February 8, 2015

Blu-Ray Giveaway: DUMB AND DUMBER TO & Window Decal!

Free Kittens Movie Guide and Universal Pictures are happy to give away a copy of Dumb and Dumber To (along with with a decal cling for your car) to one of our readers.

To enter, simply leave a message in KITTY KONTACT at the top of our sidebar. A winner will be randomly selected from all responses. Contest ends on February 17th. The winner will be chosen and contacted on February 20th. Sorry, this contest is only open to those residing in the United States and Canada.



As fans of the comedy classic Dumb and Dumber know, life is always better with a buddy. To celebrate the February 17th release of the hilariously over-the-top sequel DUMB AND DUMBER TO, we’re taking a look at a collection of unconventional dynamic film duos who are no less memorable!

Back to the Future
Starring Michael J. Fox as time-traveler Marty McFly and Christopher Lloyd as the zany Dr. Emmett Brown, this unlikely pair literally changed the future of the adventure genre. With on-screen chemistry so strong, Back to the Future launched one of the most successful franchises in movie history, including two theatrical sequels, an animated television series, a theme park ride, toys, comic books, video games and t-shirts.

Casper
A friendly but lonely young ghost named Casper (Malachi Pearson) befriends a friendly but lonely young girl named Kat (Christina Ricci). The result is anything but an ordinary friendship. Filled with laughter, excitement and ghostly surprises, Casper and Kat are a true tale of young friendship and a bold display of the bonds that hold us together.

Hot Fuzz
The unlikeliest of pairs, Simon Pegg and Nick Frost team up as an exceptional former London cop (Pegg) and a not-so-exceptional small town cop (Frost) faced with uncovering a strange occurrence of murders in the small country village they’re determined to protect. While Frost has longed for the explosive, high-octane life he envisions Pegg braved in London, the two must come together to solve the “conspiracy” before it’s too late.

The Blues Brothers
Inspired by “The Blues Brothers” musical sketch from Saturday Night Live, John Belushi and Dan Aykroyd are on a mission from God to bring the Blues Brothers Band back together. Emerging from several deadly situations and an epic car chase in a race to get to Chicago, comedic legends Belushi and Aykroyd charm with the complete and utter nuttiness that ensues along their journey of one last good deed.

Dumb and Dumber To
Jim Carrey and Jeff Daniels return as everyone’s favorite dumbest duo, the unforgettable and often unredeemable Harry and Lloyd. Setting out on yet another cross-country trip, Harry and Lloyd find themselves in mishap upon misadventure, making what would appear to be a series of unfortunate circumstances into slapstick comedy. If nothing else, Harry and Lloyd were meant for each other until the end.


Don’t miss your chance to take home the sidesplitting comedy Dumb and Dumber To, available to own on Blu-ray & DVD February 17!

Blu-Ray Review: FEAR CLINIC

Starring Robert Englund, Fiona Dourif, Thomas Dekker, Cleopatra Coleman, Corey Taylor, Angelina Armani, Kevin Gage, Brandon Beemer. Directed by Robert Hall. (2014, 95 min).
Anchor Bay

Kind of an oddball cast for this one. There’s Robert England, of course. No surprise, since federal law has required him to star in every direct-to-video horror movie made since 1984. Then we’ve got Corey Taylor, he of Slipknot/Stone Sour fame, Fiona Dourif (looking disturbingly like her father, Brad) and Angelina Armani, best-known for her porn career (and yeah, we get a glimpse of those talents here). Thrown-in for good measure are NFL wide receiver Terrell Owens’ ex-fiance (Felisha Terrell) and a professional contortionist (Bonnie Morgan, with a glimpse of her talents as well). These folks and several others come together for Robert Hall’s scattershot opus, Fear Clinic.

Admittedly, I’ve never seen the original web series on which this is based, which is okay since England (as phobia expert Dr. Andover) brings us up-to-speed right away. Andover developed a “Fear Chamber,” sort-of a depravation tank which can cure patients of their phobias. Since then, some of the patients he initially cured have had extreme relapses, exacerbated by an incident at a local diner, where a masked shooter killed six people. They return to the clinic in hopes of being treated again, but Andover is reluctant, since one patient’s death in the chamber has him suspecting a malevolent force is at work here. It turns out he’s right…the fear chamber has opened the door for a nasty beast which feeds off people’s fear, and doesn’t appreciate being deprived of its meals.

Fear Clinic's most horrifying scene...
Robert Englund naked.
The plot is only slightly-more cohesive than films like Phantasm, mostly serving as a clothesline on which to hang a variety of surreal, FX-heavy set-pieces. Some of them are effectively disturbing and grotesque. Others don’t really make a hell of a lot of sense within the context of the story, but that’s not always a prerequisite for a film in which the visuals are the main attraction. Speaking of which, the special effects run hot and cold. For every nasty, butt-puckering ‘body horror’ scene, there’s another undone by clumsy CGI. But perhaps the most horrifying images don't involve special effects at all... Robert Englund’s nude scenes. Maybe it’s me, but there’s something inherently wrong with any movie in which a 67-year-old man has more onscreen nudity than the young porn star in its cast.

None of these characters are especially memorable, but the performances are decent overall. As a heavy metal fan, I was especially curious about Corey Taylor. While he probably won’t be taking home an Oscar anytime soon, he doesn’t embarrass himself either (and his band, Stone Sour, provides an absolutely killer version of Metal Church’s classic, “The Dark,” which plays over the end credits).

Though ambitiously made on a low budget, Fear Clinic is one of those horror movies where the sum doesn’t equal its parts. Some disturbing imagery and a few wince-inducing scenes - aimed squarely at the gag reflex - help one overlook some of its narrative shortcomings. The end result is a film which is moderately entertaining on a visceral level, but nothing truly memorable.

EXTRAS: Fear Clinic - Behind the Scenes

FKMG RATING:
1/2
(OUT OF 5)

February 7, 2015

Blu-Ray Review: ROSEWATER

Starring Gael Garcia Bernal, Shohreh Aghdasloo, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer, Jason Jones. Directed by Jon Stewart. (2014, 116 min).
Universal

If nothing else, Rosewater is a story obviously important to first-time director Jon Stewart, perhaps because journalist Maziar Bahari’s imprisonment was due in-part to an ill-timed appearance on The Daily Show (taped in Iran while Bahari was covering the controversial 2009 election for Newsweek magazine). Though returning to his home country simply as a journalist, he captured on-tape the windfall of what many perceived to be a stolen election, including violence which resulted in some deaths. That, coupled with the Daily Show footage, prompted the powers-that-be to declare him a spy, using the media to spread anti-Iranian propaganda.

Bahari was imprisoned for 118 days (mostly blindfolded) and subjected to psychological torture, mostly at the hands of an interrogator referred to as “Rosewater,” due to how he smelled. In exchange for his life, the Iranian government wants Bahari to make a public confession that he is indeed a spy. Not helping Bahari’s case is the fact his father and older sister were both previously imprisoned for anti-government protests in the past.

Megan Fox's greatest contribution to cinema.
This has the makings of a truly depressing movie, or worse, one of those dreaded films you feel more obligated-than-compelled to see. So it’s to Stewart’s credit that Rosewater, despite its subject matter, is ultimately an exciting and uplifting film, even though we walk away with the impression that Bahari’s ordeal will likely amount to little more than a footnote in the tumultuous history of that region. But while we’re in the moment, we empathize with Bahari, a man (and expectant father) of journalistic integrity whose truly a victim of circumstances. We like him and develop a personal stake in his safety.

What makes the film work are the performances by Gael Garcia Bernal as Bahari and Kim Bodnia as Rosewater. Neither are really given a lot to work with character-wise, but both display a depth which conveys a majority of the film’s tone (both hopeless and optimistic). Especially impressive is Bodnia; even though he’s an expert interrogator, his facial expressions alone tell us he’s not totally convinced he’s doing what’s best for his own country, and perhaps even has a certain amount of respect for Bahari.

As for Stewart’s directorial debut (he also wrote the screenplay, based of Bahari’s book), Rosewater is a predictably earnest film from someone using his media status (and ideals) to depict recent events as he sees them. He may have even had a personal stake in the story, given The Daily Show’s role in Bahari’s incarceration. But ultimately, Rosewater is a movie which (inadvertently?) instills a sense of hope in the viewer, even though nothing has really changed since.

EXTRAS:
Featurettes: Iran’s Controversial Election; The Story of Maziar Bahari; Real Spies Have TV Shows; What Happens in New Jersey; A Director’s Perspective (It should be noted that each of these featurettes are less than a minute long)

FKMG RATING:
1/2
(OUT OF 5)

Blu-Ray Review: NO TEARS FOR THE DEAD

Starring Jang Dong-gun, Kim Min-hee, Brian Tee, Kim Hie-won, Kim Jun-sung. Directed by Lee Jeong-beom. (2014, 116 min).
CJ Entertainment

The ‘dead’ of the title is a little girl accidentally killed by Gon (Jang Dong-gun), an assassin on a mission to wipe out the enemies of the syndicate he works for. As for the tears, indeed not many are shed (at least initially), but the incident prompts Gon to do a lot of soul searching before deciding he doesn’t want to be a hitman anymore. Before his boss will let him walk away, however, Gon must kill Mo-gyeong (Kim Min-hee), the grieving mother of the dead little girl.

It turns out Mo-gyeong is the wife of one of the targets of the hit, and she may or may not be in possession of a flash drive containing all the dealings of several mafia organizations. So yeah, everyone wants her dead, except Gon, who instead decides (in an act of redemption) to use his deadly skills to save her. Among those trying to stop him is Chaoz (Brian Tee), a fellow assassin and longtime friend.

Gon remembers too late that he left the oven on.
For an action film, Korea’s No Tears for the Dead is pretty bleak. The initial death of the little girl (while tastefully handled), is still vivid and difficult to watch, setting the mood for the entire film, which includes lengthy (and poignant) moments Mo-gyeong’s grief and Gon’s remorse (where we learn his own childhood was pretty shitty, too). They’re the only two characters with any real complexity. Everyone else, especially their adversaries, are either exaggerated caricatures or cannon fodder.

The action really starts to ramp up during a big, bombastic & bloody final act reminiscent of Die Hard. Fans of this brand of gun-blasting, knife-wielding mayhem shouldn’t be too disappointed, since these scenes help alleviate the overall depressing tone of the film, though not quite enough to make No Tears for the Dead as much kick-ass fun as recent Asian epics like The Raid 2 or Firestorm.

EXTRAS:

  • Making-of Featurette
  • Audio commentary
  • English dub and original Korean language versions

FKMG RATING:
(OUT OF 5)

February 6, 2015

THE WORLD'S EASIEST MOVIE QUIZ!

Feel like you have no movie smarts? Think again! Now here's your chance to become the movie trivia master you've always wanted to be, with nearly zero brainwork required!

Take THE WORLD'S EASIEST MOVIE QUIZ now!

February 3, 2015

THE SONG REMAINS THE SAME: Pharmaceutical Fun

Starring John Bonham, John Paul Jones, Jimmy Page, Robert Plant, Peter Grant. Directed by Peter Clifton & Joe Massot. (1976, 137 min).

When I was young and stupid, I was willing to try all sorts of new things, including drugs. I’m pretty certain I first smoked pot at 15, when me and two buddies (Clay & Rick) snuck out into the woods with a tiny bag of weed and a pipe Clay swiped from his brother’s room. It didn’t go quite as planned; after the pipe was passed to me, I took a huge hit and started coughing uncontrollably, which is normal for a newbie. But unfortunately, I didn’t take my mouth off the pipe before hacking away. Precious weed poofed from the bowl into the air, lost forever as it drifted to the forest floor. It reminded me of the scene in Annie Hall when Woody Allen sneezed while snorting a line of coke.

“Dave!” Rick yelled. “This shit cost me ten bucks!”

“Sorry,” I sheepishly said, feeling stupid.

Still, Clay and Rick were willing to give me another shot, but when I hit the pipe a second time, the same thing happened.

I thought Rick was gonna strangle me.

But like anything else, the more you do something, the better you get at it, and weed soon became the brain-altering substance of choice among me and my friends. It was easier to score than booze, with no hangover. Not only that, I could come home high as hell and my parents were none the wiser because they’d never been around anyone who was stoned (nor did they know what weed smelled like).

The high lasted longer than “whippets” (sucking the nitrous from whipped cream cans) or “Rush” (a popular inhalant available at head shops), though we indulged in those, too, because making ourselves feel funny was becoming sort of a hobby.

Pot made everything more fun. We’d have dumbass round table discussions about virtually anything (including a mindfucking argument one evening about the tangible definition of ‘nothing‘), and were convinced everything which spewed from our dry-mouths was brilliant. Pot also made cartoons funnier, concerts more rockin' and certain movies more vegetatingly awesome. One time we all climbed into a Rick’s car and drove downtown to catch a midnight showing of Led Zeppelin’s concert film, The Song Remains the Same. Rick was a guitar player and a huge fan of Jimmy Page; the rest of us went along because we were too high to argue. On the other hand, what better snack to munch on when you’re stoned than movie popcorn? It went down far-easier than Cap’n Crunch, and didn't shred the roof of your mouth.

Jimmy Page...the Damien Thorn of rock and roll.
Today, nearly every potential movie blockbuster premieres at midnight on its official release date, which allows movie geeks bragging rights of being the first to see it. But back then, midnight movies were reserved for zealots worshiping at the alter of The Rocky Horror Picture Show (arguably the first cosplayers), or those stoned out of their minds on a Friday night. Hence, most midnight movies consisted of cult-classics tailor-made for those in the wrong frame of mind (such as Monty Python and the Holy Grail, Harold & Maude, Night of the Living Dead, Tommy, Pink Floyd the Wall, Reefer Madness, etc). The Song Remains the Same was another one, and the first midnight movie I ever attended.

Filmed in 1973 (but released in ‘76), The Song Remains the Same is a concert film featuring Led Zeppelin, arguably the biggest band of the decade. It captures their performance at Madison Square Garden, interspersed with cheesy ‘fantasy’ sequences featuring each member of the band. For example, during ‘The Rain Song,’ lead singer Robert Plant is a fair-haired knight rescuing an equally fair-haired maiden; ‘No Quarter’ has bassist/keyboardist John Paul Jones as a masked horseman returning home in the dead of night; drummer John Bonham’s ‘fantasy’ (driving fast and raising a pint with his buddies) assured us he’d be the most fun Zeppelin member to party with. As for Page…his sequence was during ‘Dazed and Confused,’ which could also describe our state-of-mind while watching. I’ll say this much…back in those days, when religious fanatics were certain the Antichrist would rise from the world of heavy metal, seeing Jimmy Page’s fantasy sequence probably convinced legions of Bible thumpers they had just found their Damien Thorn.

These sequences are actually really pretentious (and dialogue-free, a good thing since none of these guys can act), but potentially mind-blowing for anyone of altered-mind. But if you aren’t thoroughly wasted, The Song Remains the Same is a long, lethargic exercise in tedium. Sure, I was stoned when I first watched it, but apparently a few tokes short of truly appreciating the film, because there were several times when I got up to pee or get more popcorn. During John Bonham’s seven-year drum solo, I actually left to take a lengthy crap, and upon my return, he was still banging away on his kit. In a bit of irony, after I took my seat, I noticed that Rick, the one guy who wanted to see this movie in the first place, had fallen asleep.

The second time I watched this movie was in college in 1988, after acid briefly became my drug of choice…

Acid (aka LSD, or 'cid, as we called it) is a weird drug. Unlike pot or cocaine, acid is cheap, non-addictive and your high lasts far beyond the point when you’ve decided you’d like to return to Earth. That’s what makes it kinda scary…a nine hour roller-coaster ride where sleeping-it-off isn’t an option. It also affects people in different ways. Some folks have ‘bad trips’ (hallucinations which make them paranoid), while others have ‘good trips’ (euphoria, feelings of deep, introspective thought...or so they think). Then there are those who swallow blotters of LSD and are chemically-induced to think everything is hilarious.

Whenever I dropped acid (which was actually only three or four times) I always fell under that last category. I think I’m lucky, because I’ve seen people totally lose control of their sanity after dropping a blotter on their tongue. While I have since-emerged from my ‘drug days’ unscathed, there were a few moments when it could have fucked-up my life altogether…

Attending college (the first time, when I majored in partying), I met a girl named Francie, easily the hottest girl to ever express an interest in me. I was actually kind-of stunned when, in a drunken stupor, I asked her out and she said yes. Since Francie initially came-across like a gung-ho party girl, I was under the false impression she’d be cool if I showed up for our second date tripping on acid. I was totally wrong. She was fucking pissed and went home, and called later that night to berate me even further, which I was convinced she did with the sole purpose of ruining my high.

Fortunately, Brian, the guy who dropped blotters with me earlier that night (because doing acid alone is fucking scary), came to my rescue, helping me forget how badly I just fucked things up with Francie. He showed up at my dorm room around midnight with a bag of junk food, beer and a couple of movies he rented from a convenience store just off-campus. We were both still tripping, and began giggling uncontrollably.

The movies he had were This is Spinal Tap and The Song Remains the Same, titles obviously chosen to enhance the moment. I had the good sense to pass on This is Spinal Tap. That movie is funny enough when sober; watching it on acid would likely have made my stomach explode, then I would have laughed myself to death at the sight of my innards spilled all over the floor.
Body by 'Cid.

So Led Zeppelin it was, and I was okay with it for awhile. Whenever the bare-chested, rail-thin Robert Plant strutted across the stage, Brian would snark, “Body by 'cid,” which sent us both` into a state of shits ’n giggles every time, like a five year old telling you the same knock-knock joke over and over. Even Bonham’s tedious drum solo becomes fun when you’re flying high enough to ponder if he approaches foreplay with the same Tasmanian Devil-like enthusiasm.

Jimmy Page, however, was an asshole, because he appeared to be the only member of the band totally aware many moviegoers likely ingested the same shit me and Brian did, and wanted to make us pay dearly for it. From his stage moves to his violin-bow solo to his totally fucked-up fantasy sequence, this son-of-a-bitch wanted to hurt us. For a brief period of time, in my state-of-mind, I was in fear for my soul…at least until Brian started laughing uncontrollably at Page’s platform shoes and black & silver bell-bottoms. That snapped me out of my funk, and thank God, because the entire ‘Dazed and Confused’ sequence was really starting to freak me out.

As much a I love and respect the legacy of Led Zeppelin (I actually like them a lot more now, in middle age, than I did back then), The Song Remains the Same is a pretentiously silly part of their canon, one which I like to pretend doesn’t exist, partially because it is pretty stupid, but also because of how it made me feel during some moments in my life I’d like to forget.

By the way, Francie eventually forgave me for that bad night, and we ended up getting married a few years later.

This essay is dedicated to Brian Smith (R.I.P.). 

February 2, 2015

February 1, 2015

Blu-Ray Review: OUIJA

Starring Olivia Cooke, Ana Coto, Daren Kagasoff, Douglas Smith, Bianca A. Santos, Metthew Settle, Lin Shaye, Shelley Hennig. Directed by Stiles White. (2014, 89 min).
Universal

If nothing else, the idea of a movie based on Ouija is far less ridiculous than, say, Battleship or Tetris (yes, a Tetris movie is in development). Though few take Ouija too seriously, there was always something slightly sinister about the board and the séance-like way the game is played that has ingrained itself on popular culture over the years, probably why it has been featured in many previous horror movies. One can easily imagine a fairly creepy little story could be derived from the concept. And for a film counting on brand name familiarity to sell tickets, Ouija actually begins pretty well, managing to avoid coming across like a 90 minute Hasbro commercial (the company which owns the game). Too bad it ultimately descends into cheap scares and dull formula.

Five high school kids are reeling from the recent death of Debbie, one of their classmates. Debbie’s best friend, Laine (Olivia Cooke) discovers an old Ouija board similar to one they use to play with as children. It turns out Debbie had been playing the game by herself (which apparently, you aren’t supposed to do). Laine coaxes her friends (and eye-rolling emo sister) to use the board to contact Debbie in the afterlife. They make contact, of course, but not with Debbie, which soon puts them all in danger.

"Don't blame me. I wanted to play Monopoly."
Our main characters are about as interesting and complex as mac & cheese, but the first half is surprisingly atmospheric for a movie aimed at the mallrat crowd, even suspenseful at times. No one will mistake it for The Exorcist (nor is it ever that scary), but at least it avoids the product-placing cynicism of previous Hasbro movies (like Battleship and Transformers).

Unfortunately, Ouija falls apart roughly around the point it feels the incessant need to provide an explanation for the supernatural goings-on. Too much exposition has killed more horror films than I care to count. The total absence of explanation or backstory is what often makes the best ones so memorable, and had Ouija gone that route, it could have been a nifty little thriller. Instead, it spirals into a depressing checklist of horror clichĂ©s…a demon’s origins, characters picked off one-by-one, gratuitous jump scares and, of course, the tried-and-true open-ended coda that ominously hints that it’s not over yet.

Then again, perhaps it’s unfair to have such expectations for any movie based on a board game, especially one which will still likely amuse its intended audience (young teens who’ve probably never seen a real horror film). Sure, Ouija ends up being a grab-bag of familiar tropes, but it’s competently made and does more with its concept than many other toy-based movies. It might even be the perfect rental for that sleepover your pre-teen kid keeps bugging you about.

EXTRAS:
Featurettes: The Spirit Board - An Evolution; Icon of the Unknown; Adapting the Fear

FKMG RATING:
1/2
(OUT OF 5)

Free Kittens Movie Guide: BLACK SUNDAY: Reality Sucks

Free Kittens Movie Guide: BLACK SUNDAY: Reality Sucks: Starring Robert Shaw, Bruce Dern, Marthe Keller, Fritz Weaver, Bekin Fehmiu, Steven Keats, Michael V. Gazzo. Directed by John Frankenhei...

January 31, 2015

Blu-Ray Review: DRACULA UNTOLD

Starring Luke Evans, Sarah Gordon, Dominic Cooper, Art Parkinson, Charles Dance. Directed by Gary Shore (2014, 92 min).
Universal

Dracula Untold is exactly what the original trailer promised, an origin story of a classic character who didn’t really need one, loaded with hyperactive, CGI-heavy action. Not really a horror film, it has more in common with The Matrix and 300 than the Dracula our granddaddies grew up with. It’s also obvious this is intended as part of a possible Universal Monsters franchise, the studio rebooting their classic franchises with the hopes of jump-starting a cinematic universe similar to Marvel’s.

Whether this is a good or bad thing depends on your expectations, which probably shouldn’t be too high after watching Dracula Untold. It's mildly entertaining, but nothing you’re likely to give much thought about afterwards.

Here, Luke Evans is Vlad the Impaler (aka Dracula), who got his title after being enslaved by Turks as a boy and trained to be a ruthless soldier. As an adult, upon returning to his native Transylvania, he becomes a prince (not sure how) and rules over a peaceful nation. Then the Turks return, led by Mehmed II (Dominic Cooper), who demands 1000 Transylvanian boys (including Vlad’s own son) to train in the Turkish army. Out-manned and desperate to protect his people, Vlad makes a Faustian deal with Master Vampire (who dwells in the hills and played by Charles Dance) to become a vampire himself with supernatural powers & the strength of a hundred men. The deal is, if Vlad can make it three days without giving-in to his newfound bloodlust, he will return to normal; if not, he will remain a vampire forever.

"Chicken Butt! Got ya, didn't I?"
And here lies one major problem with the film…being that this is an origin story, we already know Vlad won’t make it three days, so the only real suspense remaining is whether or not becoming a vampire will save his kingdom. As a result, Dracula Untold becomes primarily an action film with lots of CGI-enhanced battle scenes (as well as numerous shots of Vlad striding purposefully toward the camera in slow motion). The action is okay, but nothing remarkable enough to make it stand out from any other effects-heavy, video game-inspired film. As Vlad, Evans is decent and sufficiently brooding, and far more interesting than any of the other characters (including his wife and kid). He does a good job portraying Dracula more as a reluctant, tragic hero than the seductive villain we’re all used to. Still, he mostly exists just to kick-ass.

Of course, the film’s coda leaves the door wide open for a sequel which, since it was a box office success, we’re probably going to get. But if this is the Dracula for a new franchise, it might have more longevity if the first film wasn’t aiming exclusively at the X-Box crowd.

EXTRAS:

  • Audio commentary
  • Alternate opening with commentary
  • Deleted scenes with commentary
  • The Land of Dracula (interactive map)
  • Featurettes: Luke Evans - Creating a Legend; Day in the Life - Luke Evans; Dracula Retold; Slaying 1000
  • DVD & digital copies

FKMG RATING:
1/2
(OUT OF 5)