ON BLU-RAY 9/25 FROM
WARNER ARCHIVE COLLECTION
Producer/director Irwin Allen (The Poseidon Adventure, The Towering
Inferno) now unleashes an end-of-the-world thriller based on scientific
fact. In Africa and South America, killer bees are a reality. Now The
Swarm is on the move...into North America!There are enough stars for
five movies - Michael Caine, Katharine Ross, Richard Widmark, Olivia de
Havilland, Henry Fonda, Fred MacMurray, Richard Chamberlain, Jose
Ferrer, Patty Duke Astin, Lee Grant and Bradford Dillman. But the
scene-stealers are the supporting cast: an estimated 22 million bees,
deftly deployed to depict deadly attacks on people and places. It's a
nightmare that will give you quite a buzz!
August 31, 2018
August 28, 2018
The Affable BOOK CLUB
Starring
Dianne Keaton, Jane Fonda, Candice Bergen, Mary Steenburgen, Andy
Garcia, Don Johnson, Craig T. Nelson, Alicia Silverstone, Katie
Aselton, Richard Dreyfuss, Ed Begley Jr, Wallace Shawn. Directed by
Bill Holderman. (2018/103 min).
AVAILABLE
ON BLU-RAY FROM
Review
by Stinky the Destroyer😸
I
can't help but harbor some resentment toward E.L. James...or more
specifically, her fans. As someone whose own two novels sold a
collective 300 copies, it sickens me that they turned this hack's
sleazy brand of Momporn - germinating from her self-published
Twilight fan fiction - into bestsellers and three inexplicably
popular movies.
When
I saw the Book Club trailer,
the writer in me was incredulous. Just what we needed...a movie about
Fifty Shades of Grey, further
legitimizing the cultural phenomenon of a writer with far more
audacity than talent.
But
that's just the pretentious author in me talking. The movie blogger
in me is generally intrigued by any movie that can assemble a
cast like this, even one that looks like a pandering, high-concept
product. I could just hear the pitch for this one: "Chicks love
Fifty Shades, so what if we got four respected
actresses to swallow their dignity and play old ladies who are
inspired by it?"
Those
respected actresses are Diane Keaton, Jane Fonda, Candice Bergen and
Mary Steenburgen, playing four lifelong friends who meet once a month
to discuss a novel chosen by one of them. Vivian (Fonda) selects
Fifty Shades of Grey for their next book, which of course
means we'll get a montage of their shocked reactions while reading
it.
"Here's to swimmin' with bow-legged women." |
But
really, other than some brief segments where Carol (Steenburgen) is inspired to spice up her marriage, Fifty Shades of Grey
is simply a plot device. Book Club is mostly about the crossroads
these women have reached regarding relationships. Diane (Keaton) is a
widow who meets a charming airline pilot (Andy Garcia), while her two
grown daughters are convinced she'll die alone if she doesn't move in
with them. Sharon (Bergen) is a federal judge who still hasn't gotten
over her divorce fifteen years earlier - especially since her ex is
about to marry a woman half her age - and lonely enough
to try online dating. Carol and Bruce (Craig T. Nelson) are happily
married, but their sex life has stagnated since he retired.
Vivian has always been fiercely independent, treating men as objects,
until the one man she once fell in love with (Don Johnson), re-enters
her life.
While
there a few laugh-out-loud moments - mostly involving sex
and anatomy metaphors - Book Club isn't always particularly funny. It is,
however, the kind of congenial movie one watches with a consistent
smile on their face, knowing damn well how everything will turn out,
yet enjoying the journey anyway. Much of that is due to the cast, who
are obviously having fun with their roles (though sometimes it seems
like Fonda is trying too hard). There's little in the way of actual
conflict, but these characters are likable and their predicaments are
engaging.
No
one will walk away from Book Club feeling they just viewed a
masterpiece. However, it's affably enjoyable and makes the most of
its considerable star power. Everyone in the cast have done better
films, but their dignity remains intact because the movie isn't the
snickering sex farce I feared it would be.
EXTRA
KIBBLES
FEATURETTES
- "It All Started with a Book"; "Casting Book
Club"; "Living in the Moment"; "Location,
Location, Location"; "A New Chapter"
DELETED/EXTENDED/ALTERNATE
SCENES
DVD
& DIGITAL COPIES
KITTY CONSENSUS:
NOT BAD. LIKE CAT CHOW.
August 26, 2018
BOUND (Olive Signature Edition) and a Sad Reminder
Starring
Jennifer Tilly, Gina Gershon, Joe Pantoliano, John Ryan, Christopher
Meloni, Peter Spellos, Richard C. Sarafian, Susie Bright. Directed by
The Wachowskis. (1996/108 min).
AVAILABLE ON BLU-RAY FROM
OLIVE FILMS
AVAILABLE ON BLU-RAY FROM
OLIVE FILMS
Review
by Fluffy the Fearless😺
Once
upon a time, Lana & Lily Wachowski were simply great
storytellers...
Like
most people, my introduction to the directing duo was The Matrix.
Not only was it visually groundbreaking for the time, the story
itself was full of thought-provoking ideas that were conceptually intriguing. For me, the Wachowskis represented the
new sci-fi vanguard and The Matrix was a harbinger
of greater things to come.
But, alas,
greater things never came. Beginning with Matrix sequels,
subsequent Wachowski films grew bigger and more bombastic,
their narratives taking a backseat to special effects and disorienting
action. Interestingly, I found a Blu-ray of their last film, Jupiter Ascending,
for only three bucks at Big Lots on the same day the Olive Signature
Edition of their very first film, Bound, arrived in the mail
for review. Watching them back-to-back was a depressing reminder of how much
the Wachowskis have succumbed to their own ambitions over time.
Superficially,
Bound is unlike anything in else in their filmography. In
1996, you'd have to be a psychic to connect the dots between this
film and their next (The Matrix).
Not only does it provide a stylish spin on a completely different
genre, Bound is relatively small compared to the Wachowskis' later
epics, driven by a fiendishly-clever story and vivid
characters. With 20/20 hindsight, though, one can notice many of the creative
stylistic touches that would serve the Wachowskis well in later
films.
"This is decaf?" |
In
typical neo-noir fashion, Bound has a pair of lovers hatching
a risky plot to abscond with ill-gotten money from a dangerous
antagonist. The twist, however, is that the protagonists are both
women. Corky (Gina Gershon) is an ex-con making ends meet by painting and repairing an apartment. Violet (Jennifer Tilly) lives next door with
mid-level gangster Caesar (Joe Pantoliano). Not only does Violet want out of the mob life, she's attracted to Corky. The feeling
turns out to be mutual, and not long after consummating their
relationship, the two come up with an intricate plan to steal a
suitcase full of mob money, scheduled to be picked up by Caesar's boss.
Corky and Violet share some gum. |
That
Bound has
lesbian protagonists is not a gratuitous gimmick. The sex scenes are
highly erotic without being overtly explicit. But more importantly,
Violet and Corky are as dynamic and complex as Ned and Matty in
Body Heat, only more likable. They're dropped into a story that is clever, violent, suspenseful and sometimes very funny, peopled by
amusing secondary characters. Pantoliano is terrific in an
increasingly maniacal performance, while unknown-at-the-time
Christopher Meloni is a real hoot as sadistic thug Johnnie Marzzone.
Ultimately,
Bound is an exceptional directorial debut and arguably the
Wachowskis' second-best film. Bereft of the bells and whistles they'd
later come to depend on, it tells a compelling story with little more than
a smart screenplay, a bit of dazzling camerawork and a perfect cast. Watching Jupiter Ascending immediately
afterwards was another sad reminder that maybe these two directors
would be better off without bottomless budgets and visual fireworks.
EXTRA
KIBBLES
UNRATED
VERSION OF THE FILM
NEW
FEATURETTES - "The Difference Between You and Me" (a twenty
minute featurette about neo-noir as it relates to Bound).
FEATURETTES
(from the 2014 UK Blu-ray release) - "Modern Noir: The Sights
and Sounds of Bound"
NEW
INTERVIEW - "Part and Parcel" (with title designer Patti
Podesta).
INTERVIEWS
(from the 2014 UK Blu-ray release) - "Femme Fatales" (Gina
Gershon & Jennifer Tilly); "Here's Johnny!"
(Christopher Meloni). Though listed on the cover, an interview
with Joe Pantoliano is not included.
AUDIO
COMMENTARY (from the 2014 UK Blu-ray release) - With the Wachowskis,
editor Zach Staenberg, sex consultant Susie Bright, Gina Gershon,
Jennifer Tilly, Joe Pantoliano.
ESSAY:
"WE KNOW HOW THIS ENDS" - Booklet and video text versions, written by Guinevere Turner.
TRAILER
KITTY CONSENSUS:
MEE-OW! LIKE TAUNTING A MOUSE TO DEATH
August 24, 2018
THE NAKED AND THE DEAD: User-Friendly Norman Mailer
Starring
Aldo Ray, Cliff Robertson, Raymond Massey, William Campbell, Barbra
Nichols, Richard Jaeckel, James Best, Joey Bishop, Robert Gist, L.Q.
Jones, Lili St. Cyr, Jerry Paris. Directed by Raoul Walsh. (1958/131
min).
AVAILABLE ON BLU-RAY FROM
WARNER ARCHIVE COLLECTION
AVAILABLE ON BLU-RAY FROM
WARNER ARCHIVE COLLECTION
Review
by Mr. Paws😸
I
once took an American Lit class from a professor with a serious
man-crush on Norman Mailer. We were subjected to several of his
novels, including The Naked and the Dead, which was inspired
by the author's own experiences in World War II. While I admittedly
harbored a bit of resentment from being forced to read a 700 page
novel during the first goddamn week - in addition to the workload of
my other classes - I didn't share my professor's enthusiasm.
Personally, I found Mailer's prose ponderous and pretentious. Worse
yet, with no Cliff's Notes available, I had to power
through the thing by sheer will and lots of caffeine.
Had
I known it was adapted into a movie back in 1958, I might have been
tempted to bluff my way through class discussions and my subsequent
analytical essay. But I would've likely been rewarded with an F
because the film jettisons most of the novel's heavier themes -
stuff that lit professors love - in favor of focusing on its basic
story and the main characters. Perhaps because film is a completely
different medium - not-to-mention I wasn't forced to watch it for a
grade - I found The Naked and the Dead to be very engaging,
one of the better World War II action epics of the era. It's also the
last good movie from director Raoul Walsh, certainly an improvement
over his previous war effort, the sudsy, jingoistic Battle Cry.
Aldo Ray in time-out. |
After
a woefully shaky start - some pointless flashbacks and a gratuitous opening scene in a strip club -
the basic story focuses primarily on the Army's attempt to take a
Japanese-occupied island. Commanding the operation is General
Cummings (Raymond Massey), who believes fear and hatred of his superiority motivates the men. It's a philosophy not shared his aide, Lt. Hearn (Cliff
Robertson), whose overt empathy for the soldiers prompts Cummings to put him in command of a dangerous
recon mission out of sheer spite. The platoon Hearns is assigned to is
usually commanded by Sgt. Croft (Aldo Ray), a career soldier known
for his ruthlessness and cruelty. Needless
to say, Croft resents being forced to take orders from an
inexperienced officer.
The
unfolding relationship between these three is fascinating and the
film does a masterful job revealing their true natures. Cummings
turns out to be a vindictive megalomaniac, more than willing to
sacrifice others to satisfy his own ego. Hearns is selfless and
compassionate, the only one who seems mindful of war's human
attrition. But it's Croft who proves the most compelling. At first,
he simply comes across as coldly effective at his job. He may not
be loved, but his actions get results. As the narrative unfolds,
however, Croft is not only violent, but hatefully sadistic with no
qualms about killing, enemy or otherwise. The dichotomy between Croft
& Hearns is remarkably similar to that of Barnes & Elias in
Oliver Stone's Platoon.
The
last hour is gripping and emotionally intense, with a final act that
probably had my professor fuming indignantly, but very satisfying
from a cinematic standpoint. A winning music score by the great
Bernard Herrmann - which is oddly reminiscent of his sci-fi scores -
wonderfully enhances the tension.The Naked and the Dead may
not help you pass your American Lit class, but it's user-friendly and a terrific
(anti?)war film worth rediscovering, especially on this great-looking Blu-ray.
EXTRA
KIBBLES
TRAILER
KITTY CONSENSUS:
PURR-R-R...LIKE A GREAT SCRATCH BEHIND THE EARS
August 23, 2018
SKYSCRAPER on Digital 9/25 and 4K Ultra HD, 3D Blu-ray, Blu-ray & DVD 10/9
VISIT THE OFFICIAL SITE |
Fueled with adrenaline and high impact verticality, Skyscraper is led by superstar Dwayne Johnson who plays former FBI Hostage Team leader, U.S. war veteran and amputee Will Sawyer. While on assignment in Hong Kong as an assessor for security in skyscrapers, he comes to find the tallest and safest building in the world suddenly ablaze, and he has been framed for it. Wanted and on the run, Will must find those responsible, clear his name and save his family who is trapped inside the building… above the fire line. Hailed as “thoroughly irresistible” (Justin Chang, LA Times), Skyscraper is written and directed by Rawson Marshall Thurber (Central Intelligence, We’re the Millers) and produced by Beau Flynn (Rampage, San Andreas), Hiram Garcia (Rampage, Jumanji, San Andreas) and Johnson. The action-packed film also stars Neve Campbell (Netflix’s “House of Cards,” Scream franchise), Chin Han (The Dark Knight), Roland Møller (Land of Mine), Pablo Schreiber (Starz’s “American Gods,” 13 Hours) and Hannah Quinlivan (Moon River).
August 22, 2018
NEVER SO FEW: Steve McQueen Goes to Cool School
Starring
Frank Sinatra, Gina Lollobrigida, Peter Lawford, Steve McQueen,
Richard Johnson, Paul Henreid, Dean Jones, Charles Bronson, Philip
Ahn, Brian Donlevy, Robert Bray, Kipp Hamilton, George Takei, James
Hong. Directed by John Sturges. (1959/124 min).
AVAILABLE
ON BLU-RAY FROM
Review
by Mr. Paws😺
Steve
McQueen is the coolest guy who ever lived. It's been scientifically
proven and anyone arguing otherwise is probably a Flat-Earther, too.
Ever since Mom & Dad brought took me to see Le Mans eons ago, McQueen has been one of my heroes. Whenever one of his old
movies showed up on TV or a new one arrived in theaters, I'd be
there. While I acknowledge he didn't really have a ton of range, McQueen
was always the coolest guy on the screen...and he knew it, which somehow made him even cooler.
But
not even Steve McQueen was born cool. He had to learn it somewhere, and I'm
certain one of his mentors was director John Sturges. If The
Magnificent Seven and The Great Escape is where McQueen
graduated to being the King of Cool, then the first film he and Sturges did together,
Never So Few, might be considered his training ground.
Frank
Sinatra is actually the film's star, playing Tom Reynolds, a maverick
captain who commands a eclectic troop of OSS soldiers and Burmese
natives during World War II, fighting the Japanese by attacking
their outposts. In between raids, he woos a wealthy trader's high
society girlfriend, Carla (Gina Lollobrigida). Sinatra's charming and
Gina is gorgeous, of course, but their love story is pedestrian and
slows the story to a crawl.
To his consternation, Frank realizes he is out-cooled. |
However, whenever
Reynolds is with his team in the jungle, Never So Few
is unpredictable, exciting and often pretty intense (Reynolds
shoots one of his own mortally-wounded men because they have no
doctor or morphine). Surrounding him is a great cast,
including Charles Bronson as a tough-as-nails fighter (of course),
Peter Lawford as a reluctantly-recruited doctor, Richard Johnson as
Tom's closest friend and a young Dean Jones playing way against type.
But
even though he's essentially a peripheral character, McQueen steals
every scene he's in. Never So Few isn't his first film, but it
is where he's just beginning to hone the persona that would
be his bread & butter for the rest of his life. As
newly-recruited Corporal Bill Ringa - who Reynolds admires for his
brashness - we can catch early glimpses of the devil-may-care "Cooler
King," the earnestness of Vin Tanner and even some of Frank
Bullitt's unflappability.
So
God bless John Sturges for helping Steve McQueen learn how to be
Steve McQueen. He's easily the best part of Never So Few
and even Sturges knew it at the time, which is probably why they
worked together two-and-a-half more times (the 'half' being 1971's Le
Mans, which Sturges eventually quit). The movie itself pales in
comparison to Sturges' best work, but as a harbinger of things to
come, it's quite fascinating.
EXTRA
KIBBLES
TRAILER
KITTY CONSENSUS:
NOT BAD. A MUST FOR McQUEEN FANS
August 20, 2018
Ever Heard of CRAZY SIX?
Starring
Rob Lowe, Burt Reynolds, Ice-T, Mario Van Peebles, Thom Matthews,
Ivana Millicevic, Blanka Kleinova. Directed by Albert Pyun. (1997/94
min).
AVAILABLE
ON BLU-RAY FROM
Review by Tiger the Terrible😼
Perhaps
you're like me...checking out this cast and asking yourself, "How
come I've never heard of this movie?" After all, it's two
decades old, and while none of these guys were ever mistaken for
Daniel Day Lewis, they've all made their fare share of entertaining,
low-ball action flicks. Well, maybe not Rob Lowe, who's never been
the star of anything worth seeing twice.
Still,
the idea of gathering these straight-to-video heroes for some
gratuitous gunplay sounds like time well-spent on the sofa, even if
the titular character is played by Lowe.
But
only twenty-minutes in, it was clear why I had never heard of Crazy
Six.
In
an unnamed Eastern European country where crime runs rampant, Crazy
Six is a crack addict hired by gangster Dirty Leo (Mario Van Peebles)
to steal cash and plutonium (!) from rival Raul (Ice-T). But Leo is
actually setting him up take the fall when the job goes south. While
trying to recover what he rightfully stole, Six becomes infatuated with sultry
lounge singer (and recovering junkie) Anna (Ivana Milicevic). Cynical American
lawman Dakota (Burt Reynolds), who once busted Anna, eventually gets
involved, cowboy hat and all.
Ice-T phones it in. |
Sounds
like the makings of a decent - if unoriginal - action thriller.
Instead, the plot and motives of its villains are murky at best.
After the initial robbery, the action slows down to a crawl...almost
literally. Prolific cult director Albert Pyun goes way overboard with
slow-motion and montages set to pulsating industrial music, trying in
vain to pad-out his flimsy story by creating an illusion of urgency.
We
spend a majority of the time with Crazy Six and Anna. In between
breathlessly - and endlessly - crooning techno-ballads onstage, she
falls inexplicably in love with this guy, who looks like a vagrant that wouldn't even be allowed to enter the neon nightclub where she
sings. Lowe may to be trying to shed his pretty-boy image here, but his
idea of intense and gritty consists of scowling behind a porn
star mustache and moving like he pooped his pants.
Since
this was made just before Boogie Nights briefly resurrected
his career, one can assume Reynolds took the role because he needed
the work (or simply fancied a trip to Europe). Still, he's enjoyable
in a role that seems tailor-made for him. Despite being prominently
featured on the cover, Ice-T hardly shows up at all and does little
more than glare (I doubt if he has ten total lines of dialogue). Van
Peebles comes of worst, decked-out like a pimp and continually
lugging around a trembling chihuahua while unintelligibly mumbling his
lines with a godawful French accent (in Van Peebles' defense, I'm sure none of this was his idea).
The
whole thing comes to an abrupt and underwhelming conclusion. A shame, really. With a cast like this, Crazy Six should have been 90
minutes of mindless fun. While there's mindlessness in abundance, the fun is conspicuously missing, even for fans of any of these actors.
Dull and forgettable, the film has earned its anonymity.
KITTY CONSENSUS:
MEH.
Ryan Reynolds Gets a Diaper Change in New DEADPOOL 2 Video
THE DEADPOOL 2 SUPER DUPER $@%!#& CUT
ARRIVES ON 4K UHD AND BLU-RAY 8/21
ARRIVES ON 4K UHD AND BLU-RAY 8/21
THE NIGHTMARE BEFORE CHRISTMAS 25th Anniversary Edition on Digital and Blu-ray Sept. 2
Tim
Burton’s “The Nightmare Before Christmas,” the stop-motion animated
musical-fantasy following Pumpkin King Jack Skellington’s misguided
mission to make Yuletide his own, was hailed as a macabre masterpiece
when it debuted in 1993 and holds a 95% critics
rating on Rotten Tomatoes. Twenty-five years later, fans can relive the
merry misadventure—and sing or shriek along in brand-new sing-along
mode—with the 25th Anniversary Edition of “The Nightmare Before Christmas.” Viewers can get their spook on
instantly via Digital, Movies Anywhere and on Blu-ray Sept. 2.
The
new edition audiences to experience “The Nightmare Before Christmas”
two different ways: the original,
full-length film, in which the holidays collide with chaotic and
comical consequences, and all-new sing-along mode, which includes pop-up
lyrics to 11 unforgettable songs like “What’s This” and “This Is
Halloween.” The Multi-Screen Edition of “The Nightmare
Before Christmas” includes a Blu-ray and Digital Code giving viewers
the flexibility to watch the film on different devices.
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