to concede it was a pretty great film. Better than Jaws? Hell no, but perhaps I’d change my tune if Nurse Ratched (Louise Fletcher) had met her demise in the mouth of a great white.

Even without any sharks, One Flew Over the Cuckoo’s Nest remains supremely rewatchable. Perhaps even more so today, because while revisiting the film in 4K, I was reminded of how many famous character actors got their first big break here, including Danny DeVito, Christopher Lloyd, Will Sampson and Brad Dourif. But of course, the whole movie still belongs to Jack Nicholson as rebellious asylum inmate R.P. McMurphy and Louis Fletcher as his cold blooded foil, Nurse Ratched. The Oscars they received for those performances are well-deserved. 

Jack sits on a tack.

I was also reminded of how subtly affecting the movie is, especially the scenes in which McMurphy endears himself to the other inmates. My favorite moment would have to be the one where McMurphy commandeers a fishing boat and takes his new friends on a real adventure, a sequence that’s both funny and heartwarming. Elsewhere, his friendship with silent, hulking “Chief” Bromden sets up a climax that remains poignant and haunting, no matter how many times I’ve seen it. 

50 years later, the film arguably remains the career highpoint for a lot of people on both sides of the camera, including director Milos Forman. So while One Flew Over the Cuckoo’s Nest still no Jaws, maybe I should finally consider forgiving the Academy for thinking it was. After all, it ain’t like they gave the Best Picture statue to Barry Lyndon.

Finally remastered in 4K, both the picture and sound have been given significant upgrades from previous Blu-ray editions. The details, textures and color palettes are sharper and more accurate, while two audio tracks are offered, including an impressive DTS-HD Master Audio mix. The disc also comes with a few interesting new bonus features (outlined below), along with an archival feature-length retrospective documentary. But I gotta say...whoever designed the terrible new cover should be fired.

EXTRA KIBBLES

FEATURETTES - Conversations on Cuckoo: Group Therapy and Conversations on Cuckoo: Moviemaking Memories are a couple of new Zoom discussions featuring producer Michael Douglas and actors Christopher Lloyd, Brad Dourif and Danny Devito. 

COMPLETELY CUCKOO is a feature length retrospective documentary featuring a ton of interesting interviews that include producers Michael Douglas & Saul Zentz, Kirk Douglas (who originally optioned the film with the hope of playing the lead role), actors Louise Fletcher, Christopher Lloyd, Danny DeVito & Vincent Schiavelli, director Milos Forman and original author Ken Kesey.

5 DELETED SCENES

DIGITAL COPY